I would like to thank my writing partners, Dan Tso and Christina Agyros, for their help with my draft, and the members of my revision group for their help with my website.
I. WORKS
Manet, Edouard. Gare Saint-Lazare. National Gallery, Washington, DC.
Manet, Edouard. Study for Olympia (second version). Louvre, Paris.
Manet, Edouard. Portrait of Victorine Meurent. Museum of Fine Arts, Boston.
Manet, Edouard. The Street Singer. Museum of Fine Arts, Boston.
Manet, Edouard. V. Meurent in the Costume of an Espada. Metropolitan Museum of Art, New York.
Manet, Edouard. Le Déjeuner sur l’herbe. Musée d’Orsay, Paris.
Manet, Edouard. Olympia. Musée d’Orsay, Paris.
Manet, Edouard. La Nymphe Surprise. Museo Nacional de Bellas Artes, Buenos Aires, Argentina.
Manet, Edouard. Fifer. Musée d’Orsay, Paris.
Manet, Edouard. Berthe Morisot with a Bouquet of Violets. Musée d’Orsay, Paris.
II. RESEARCH
Armstrong, Carol. Manet/Manette. New Haven, CT: Yale University Press, 2002.
Brombert, Beth Archer. Edouard Manet: Rebel in a Frock Coat. New York: Little, Brown, and Company, 1996.
Farwell, Beatrice. Manet and the Nude: a Study of Iconography in the Second Empire. Diss. University of California-Los Angeles, 1973.
Lipton, Eunice. Alias Olympia: A Woman’s Search for Manet’s Notorious Model and Her Own Desire. New York: Charles Scribner’s Sons 1992.
Rand, Harry. Manet’s Contemplation at the Gare Saint-Lazare. University of California Press: Berkeley, CA, 1987.
Siebert, Margaret Mary. “A Biography of Victorine-Louise Meurent and Her Role In The Art of Edouard Manet.” Diss. Ohio State U, 1986.