Recently, we found an unbound group of etchings by Joachim von Sandrart. We now know they are plates from Christianus Rhodius (fl. 1680), Joachimi de Sandrart … Academia nobilissimæ artis pictoriæ. Sive Dē veris & genuinis hujusdem proprietatibus, theorematibus, secretis atque requisitis aliis … instructio fundamentalis (Noribergæ: Literis Christiani Sigismundi Frobergii, 1683).
The artist and art historian Joachim von Sandrart (1606-1688) trained under Sebastian Stoskopff in Frankfurt, learned printmaking under Aegidius Sadeler in Prague, and worked in Gerrit van Honthorst’s studio in Utrecht. Initially, Sandrart planned to be an engraver but found success as a painter. During his career, he associated with Claude Lorrain and Nicolas Poussin; did drawings with Andrea Sacchi and Pietro Testa; and in 1653, was ennobled and made a member of the Palatinate-Neuburg Council.
From the mid 1660s, Sandrart was increasingly devoted to academia. He helped to establish the academy of art in Nuremberg (1662) and in Augsburg (1670). Sandrart became director of the Nuremberg academy.
In 1668, Sandrart began to write the Teutsche Academie der edlen Bau- Bild- und Mahlerey Künste, the first encyclopedic art history in German, with editorial help from the poet Sigmund von Birken. The work, published in three volumes between 1675 and 1680, was dedicated to the artists and art collectors of his day. The first two volumes include essays on architecture and sculpture, the theory of painting, biographies of ancient and modern artists, and descriptions of various art collections. Volume three added a translation of Ovid’s Metamorphoses and Cartari’s mythographic handbook. For a more complete description and searchable full-text, see http://www.sandrart.net/
In 1683, Christianus Rhodius translated part of Teutsche Academie and publish it along with a group of plates. This is the group now in graphic arts: approximately 66 etching with engraving, designed by Sandrart and printed by Philipp Kilian (1628-1693) and others.
Marquand Library has a first edition: L’Academia todesca della architectura, scultura & pittura: oder Teutsche Academie der edlen Bau- Bild- und Mahlerey Künste… (Nürnberg: J. von Sandrart; Frankfurt: M. Meriam, 1675-79). SAX Rare Books Oversize N7420 .S2f
Note, center left, Sandrart includes the image of an African European artist called Higiemonde. No biography is given.