Of Course It's Fake: Catching Rye In China
I’d be really worried if Holden Caufield ever came to China. China is a country where people work hard to maintain good social relations and retain social harmony (a phrase I hear a lot in China and never cease to see on government posters and banners), with the result that telling a social lie or being misleadingly indirect has never seemed easier.
Look at how many words Chinese has for “harmony,” and you can see how important social harmony is in China. My trusty Third Edition Oxford Chinese dictionary lists ‘yizhi,’ ‘xietiao,’ rongqia,’ ‘heshengxue,’ and ‘ronghe,’ although I know from my interactions with Chinese friends that there are still other words for harmony. My apartment building is emblazoned with golden slogans emphasizing harmony.
In addition to the emphasis on harmony, China is also where many actions are motivated by a desire to “save face,” a phrase I as a foreigner have often found difficult to fully understand. Nuances aside, the objective of saving face is to preserve others’ esteem, and this can often mean the desire to avoid confronting unpleasant truths or even a pervasive soft acceptance of social artifice.
All of this isn’t new to me in my understanding of China, but I was recently amazed by how accepted social artifice is.
Recently, a Chinese friend of mine told me a story about how her best friend took her boyfriend to meet all of her friends. Worried about her boyfriend’s impression of her friends, the girl coached her friends down to the smallest detail, telling them what to say, what colors to wear, where to sit—even which style of earrings were permissible. If she could coach them well, her boyfriend would have a good impression and their relationship could continue without a hitch.
I interrupted my friend at this point, with a tone of indignation, “But that way she’s not meeting her real friends. It’s all just fake!”
“Of course it’s fake!” my friend said, surprised at my indignance.
To me, the important difference is not the existence of a phony social interaction. America and every country in the world is full of social artifice, lies to smooth over friendships, marriages, and bosses. If a girlfriend asks me whether a dress makes her look fat, the words, “No, of course not!” will jump from my mouth as fast as my hand jerks away from a hot stove burner.
Rather, the difference lies in the underlying expectation that the world shouldn’t have to have this phoniness.
Even though we have social artifice in the United States, we seem to begrudge the fact that it’s necessary. To my Chinese friends, I must seem hopelessly naive. To me, the ideal world should be real and open, free from artifice, honest and direct. Yet, here social smooth-overs seem to be such an ingrained part of life that they are to be expected without hesitation.
This difference, I believe, is why Holden Caufield and Catcher in the Rye can capture the imagination of so many American youths. But China has no Holden Caufield.
I read with interest, recently, a second-hand account of an American professor who tried to teach “Catcher in the Rye” to a class of Chinese college students and was met with utter confusion.
A Chinese Holden Caufield, walking the streets of Guangzhou with contempt for his teachers and parents is hard to imagine. At the very least, Confucius would be rolling over in his grave.
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