8×10 Field Camera from the Drake Brothers Studio

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Thanks to the generous gift of Larry S. Pierce, the library recently acquired an 8×10 field camera manufactured by the Rochester Optical Co., ca. 1905.  The camera, labeled as the “Improved Empire State,” includes the camera body, lens board & lens, extension rail, a cable release, and three plate holders.  Two of the plate holders are stamped “Drake Brothers Studio, Silverton, Oregon” on the inside cardboard septum (the septum being a sheet that separates one side of the plate holder from the reverse side, thus allowing each plate holder to house two undeveloped negatives).  Photographers June Drake and his brother Emory Drake founded Drake Brothers Studio in 1900, and the brothers operated together until a fire destroyed their studio in 1908.  June Drake continued, however, to photograph in a new studio until his retirement in 1960.

In 2012, the Manuscripts Division acquired an archive containing nearly nine hundred photographs taken by the Drake brothers. Along with the studio stamp on the back, many of the photographs contain detailed manuscript notes by June Drake.  The notes include dates, identification of individuals, and the names of buildings and streets (many of which no longer exist in Silverton).  For more information about the archive, see: Drake Bros. Studio Photograph Collection.

 

Looking at the West: The American Bison, ca. 1553

[American Bison]. Francisco López de Gómara, Historia general de las Indias (Caragoça, 1553).

[American Bison]. Francisco López de Gómara, Historia general de las Indias (Caragoça, 1553).

Francisco López de Gómara. Primera y segunda parte dela historia general de las Indias: con todo el descubrimiento y cosas notables que han acaecido dende que se ganaron ata el año de 1551., con La co[n]quista de Mexico y de la Nueua España. En Caragoça: A costa de Miguel Capila mercader de libros vezino de Caragoça, 1553.  Call Number: Americana 1553q López de Gómara. Catalog Record.

Indian Melodies by Thomas Commuck, a Narragansett Indian

Indian Melodies by Thomas Commuck, a  Narragansett Indian. Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Indian Melodies by Thomas Commuck, a Narragansett Indian. Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

The Western Americana Collection recently acquired a work often described as the first published music written by a Native American author: Thomas Commuck’s Indian Melodies, harmonized by Thomas Hastings, Esq. (New York: G. Lane & C. B. Tippett, 1845). Commuck, an Indian of Narragansett ancestry, was born in 1805 in Rhode Island and lived for several years at Brotherton, New York.  After marrying Hannah Abigail, a Pequot Indian, in 1831, the pair headed West, eventually settling in Brotherton, Wisconsin where Commuck wrote his hymnal.

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Though Pequot author William Apess published Son of the Forest in 1831, a milestone in Native American print culture, Thomas Commuck’s preface to Indian Melodies speaks of the adversities Native American writers still faced in 1845 in gaining acceptance as legitimate authors:

The author of the following original tunes wished to get some person better educated than himself to write a preface or introduction to his little work; but on reflection it occurred to him that he could tell the public all about it as well as anyone else; so he concluded to make the attempt. He is, however, fully aware of the difficulties attendant upon an attempt to appear successfully as an author before a scrutinizing and discerning public, especially when unaided by the influence of wealth, or a long list of influential friends…. Add to this circumstance of having been born, not only in obscurity, but being descended from that unfortunate and proscribed people, the Indians, with whose name a considerable portion of the enlightened American people are unwilling to associate even the shadow of anything like talent, virtue, or genius, and as being wholly incapable of any improvement, either moral, mental, or physical, and wonder will cease to be a wonder. (Commuck, iii)

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Indian Melodies contains 120 Christian hymns, to which Commuck assigned names of Indian chiefs, tribes, and places (which bear no relation to the lyrics), forming a complex archive of Native American history:

As the tunes in this book are the work of an Indian, it has been thought proper by the author to have it all of a piece. The tunes therefore will be found to assume the names of noted Indian chiefs, Indian females, Indian names of place, &c. This has been done merely as a tribute of respect to the memory of some tribes that are now nearly if not quite extinct; also a mark of courtesy to some tribes with whom the author is acquainted. (Commuck, vi)

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

Thomas Commuck, Indian Melodies, Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, 1845.

The entire preface is provided in the following gallery.

Bibliography:

Commuck, Thomas. Indian Melodies. Harmonized by Thomas Hastings, Esq. New York: G. Lane & C. B. Tippett, for the Methodist Epicopal Church, 200 Mulberry-Street. James Collord, Printer, 1845.

Fisher, Linford. The Indian Great Awakening: Religion and the Shaping of Native American Cultures in Early America. New York: Oxford University Press, 2012.

Round, Philip. Removable Type: Histories of the Book in Indian Country, 1663-1880. Chapel Hill: University of North Carolina Press, 2010.

Robert Stevenson. “Commuck, Thomas.” Oxford Music Online. Oxford University Press. www.oxfordmusiconline.com/subscriber/article/grove/music/06197 (accessed August 9, 2013).

Looking at the West: Admission Card for George Catlin’s Indian Gallery, 1838

Printed admission card for Catlin's “Indian Gallery.” Samuel L. Southard Papers (C0250).

Printed admission card for Catlin’s Indian Gallery. Samuel L. Southard Papers (C0250), Manuscripts Division, Rare Books and Special Collections.

From the papers of New Jersey politician, lawyer, and governor Samuel Lewis Southard, an 1838 printed admission card for George Catlin’s Indian Gallery on display at the “Wig-Wam” on Pennsylvania Avenue:

This Card admits Hon. S. L. Southard to Indian Gallery, in the “Wig-Wam” on Pennsylvania Avenue, during the season, free–and particularly solits his attendance on Wednesday and Thursday evenings, the 25th and 26th insts.  Geo. Catlin.  April 23, 1838.

For a detailed finding aid to the Samuel L. Southard Papers, see: http://findingaids.princeton.edu/collections/C0250.

David Cusick’s Sketches of Ancient History of the Six Nations

David Cusick's Sketches of Ancient History of the Six Nations... Tuscarera Village: Lewiston, Niagara co., 1828.

David Cusick, Sketches of Ancient History of the Six Nations… Tuscarora Village: Lewiston, Niagara co., 1828.

David Cusick’s Sketches of Ancient History of the Six Nations, first published in 1826 or 1827, is likely the earliest account of Native American folklore to be written and published in English by a Native American author. The work was registered for copyright in the Southern District of New York on January 3, 1826, in which “DAVID Cusick, of the said District hath deposited in this office the title of a Book, the right whereof he claims as Author.” As Phillip Round states in Removable Type: Histories of the Book in Indian Country, 1663-1880, Cusick’s history thus marks the “the first Native-authored, Native-printed, and Native-copyrighted text.” (Round, 150) The library recently acquired a copy of the rare second edition of 1828, which Cusick expanded and embellished with four illustrations (shown below).

The sketches provide “a written account of the Iroquois oral traditions during the creating of the universe, the foundation of North America, the early settlement of the continent, and the origin of the Five Nations (later six).” (Kalter, 13)    A brief preface to the edition notes Cusick’s desire for a published account of the history of the Six Nations and the troubles he encountered in undertaking the work:

I have been long waiting in hopes that some of my people, who have received an English eduction, would have undertaken the work as to give a sketch of the Ancient History of the Six Nations; but found no one seemed to concur in the matter, after some hesitation I determined to commence the work; but found the history involved with fables; and besides, examine myself, finding so small educated that it was impossible for me to compose the work without much difficulty.  After various reasons I abandoned the idea: I however, took up a resolution to continue the work, which I have taken much pains procuring the materials, and translating it into English language.  I have endeavored to throw some light on the history of the original population of the county, which I believe never have been recorded.  I hope this little work will be acceptable to the public. David Cusick. Tuscarora Village, June 10, 1825.

Bibliography:

Cusick, David. Sketches of Ancient History of the Six Nations: Comprising First–A Tale of the Foundation of the Great Island, (Now North America) the Two Infants Born, and the Creation of the Universe. Second–A Real Account of the Early Settlers of North America, and Their Dissentions. Third–Origin of the Kingdom of the Five Nations, which Was Called a Long House: the Wars, Fierce Animals, &c. Tuscarora Village: Lewiston, Niagara, Co., 1828. Call Number: 2013–In Processing.

Kalter, Susan. “Finding a Place for David Cusick in Native American Literary History.” MELUS 27.3 (2002): 9-42.

Round, Philip. Removable Type: Histories of the Book in Indian Country, 1663-1880. Chapel Hill: University of North Carolina Press, 2010.

Royster, Paul (ed.). David Cusick’s Sketches of Ancient History of the Six Nations (1828). Faculty Publications, UNL Libraries. http://digitalcommons.unl.edu/cgi/viewcontent.cgi?article=1027&context=libraryscience (accessed November 24, 2013).