A Princeton Degree For a Yalie: George H.W. Bush Visits Princeton, 1991

On May 10, 1991, Pres­i­dent George H.W. Bush came to Princeton’s cam­pus to receive an hon­orary Doc­tor of Laws degree and ded­i­cate the University’s Social Sci­ence Com­plex. This $20 mil­lion dol­lar project included the newly con­structed Bend­heim and Fisher Halls, as well as a ren­o­va­tion of Cor­win Hall. This Reel Mudd blog post includes video of both of these events, along with other scenes related to the President’s visit.

Pres­i­dent Bush’s visit was notable for sev­eral rea­sons. This cer­e­mony was Bush’s first appear­ance out­side of Wash­ing­ton DC after suf­fer­ing atrial fib­ril­la­tion while jog­ging at Camp David. In addi­tion, Bush’s speech (begin­ning at 00:50:26) was expected to be a major pol­icy speech, though a report indi­cates that the pres­i­dent rewrote the address en route to Prince­ton in order to tone down direct attacks on Con­gress (Daily Prince­ton­ian, Vol­ume 115, Num­ber 65, 13 May 1991). While still pep­pered with crit­i­cism of Con­gress, the President’s talk was mainly a dis­cus­sion of the Exec­u­tive Branch’s pol­icy mak­ing role com­pared to that of the Leg­isla­tive, and Bush’s per­sonal oppo­si­tion to cre­at­ing new bureau­cra­cies. The speech is also pep­pered with humor about the Princeton/Yale rivalry and the President’s place within it (51:42), as well as Bush’s health(50:39), the Nude Olympics (51:22), John F. Kennedy (52:02), and the Prince­ton alle­giances of Sec­re­taries of State George Shultz ’42 and James Baker ‘52  (52:28).
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Bush Receives his hon­orary degree from Pres­i­dent Shapiro *64.
His­tor­i­cal Pho­to­graph Col­lec­tion, Indi­vid­u­als Series, Box MP2

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Residential Colleges and Wu Hall

In this short video from around 1983, Pres­i­dent Bowen dis­cusses Wu Hall, the then-new din­ing facil­ity for But­ler College. The video high­lights three ele­ments that played increas­ingly sig­nif­i­cant roles in shap­ing Prince­ton over the fol­low­ing decades: the sup­port of alum­nus Gor­don Wu, the res­i­den­tial col­leges sys­tem, and the archi­tec­ture of alum­nus Robert Venturi.

We don’t know the exact pur­pose for which this video was cre­ated, but it may have been part of the pro­mo­tional mate­r­ial for A Cam­paign for Prince­ton, the fundrais­ing cam­paign that offi­cially ran from 1982 to 1986. As pre­vi­ously dis­cussed on this blogA Cam­paign for Prince­tonwas enor­mously suc­cess­ful, bring­ing in an aver­age of $1,000,000 per week at its height.The Sup­port of Gor­don Wu ’58

In 1981, before the cam­paign even offi­cially began, alum­nus Gor­don Y.S. Wu donated $1,000,000 to it. Wu earned a Bachelor’s of Sci­ence in Engi­neer­ing from Prince­ton in 1958 and sub­se­quently returned to his native Hong Kong. There, he founded Hopewell Hold­ings, a firm whose notable projects have included high­ways, hotels, rail­roads and power plants through­out Asia. Wu has been described as one of the wealth­i­est busi­ness­men in Hong Kong and as one of the most influ­en­tial engi­neers and busi­ness­men in the world.
As A Cam­paign for Prince­ton was offi­cially being launched in 1982, Prince­ton announced that Wu had donated an addi­tional 25 mil­lion Hong Kong dol­lars in honor of his class’s upcom­ing 25th anniver­sary reunion. The funds, then equal to approx­i­mately USD $4.3 mil­lion, were used pri­mar­ily to con­struct a din­ing facil­ity for the then-new But­ler College.
As gen­er­ous as these dona­tions were, they rep­re­sented only a small frac­tion of what was to come. In 1995, Wu made a his­toric pledge to the With One Accord fundrais­ing cam­paign, which was held as part of the University’s 250th anniver­sary. That year, Wu pledged to donate USD $100 mil­lion, the largest gift ever by a for­eigner to a U.S. uni­ver­sity, with the last pay­ment sched­uled to coin­cide with his class’ 50th anniver­sary reunion in 2008. Wu is cur­rently serv­ing as a Trustee of Prince­ton Uni­ver­sity, with a term end­ing in 2012.
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The Vision of William Bowen *58

Although dwarfed in mag­ni­tude by his later dona­tions, Wu’s 1982 dona­tion has impacted the lives of lit­er­ally thou­sands of Prince­to­ni­ans. It gave phys­i­cal form to Pres­i­dent Bowen’s aspi­ra­tions for the res­i­den­tial col­lege sys­tem, which has defined the Prince­ton under­grad­u­ate expe­ri­ence for every class since.
Pres­i­dent Bowen (right) formed the Com­mit­tee on Under­grad­u­ate Res­i­den­tial Life (CURL) in 1978. Made up of admin­is­tra­tors, fac­ulty and stu­dents, the com­mit­tee was charged with address­ing the inter­twined issues of Prince­ton stu­dent hous­ing, din­ing and social­iza­tion. Although some of the pro­pos­als in the committee’s final report – par­tic­u­larly those relat­ing to eat­ing clubs – did not come to pass, its pri­mary pro­posal, the estab­lish­ment of three new res­i­den­tial col­leges, came to fruition within a few short years.
Two of the three new col­leges, Rock­e­feller and Mathey, were estab­lished in extant build­ings in Princeton’s tra­di­tional col­le­giate gothic style. But­ler Col­lege, how­ever, was housed in the “New New Quad,” which the Daily Prince­ton­ian defined for incom­ing fresh­man as, Group of five newer dorms located on the lower-lower cam­pus, fondly known as “The Sticks,” “New New World,” or “Brave New Quad.””
The con­struc­tion of Wu Hall trans­formed this “group of dorms” into a true res­i­den­tial col­lege. As the first Mas­ter of But­ler Col­lege, Emory Elliot, said near the end of the first semes­ter that Wu Hall was open, “It’s enabled the spirit of the col­lege to come into full blos­som.” He also described the new servery and din­ing facil­ity as hav­ing a “friendly atmos­phere con­ducive to hav­ing peo­ple come together.” Footage about But­ler Col­lege and Wu Hall after the 2009 ren­o­va­tions can be found here.

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Being Jewish at Princeton: from F. Scott Fitzgerald’s days to the Center of Jewish Life

The Prince­ton of today is not the Prince­ton of Scott Fitzger­ald. And by that I mean you can feel com­fort­able being Jew­ish, you can feel com­fort­able being Asian, you can feel com­fort­able being African Amer­i­can. And while this might not always have been true (…) it is def­i­nitely true today.” The speaker is Erik Ruben ’98 (1:46), one of the stu­dents fea­tured in the pro­mo­tional video below about the Cen­ter for Jew­ish Life, which opened in 1993. Today’s entry takes a brief look at the his­tory of the admis­sion of Jew­ish stu­dents at Prince­ton since the 1920s.

F. Scott Fitzger­ald’s 1920 debut novel, This Side of Par­adise, was set at Prince­ton and reflected the atmos­phere of the eat­ing clubs and of the uni­ver­sity itself, which (not to Princeton’s lik­ing) he described as “the pleas­an­test coun­try club in America.” Fitzgerald wrote his book at a time when some north­east­ern col­leges and uni­ver­si­ties, par­tic­u­larly in urban areas where many East­ern Euro­pean Jew­ish immi­grants had set­tled, per­ceived they had a “Jew­ish prob­lem” in that if they admit­ted too many Jew­ish stu­dents, Protes­tant mid­dle and upper class stu­dents would be dri­ven away. Colum­bia, which had the largest Jew­ish enroll­ment at 40%, was the first to impose a quota in 1921. Prince­ton, how­ever, always claimed not to use quo­tas. As late as 1948 Rad­cliffe Heer­mance, Princeton’s first direc­tor of admis­sions from 1922 to 1950, vehe­mently denied a claim that Prince­ton used a quota to keep Jew­ish stu­dents under 4%. “We’ve never had a quota sys­tem, we don’t have a quota sys­tem, we will never have a quota sys­tem” he told the Daily Prince­ton­ian.

Hutchins121770.jpgA let­ter from for­mer Uni­ver­sity of Chicago pres­i­dent Robert Hutchins, who vis­ited Prince­ton Pres­i­dent John Grier Hibben in the early 1930s, indi­cated oth­er­wise. Hutchins wrote Prince­ton senior Steven L. Buen­ning ’71 In Decem­ber 1970, as Buen­ning was seek­ing infor­ma­tion for his senior the­sis, a biog­ra­phy about Hibben. In the let­ter Hutchins recalls how he had asked Hibben about the num­ber of Jew­ish stu­dents at Prince­ton. Accord­ing to Hutchins, Hibben claimed that the num­ber just hap­pened, where­upon his wife exclaimed: “Jack Hibben, I don’t see how you can sit there and lie to this young man. You know very well that you and Dean Eisen­hart get together every year and fix the quota.”
This anec­dote has been quoted in sev­eral books, and in their foot­notes the authors refer to Buenning’s the­sis only, which includes quotes from the let­ter. Above we repro­duce the orig­i­nal let­ter, which is found in Hibben’s pres­i­den­tial papers in the Office of the Pres­i­dent Records (AC117, Series 14, Box 65, folder 6). The first para­graph, in which Hutchins recalls Hibben’s pro­fessed igno­rance about the rea­sons why black stu­dents did not come to Prince­ton, is remark­able in itself. Unlike Yale and Har­vard, Prince­ton did not admit African Amer­i­can stu­dents  until World War II (the first four African Amer­i­cans were in the Navy V-12 pro­gram).  For more infor­ma­tion about African Amer­i­can stu­dents at Prince­ton, see our pre­vi­ous blog.

Heer­mance lim­ited Jew­ish enroll­ment by devel­op­ing an admis­sion pol­icy that put an empha­sis on “char­ac­ter,” which, how­ever sub­jec­tive, was still regarded as defen­si­ble in pub­lic. Cri­te­ria like “man­hood,” “lead­er­ship” “par­tic­i­pa­tion in ath­let­ics” and “home envi­ron­ment and com­pan­ions” were assessed by using inter­views, let­ters of rec­om­men­da­tion, and a social rank­ing sys­tem. A pow­er­ful dis­in­cen­tive to even apply was the anti-Semitic rep­u­ta­tion of Princeton’s eat­ing clubs, which con­sid­ered most Jews “unclubbable.”

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Post-War Princeton: The building of Firestone Library, the Dillon Gym, and Bicentennial celebrations, 1945–1949

From the start of the Depres­sion until the end of World War II, con­struc­tion activ­ity at Prince­ton, like at other uni­ver­si­ties, was at a near stand­still. The first build­ings to be erected here as part of the post-war build­ing boom on Amer­i­can cam­puses were the Dil­lon Gym and the Har­vey S. Fire­stone Memo­r­ial Library. The four silent films dis­cussed on this post, which are all in color, cap­ture the begin­ning of the con­struc­tion of Fire­stone Library, the ded­i­ca­tion of the Dil­lon Gym in June 1947, and other activ­i­ties at the close of the bicen­ten­nial cel­e­bra­tions of 1946–1947 and the imme­di­ate years thereafter.

The ori­gin of the 16mm film that is fea­tured here is unknown. Although it seems excru­ci­at­ingly slow at times, the 14 minute long time lapse footage spans almost one and a half years, dur­ing which the exca­va­tion work for Fire­stone Library was under­taken, the struc­ture of the three under­ground floors almost com­pleted, and the steel struc­ture of the upper part of the library erected.

Firestone ground.jpgAs can be seen on this cam­pus map, the space between Wash­ing­ton Road and the then library (what is now Chan­cel­lor Green and Pyne Hall) was quite open. Dur­ing most of the film the cam­era is fac­ing the Engi­neer­ing Build­ing on Wash­ing­ton Road (now Burr and Green Hall), and moves between the Joseph Henry House, home of the Dean of the Col­lege (the white house seen on the left) and the ’77 Lab­o­ra­tory (the square brick build­ing with the cres­cent shaped win­dows on the right). This biol­ogy lab­o­ra­tory, donated by the Class of 1877 at its tenth reunion, was demol­ished in the sum­mer of 1946, which is cap­tured start­ing at 9:15. The ’77 Lab appears as a pile of rub­ble at 9:21, when the Bracket Dynamo Lab­o­ra­tory behind it becomes vis­i­ble. This sec­ond lab is grad­u­ally bro­ken down in the footage that follows.

The Joseph Henry House, how­ever, was not destroyed but moved instead, for the third time since it was built in 1837. Although the cam­era focused on the exca­va­tion work, prepa­ra­tions for the move to its present loca­tion, which accord­ing to the Prince started in April 1946, can be fol­lowed from 8:40 at the top of the screen. The actual move took place at the end of May, and the house can be seen to have moved a few yards between 9:45 and 9:48. Most of the footage con­cerns the dig­ging and exca­va­tion work prior to the con­struc­tion work, which had started on Christ­mas Eve 1945, and was sub­con­tracted to George M. Brew­ster and Sons (Turner Con­struc­tion Com­pany was the con­trac­tor). The work of Brewster’s “blast­ing crew,” which accord­ing to the Prince in March con­sisted of a “blast expert,” a “pow­der mon­key” and twelve drillers, can be fol­lowed from 3:28, with two explo­sions vis­i­ble at 4:35 and 6:48.

Only the last few min­utes of the film (10:39–14.15), cap­ture the begin­ning of the con­struc­tion of the Fire­stone Library itself, start­ing with the low­est floor. The snow at 11.31, sur­round­ing the con­crete columns, indi­cates that a year has passed since the time lapse film­ing began. On Jan­u­ary 15, 1947 the Prince wrote that most of the under­ground struc­ture had been com­pleted. The footage at 11.53, which includes a view on Nas­sau Street, must have been filmed dur­ing or shortly after Feb­ru­ary 1947, when the library, accord­ing to the Prince had risen above the ground. The film ends with footage of the build­ing of the steel struc­ture of the library’s three floors (13:11), the last shots of which indi­cat­ing that it is spring­time now (13:32).

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Interview with Dean Ernest Gordon and tour of University Chapel, 1977

Today’s post is writ­ten by Rev. Fred­er­ick Borsch ’57, for­mer Dean of Reli­gious Life and the Chapel 1981–1988.

“A ser­mon in stone” is a famil­iar descrip­tion of the Prince­ton Uni­ver­sity Chapel, and it is used to intro­duce this 1977 film tour of the Chapel’s archi­tec­ture and win­dows through an inter­view with its then Dean Ernest Gor­don. Although an effort was made to give the pro­gram a sem­blance of infor­mal­ity, it comes across now as rather rehearsed. First tele­cast (Nov. 27, 1977) as a 10 minute seg­ment in a Sun­day morn­ing NBC-TV series, “The First Estate: Reli­gion in Review,” the film is also, how­ever, not with­out attrac­tive and edu­ca­tional fea­tures. Since the Chapel remains essen­tially the same, the infor­ma­tion is not dated, and there is much to appre­ci­ate in watch­ing it. For con­sid­er­able fur­ther infor­ma­tion about the Chapel, one can go to the University’s Office of Reli­gious Life’s site about the His­tory of the Chapel to find links to a self-guided tour and an exten­sive audio-tour. There is also Richard Stilwell’s splen­did The Chapel of Prince­ton Uni­ver­sity (Prince­ton Uni­ver­sity Press, 1971). Next one could go to the Chapel.
“Bring binoc­u­lars,” was the advice I was given, as that is the only way to take in much of the detail. The film seems to have been made in antic­i­pa­tion of the 50th anniver­sary of the 1928 ded­i­ca­tion of the Chapel. I first entered the build­ing as a fresh­man in 1953 when it was 25 years old. We under­grads, of course, had other names for the building–not least because atten­dance at reli­gious ser­vices was then required of fresh­men and sopho­mores on every other week­end. One of my room­mates, though not him­self Jew­ish, usu­ally went to their Fri­day evening ser­vices in order to get his chit signed and have the rest of the week-end free. Other of my friends might go to a denom­i­na­tional ser­vice, but often enough on Sun­day morn­ings we went to the ecu­meni­cal (though rather Pres­by­ter­ian) “God Box” or “Fire­stone South,” so labeled because the Chapel was neigh­bor to our more fre­quent destination–the Fire­stone Library just across the plaza.

Or, since lore had it that alum­nus and plu­to­crat Har­vey Fire­stone had donated a goodly part of the over two mil­lion dol­lars for build­ing the Chapel, it was also “Firestone’s Folly.” We heard that this sobri­quet had been given by ear­lier crit­ics who would have pre­ferred that the money be used for lab­o­ra­to­ries, libraries and fac­ulty salaries. At the time, how­ever, Pres­i­dent Hibben had acclaimed the Chapel as Princeton’s two mil­lion dol­lar wit­ness against materialism!

Yet it was hard not to stand–literally stand–in awe of the build­ing and all it rep­re­sented. I stood there. I wor­shipped in the Ralph Adams Cram Anglo-collegiate Gothic trib­ute to the unity of faith and knowl­edge. The vis­age of the philosopher-skeptic David Hume could even be glimpsed in one of the win­dows. I lis­tened to the Aeolian-Skinner organ while admir­ing what has been called the “finest assem­blage of stained glass in all the west­ern hemi­sphere.” (Recently the win­dows were com­pletely refur­bished and restored to the tune of some­thing like ten mil­lion dol­lars. The build­ing and its fab­ric have over the years been very well endowed!) As an Eng­lish major, I liked to sense the whole build­ing as a paean to Chris­t­ian human­ism and to pick out Chaucer, Shake­speare, George Her­bert, Donne, Mil­ton, Blake, Emily Dick­in­son and T.S. Eliot. In the only appar­ent attempt at humor in the 1977 film (other than a ref­er­ence of Donne’s “unholy” son­nets), Dean Gor­don notes the tiger on which William Blake seems to sit. “Tiger, tiger, burn­ing bring / In the forests of the night,” runs through one’s mind, fol­lowed by “tiger, tiger, tiger; sis, sis, sis; boom, boom, boom; ah.”

Ernest Gor­don became the Chapel’s Dean in 1955. He was “earnest” all right (a lit­tle joke of ours), but what a change he brought to the wor­ship with his Scot’s burr, his ener­getic faith and dra­matic story of con­ver­sion to Chris­tian­ity dur­ing his four years in a mis­er­able Japan­ese con­cen­tra­tion camp. A hand­some man with a cer­tain win­some­ness about him (still seen in the film), he invited Billy Gra­ham to cam­pus for what was in affect a mis­sion to undergraduates.

Later Gor­don would twice invite (over a num­ber of protests) Mar­tin Luther King, Jr. to the Chapel’s pul­pit and pre­side over the Chapel dur­ing the civil rights move­ment, then a memo­r­ial ser­vice for Dr. King, tur­moil and protests over the Viet­nam War–some of these gath­er­ings tak­ing place in the Chapel. As part of all that, a mea­sure of inter­est in reli­gion grew, but not nec­es­sar­ily in for­mal church-going. By 1964 all Chapel require­ments had finally been dropped as the Uni­ver­sity became still more sec­u­lar in out­look and at the same time more diverse in terms of reli­gions. I had to won­der if Dean Gor­don did not wince to him­self when, at the end of the film, he com­mented on how impor­tant the Chapel was for under­grad­u­ates although far fewer were com­ing to his Sun­day morn­ing ser­vices than in ear­lier years.

Truth in blog­ging: in 1981 I suc­ceeded Ernest Gor­don as Dean, and one can read some­thing more about his min­istry, the Chapel and the times in my forth­com­ing Keep­ing Faith at Prince­ton: A Brief His­tory of Reli­gious Plu­ral­ism at Prince­ton and Other Uni­ver­si­ties (Prince­ton Uni­ver­sity Press, 2011).

–Fred­er­ick Borsch ‘57

This 16mm film is part of the Uni­ver­sity Archives’ His­tor­i­cal Audio­vi­sual Col­lec­tion (item no. 1974)

Moving Corwin Hall 100 feet, May 20, 1963

Robert­son Hall, the build­ing that cur­rently houses the Woodrow Wil­son School of Pub­lic and Inter­na­tional Affairs (WWSPIA) has been fea­tured in two news­reels: the “Prince­ton news­reel” of 1961, announc­ing the, at the time anony­mous, $35 mil­lion gift of Charles S. Robert­son ’26 and his wife, Marie; and the 1966 news­reel about Pres­i­dent Lyn­don Johnson’s visit to ded­i­cate the build­ing. This post fea­tures the build­ing that orig­i­nally housed the Woodrow Wil­son School: Cor­win Hall, erected in 1951 and orig­i­nally known as “Wil­son Hall,” which had to be moved 100 feet to make way for the new WWSPIA facility.

The spec­tac­u­lar move of the build­ing to its present site between Wal­lace and Robert­son Hall was recorded via time lapse film­ing on an 8mm cam­era by Lawrence l. Rauch *49, who donated the footage to the Prince­ton Uni­ver­sity Archives. The engi­neer­ing feat was accom­plished by the New York firm of Spencer, White, and Pren­tiss, using hydraulic jacks to push the build­ing along twelve steel tracks. The actual mov­ing took only twelve hours but two months were needed to pre­pare for it and another three months to secure the build­ing to its new foundation.

When Robert­son Hall was com­pleted in 1965, Wil­son Hall was re-assigned to one of WWSPIA’s chief allies, the Depart­ment of Pol­i­tics, and to the Cen­ter of Inter­na­tional Stud­ies. Its name was changed to Cor­win Hall, in honor of Edward S. Cor­win, the first chair­man of the Depart­ment of Pol­i­tics and the long-time holder of the McCormick Pro­fes­sor­ship of Jurispru­dence, the pro­fes­sor­ship orig­i­nally held by Woodrow Wilson.

This 8mm film, a gift from Lawrence L. Rauch *49, is part of the Prince­ton Uni­ver­sity Archives’ His­tor­i­cal Audio­vi­sual Col­lec­tion (item no. 1980). Adapted from the post by John DeLooper in Mudd Man­u­script Library’s Blog with excerpts from Alexan­der Leitch A Prince­ton Com­pan­ion (Prince­ton Uni­ver­sity Press, 1978).  

Keeping the donor base informed: Princeton newsreels, 1960–1961

Dur­ing the $53 Mil­lion Cam­paign (1959–1962) a 13 x 10 foot scale model of the Prince­ton cam­pus  toured 19 major cities and dis­played at meet­ings of the regional lead­ers of the fund drive. To keep Prince­ton alumni fur­ther informed about progress and devel­op­ments on cam­pus, the Alumni Coun­cil spon­sored two “Prince­ton News­reels” in 1960 and 1961. The two 30-minute films are inter­est­ing to watch, not only because they fea­ture new facil­i­ties, achieve­ments in sports and sci­ence, and notable events (from Hur­ri­cane Donna in 1960 to the dona­tion of $35 mil­lion for the Woodrow Wil­son School in 1961), but because they also doc­u­ment the University’s first attempts to reach out to its donor base through the medium of film.  Con­trast­ing the two films, one can­not help but note that the sec­ond film is much smoother in its pre­sen­ta­tion than the first.

The first news­reel opens with an intro­duc­tion by the 41 year-old pres­i­dent Robert F. Goheen ’40, and a fresh­men lec­ture about the honor sys­tem by Walker Steven­son ’35, pres­i­dent of the National Alumni Asso­ci­a­tion (1:30). The scale model of the cam­pus, men­tioned above, is fea­tured at 6:41, when admin­is­tra­tive vice-president Edgar M. Gem­mell ’34 explains the expan­sions planned for the next three years. The footage fol­low­ing cap­tures the Hibben and Magie fac­ulty apart­ments under con­struc­tion (6:41) as well as the five new dor­mi­to­ries of the New Quad (Class of 1937, Class of 1938, Class of 1939, Dodge-Osborn, and Gauss Halls), the first build­ings to be fin­ished since the start of the $53 Mil­lion Cam­paign (7:27).

aircar.jpg“Exam­ples of Research” opens with a bird exper­i­ment on the roof of Guyot Hall (7:55), fol­lowed by the Princeton-Pennsylvania Pro­ton Accel­er­a­tor, a par­ti­cle research facil­ity on the For­re­stal Cam­pus since 1957 (8:59). In addi­tion, the news­reel includes a demon­stra­tion of the ther­mo­he­liodon and the heliodon, devel­oped by the Archi­tec­tural Lab­o­ra­tory to deter­mine the effects of sun­light, wind and radi­a­tion (10:19), and research at the Depart­ment of Aero­nau­ti­cal Engi­neer­ing into prob­lems that occur with low speed flight (11:29; footage includes “air car” shown above). In addi­tion, the news­reel fea­tures fac­ulty who won an award in 1960: the later Nobel Prize win­ner Eugene Wigner, Pro­fes­sor of Physics, who received the “Atoms for Peace Award” (15:02) and His­tory Pro­fes­sor Robert Palmer, who won the Ban­croft prize for his book Age of the Demo­c­ra­tic Rev­o­lu­tion (15:25).
The sec­ond half of the film fea­tures par­tic­u­lar places and events, includ­ing alumni in the “Prince­ton Today” pro­gram who vis­ited the new C-site at the “Mat­ter­horn Project” (renamed the Prince­ton Plasma Physics Lab­o­ra­tory in 1961), a project for mag­netic fusion research funded by the Atomic Energy Com­mis­sion that had only been declas­si­fied in 1958 (15:47, with more about the Prince­ton Plasma Physics Lab­o­ra­tory in the sec­ond news­reel). This is fol­lowed by the appoint­ment of three new trustees (17:15), the for­eign lan­guage lab­o­ra­tory (18:57), achieve­ments in sports (track, squash, and lacrosse at 20:06; foot­ball (with coach Dick Col­man) at 25:04), and Reunions (20:54, with the Class of ’35). In addi­tion, the film includes footage of Tri­an­gle chorines dur­ing a per­for­mance of Break­fast in Bed­lam, which toured var­i­ous mil­i­tary bases and hos­pi­tals in Europe dur­ing the sum­mer (18:05). The news­reel also doc­u­ments Hur­ri­cane Donna, the only hur­ri­cane on record to have struck every East Coast state between Florida and Maine, which hit the cam­pus on Sep­tem­ber 12, 1960 (23:38).
The sec­ond news­reel that was pro­duced dur­ing the $53 Mil­lion Cam­paign is more crisply pre­sented, with a clear divi­sion into five chap­ters. The first chap­ter, “New Facil­i­ties,” shows new cam­pus edi­fices: the Engi­neer­ing Quad­ran­gle (1:42), the John Fos­ter Dulles Library of Diplo­matic His­tory (2:11), the Hibben and Magie apart­ments at Carnegie Lake (2:22), the new play­ing fields (2:37), and the dor­mi­tory quad with Wilcox Hall (2:48). It is fol­lowed by images of stu­dents mov­ing into their dor­mi­to­ries (3:44), Class of 1965 fresh­men, the new Dean of the Col­lege J. Mer­rill Knapp with Dean Ernest Gor­don (4:36), and key­cepts “in oper­a­tion” (4:57).
“Sports” (6:26), the sub­ject of the sec­ond chap­ter, fea­tures bas­ket­ball (6:28), swim­ming (7:04), track (8:11), and foot­ball (8:24), with brief footage of impor­tant games and close­ups of ath­letes. In the next chap­ter, “The Search for Knowl­edge” (11:32), the num­ber of research project pre­vi­ously fea­tured is reduced to two. The first con­cerns the new Model C Stel­lara­tor at Prince­ton Plasma Physics Lab­o­ra­tory (PPPL), the new name of “Project Mat­ter­horn” dis­cussed in the ear­lier news­reel. The large stel­lara­tor, for which facil­i­ties had been built in 1960, replaced pre­vi­ous mod­els that had been used in the 1950s. As a sec­ond exam­ple of Princeton’s achieve­ments in sci­ence the research of biol­ogy pro­fes­sor Arthur K. Parpart is dis­cussed (14:21).
The fourth chap­ter, “Going Back” (15:43) includes footage of the Class of 1936’s 25th and the Class of 1911’s 50th reunion, with Joseph Cash­man and Dr. William H. Hud­nut from the Class of 1886 as mem­bers of the Old Guard. (Footage of Pres­i­dent Robert Goheen ’40, Grant Sanger ’31, Harold Helm ’21, and Walker Steven­son ’35 is at 16:43). The “major Prince­ton event of 1961” is saved for last: “Prince­ton in Inter­na­tional Affairs” (19:29) fea­tures the $35 mil­lion anony­mous gift from a foun­da­tion (ini­tially called the “X” Foun­da­tion, later known as the Robert­son Foun­da­tion) to estab­lish a pro­fes­sional school for pub­lic ser­vice at the Woodrow Wil­son School. The news­reel ends with a state­ment by Gard­ner Pat­ter­son, who was the direc­tor of the Woodrow Wil­son School and of the new program (20:35).
These 16mm films are part of the Uni­ver­sity Archives’ His­tor­i­cal Audio­vi­sual Col­lec­tion (item no. 0083 and 0079)

 

Freddie Fox ’39 about old and new: “A Walk in the Springtime,” 1974

After last week’s film about liv­ing and learn­ing at Prince­ton in 1962, it is inter­est­ing to watch “A Walk in the Spring­time,” cre­ated only twelve years later. The film fea­tures the leg­endary Fred­eric C. Fox, ’39, whose love and knowl­edge of Princeton’s his­tory and lore made him the first and only Keeper of Prince­to­ni­ana in 1976. Helped by his class­mate Sandy Maxwell ’39 and Arthur (Buz) Schmidt ’74 (“He looks like a rad­i­cal but he is only just the son of a class­mate” 0:18) Fox reaches out to the many alumni who were uncom­fort­able with the rapidly chang­ing face of campus.

As with other col­leges, the civil rights move­ment and Amer­i­can involve­ment in Viet­nam had sparked polit­i­cal activism at Prince­ton, includ­ing stu­dent demand to be part of cam­pus gov­er­nance. In addi­tion, the tra­di­tion­ally all-male pri­mar­ily white, Protes­tant, private-school edu­cated stu­dent body had diver­si­fied.  Of par­tic­u­lar con­cern for con­ser­v­a­tive alumni was the intro­duc­tion of coed­u­ca­tion in 1969. In the film Fox, Maxwell, and Schmidt, take view­ers on a tour, with the aim to show that although some things have changed much is still the same.

The film opens with Fred­die Fox in front of Nas­sau Hall’s two bronze tigers, point­ing out that one is male and the other female (1:25). After a brief visit to Fire­stone Library, Fox, Maxwell, and Schmidt sing Prince­ton songs at the piano in Prospect (8:38). The last part of the film, shot from the top floor of Fine Hall (11:56), con­tains exten­sive shots of the old and new build­ings on campus.

Out­takes are shown below. Fred­eric C. Fox died in 1981 at age 63.

These Umatic UC-30 videos are part of the Uni­ver­sity Archives’ His­tor­i­cal Audio­vi­sual Col­lec­tion (items no. 0516 and 0528).

These Umatic UC-30 videos are part of the Uni­ver­sity Archives’ His­tor­i­cal Audio­vi­sual Col­lec­tion (items no. 0516 and 0528).