Podcasts! Podcasts! Podcasts!

bibliofiles artwork by aliisa leeI’m delighted to announce that the BiblioFiles, our illuminating interviews with children’s book authors, are now available as podcasts! Download interviews with Phillip Pullman, Sharon Creech, Candace Fleming, Atinuke, Rebecca Stead, Gary Schmidt, Trenton Lee Stewart, M.T. Anderson, and more!

To visit the main site (which includes webcasts and interview transcripts), click here.
To visit podcast central, click here.

Interestingly enough, it was Lloyd Alexander who inspired this program.

Back in 2003, when I was still in graduate school, I decided to start reading children’s literature to counter all the academic reading I was tackling. Seeking some of my old favorites, I discovered that, happily, some authors had kept writing while I was detoured by college, working life, and graduate school. While reacquainting myself with Lloyd Alexander’s Chronicles of Prydain (“A Fflam thrives on danger!”), I found his 2003 book, The Gawgon and the Boy.

It’s a wonderful story about a boy named David who, after recovering from a life-threatening illness, is tutored by his Aunt Annie (a tough individual he secretly names “The Gawgon,” after the mythological monster, the Gorgon). However, as they spend more time together, the boy realizes what a true treasure the Gawgon is. I found the book to be lively, unique, and utterly heartwarming (later, I learned that it was also semiautobiographical, which makes it even more wondrous). So, at the tender age of 28, I wrote my first letter to an author, sharing how much I had loved reading his book.

And Mr. Alexander wrote back!

So I wrote him back!

And he wrote me back!

I wrote my last letter to him in 2006. I described how I had just moved to New Jersey, having accepted a job at the Cotsen Children’s Library at Princeton University. I told him my greatest hope was to design creative literacy programs for children that would be worthy of the Gawgon. In the back of my mind, I had already decided that I once I got my legs under me, I would invite Mr. Alexander to the library for a visit.

Unfortunately, it was not to be; he passed away in 2007. I was incredibly saddened by the news. While I had already shared, through my letters, how much I loved his books, I would never get to truly voice my gratitude to him. I would never get to ask him questions about his writing and hear his responses. The conversation I wanted to have with him  about his characters, his inspirations, and his experiences was no longer possible. I decided that I needed to find a way to record and preserve conversations with the creators of brilliant, creative, beautiful, funny, and thoughtful children’s books.

Thus, the BiblioFiles. It took some time to get the program up and running, but in 2009, I aired my first interview with the enormously talented Kenneth Oppel. It was recorded in a tiny room at WPRB, a local radio station. Shortly after that, we moved to the University’s new Broadcast Center. Originally, the interviews were aired during the All-Ages Show, a children’s radio program. Then the interviews became webcasts, and our online archive was launched. Now, the interviews are downloadable as podcasts!

It’s my sincerest wish that you find inspiration in these interviews. Perhaps you’ll gain some good advice about writing, hear a character’s voice come to life, discover an interesting behind-the-scenes story, or simply learn what your favorite author’s laugh sounds like! I hope that the conversations evoke deeper connections to the books you love, and introduce you to new books you have yet to discover. Listen, laugh, ponder, discover, but most of all, enjoy.


BiblioFiles artwork by the super talented Aliisa Lee. 

Deepest heartfelt thanks to Dan Kearns, the Princeton University Broadcast Center’s sound engineer extraordinaire.

An additional shout out to Lance Harrington, the Broadcast Center’s resident wizard, for his endless patience and assistance in launching the podcast site!

The BiblioFiles Presents: Martin Kratt

martin and chris kratt

Martin Kratt (left) and Chris Kratt (right). Photo courtesy of J. Shulz, Brookfield Zoo

Just posted! An interview with Martin Kratt from the popular PBS Kids animated series Wild Kratts. Along with his brother Chris, Martin writes, directs, and stars in the show.

Wild Kratts is best described as a blend of zoology, biology, science fiction, and comedy. Team Wild Kratt consists of brothers Martin & Chris, engineer Aviva, communications expert Koki, and pilot Jimmy Z. The team is on a constant global road trip as they visit and observe creatures in their various habitats. Martin and Chris can also become the creatures with the help of their high tech Creature Power Suits. By touching the creature and pressing a chest disc, the brothers transform into slick, stylized versions of mammals, reptiles, birds, and insects. Along with the animated portions of the program, there are live action segments in which Martin and Chris introduce the real creatures and habitats featured in the program.

In addition to Wild Kratts and their live national tours, the Kratt brothers have produced a number of award-winning nature shows including Kratt’s Creatures, Zoboomafoo, and Be The Creature. Wild Kratts has earned them three daytime Emmy nominations for “Outstanding Writing in a Children’s Series.”

The Kratt Brothers are informative, fun, and completely engaging. They have an intrinsic talent for making non-fiction exciting and inspirational. From the smallest insect to the largest mammal, their enthusiasm for creatures is genuine and infectious. I can honestly say I see the creature world in a completely different light after enjoying several seasons of Wild Kratts with my children.

This summer, the Kratt Brothers published their first Wild Kratts book, Wild Sea Creatures: Sharks, Whales, and Dolphins! Their second book, Wild Reptiles: Snakes, Crocodiles, Lizards, and Turtles will be released in January.

Follow this link to the BiblioFiles interview

Breakfast with Bosch

breakfast with boschLast weekend, in an undisclosed location on the East Coast, I managed to track down the elusive Pseudonymous Bosch as he received his morning coffee and oatmeal. Mr. Bosch, who concluded his bestselling Secret Series in 2011, has a new book. It’s called Bad Magic.

bad magicYears have passed since Max-Ernest, Cass, and Yo-Yoji finally triumphed over the Masters of the Midnight Sun. But for Max-Ernest’s little brother Clay, things are getting bad. First, Max-Ernest disappears. Second, a graffiti mural bearing the words “Magic Sucks” appears on the wall at school – with Clay’s name on it. Clay didn’t do it. He did, however, write the words “Magic Sucks” in a worn leather book his language arts teacher gave him. But how did the words get from the book to the wall?

Clay is suspended from school, threatened with repeating sixth grade, and sent to Earth Ranch, a summer camp for struggling youth that happens to be on an isolated volcanic island in the Pacific Ocean. The story unfolds in the bizarre, unconventional, hilarious, and highly enjoyable manner that only Pseudonymous Bosch can deliver (and aptly footnote as well).

25It’s been approximately 3 years since you finished the Secret Series. When you were finishing it, did you know that you were going to continue the adventure with Max-Ernest’s little brother Clay?
No…as far as I was concerned, the series was done. I’d gone through all 5 senses, and it seemed senseless to continue. That’s the first time I’ve made that joke [laughter]. But I kept hearing from readers wanting to hear more because of course, the last book in the Secret Series, You Have to Stop This, was so complete and answered all questions and left nothing dangling and was such a perfect book in every way that all the readers were totally unsatisfied and wanted to hear more [laughter]. So a few of them asked me “Well, if you’re not going to continue the Secret Series, what about a new series with Max-Ernest’s little brother Clay?” And I said “No way, I never take ideas from readers. I have my artistic integrity.” Anyway…I decided to write a series about Clay.

Did you go to an isolated volcanic island to research this book?
In truth, I did go to a volcanic island to research the book. However, it isn’t all that isolated. Some people know it as “Hawaii.”

Did you go on a hike with a llama?
I went on a llama walk. Not a hike, a walk. There’s a llama ranch in California that offers llama walks. Which is much like, it turns out, walking a dog. The llamas are on leashes and you don’t ride the llama. You walk the llama. [laughter] It was an eye-opening llama experience.

13Did you spend time at a camp for juvenile delinquents?
Ah…I’ll take the fifth.

The Secret Series ended up being 5 books and took you over 4 years to write. What’s it like to stand on the edge of another writing project?
Even more intimidating because I know how hard it is. For me, writing never gets easier. It just changes.
 
How have you changed as a writer since you finished the first series?
I’m a much more self-conscious writer in every way now. That’s good and bad I guess. The Secret Series was very spontaneous. As you might remember, I wrote it as part of a volunteer program at an elementary school and I wrote it in installments through the mail with no particular plan or idea that the book was even going to get finished.

And there was a certain kind of wacky zaniness that lasted throughout the Secret Series. Once, in an interview, someone noted that it didn’t seem like I had any rules in my universe [laughs]. I didn’t know quite what to say to that because it’s a truism in fantasy fiction that your universe is supposed to have a very strict set of rules, and that’s what gives it believability. I guess the “rule of rules” is the rule that I’ve broken.

But now as a more experienced, as it were, writer…there’s more of a sense of the marketplace, more of a sense of my readership, more of a sense of how stories work, there are a lot more conversations running through my head as I’m writing. In some ways, it makes me more confident, but it other ways, it can be stifling to creativity.

Is it difficult to write as the narrator and the character? Do you ever struggle with the balance between the two?
Bad Magic is, I would say, a little bit more character-driven than the Secret Series – certainly it’s more inside one character’s head. Actually, the first draft was written almost entirely through Clay’s perspective. It was a different way of storytelling – because the voice of Pseudonymous Bosch is so strong in the other books. I wanted to try my hand at writing more of a conventional novel. Then, as I revised the book, I found myself adding more of the wacky Pseudonymous voice until I ultimately had to dial it back again.

17Do you still love chocolate?
I still love chocolate.

Do you still hate mayonnaise?
I still hate mayonnaise.

In five words, describe the next book.
Is it really about dragons?

If, by the way, you’d like to hear Mr. Bosch chat about his Secret Series (including admirably holding his own in a flurry of free association) you can find the interview here. He doesn’t have a website or blog. This site was obviously made by an imposter.


Cover art and illustrations by Gilbert Ford are used with permission of Little, Brown and Company.