Underground wonders

The Athens metro is the most beau­ti­ful metro we’ve ever seen.  It is clean and it runs smoothly which makes it easy to like, but the true gems are built into the metro as mini-museums that take you back thou­sands of years.

The metro has one line which dates back to the late 1800s. Two other lines were added when the metro went through major ren­o­va­tions in the 1990s and, if I’m not mis­taken, this ren­o­va­tion was par­tially inspired to bol­ster their 1996 Sum­mer Olympics bid.  Though the attempt proved futile, the metro is absolutely strik­ing.  The ren­o­va­tion ended around 2000 and was quite the expen­di­ture which some Greeks say con­tributed to their cur­rent eco­nomic state.

Work on the metro was slow because of all the antiq­ui­ties dis­cov­ered along the way. The main prob­lem con­struc­tion work­ers faced was not hav­ing to dig through rock but hav­ing to sift through his­tory.  Every time they dug a new hole they would find an ancient grave or a wall or road so they would put down their picks and shov­els and call in the archae­ol­o­gists who would do their dig­ging with tooth­brushes.  This time was well worth it, how­ever, because this metro is no typ­i­cal trans­porta­tion net­work, it is a series of mini exhibitions.

Walk­ing down mar­ble steps into the sta­tion, you find your­self in a mod­ern uni­verse with ticket machines and esca­la­tors.  But as you descend to a track, you pass all sorts of arti­facts from dif­fer­ent peri­ods of Athen­ian civ­i­liza­tion.  Encased in glass is strat­i­fied exca­va­tion where you see ancient pots, oil lamps, mosaic floors, columns, por­tions of walls and roads, cis­terns, bur­ial remains, clay drainage pipes, and more.  These arti­facts range from the 6th cen­tury BC through Byzan­tine times.  There are also plas­ter casts of fig­ures from the Parthenon.

On top of being cul­tural and edu­ca­tional, the metro is untar­nished which is a feat for any pub­lic trans­porta­tion unit.  The cars them­selves are clean and oper­ate smoothly. The sta­tions are spa­cious and well-lit with hardly a mark of graf­fito or piece of garbage to be seen.  Most plat­forms even have a mon­i­tor which indi­cates when the next metro is arriv­ing.The only unfor­tu­nate aspect of all this free and espe­cially avail­able his­tory is the fact that it is over­looked due to the inevitable quick pace demanded by its milieu.  Peo­ple gen­er­ally treat pub­lic trans­port as a means to an end and there­fore wouldn’t stop to look at a vase.

How­ever, I’ve been pleas­antly sur­prised by the num­ber of peo­ple who do stop and think about arti­facts.  Quite a few peo­ple do gaze at the 2,500 year-old ceramic vase, more prop­erly called amphora, which was once given to the win­ner of the Pana­thenaic games.  Many appre­ci­ate the fact this vase was once filled with first-class olive oil—a pre­cious and expen­sive del­i­cacy.  And that this olive oil was a prize for one of four sports fes­ti­vals held in ancient Greece col­lec­tively called the Pan­hel­lenic games.  And that one of the other three sports fes­ti­vals held every four years in Olympia is still cel­e­brated.  Very soon in fact, in Lon­don.  All of this his­tory is con­tained in one vase, in one mini-museum of one metro sta­tion. For­tu­nately for us, we pass through these sta­tions daily and take it in as we scurry through.

In Athens, his­tory truly is every­where to be found.  Even underground.

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