Acknowledgements

I would like to thank WRI 152 for their comments on my draft, especially my writing partners: Sarah, Aaron, Kate and Jessica.


Works by Degas

Degas, Edgar. Dancer (Arm Outstretched), 1895 or 1896. Paris, Bibliotheque Nationale de France.

Degas, Edgar. Dancer (Adjusting Her Shoulder Strap), 1895 or 1896. Paris, Bibliotheque Nationale de France.

Degas, Edgar. Dancer (Adjusting Both Shoulder Straps), 1895 or 1896. Paris, Bibliotheque Nationale de France.

Degas, Edgar. Two Dancers, 1898-1905. Saint Louis: MO, The Saint Louis Art Museum.

Degas, Edgar. Four Dancers, Half-Length Studies. Sketch.

Degas, Edgar. The Dancing Lesson, 1880. Williamstown: MA, Sterling and Francine Clark Art Institute.

Degas, Edgar. Dancers in Blue, 1898. Moscow, Pushkin Fine Art Museum.

Degas, Edgar. Four Dancers. 1899. Washington, D.C., National Gallery of Art.

Degas, Edgar. Dancer Pulling Up Her Tights. Sketch.

Degas, Edgar. Two Dancers Resting, 1890-1900. Philadelphia: PN, Philadelphia Museum of Art; The Samuel S. White, 3rd and Vera White Collection.

Degas, Edgar. Dancers at the Barre, 1900. Washington, D.C., The Phillips Collection.


Other Works Cited

Boggs, Jean Sutherland. “New York, Los Angeles and Paris: Degas’s photographs.� Burlington Magazine 141.1150 (1999): 58-60.

Copplestone, Trewin. Methods of the Masters: Degas. London: Brian Trodd Publishing House Limited, 1990.

Daniel, Malcolm. Edgar Degas, Photographer. New York: Metropolitan Museum of Art, 1998.

Dunlop, Ian. Degas. London: Thames and Hudson Limited, 1979.

Gordon, Robert and Andrew Forge. Degas. New York: Harry N. Abrams, Inc., 1988.

Kendall, Richard. “Degas as a photographer.� Apollo (London, Endland) 149.444 (1999): 56-57.

Painter as photographer: an Arts Council touring exhibition. London: Arts Council, 1982.

Scharf, Aaron. “Painting, photography, and the image of movement.� Burlington Magazine 104 (1962): 186-195.

Small, Christopher. “Degas’ lenses.� Scottish Art Review. 8.4 (1962): 1-4.

Varendoe, Kirk. “Ideology of time: Degas and photography.� Art in America 68.2 (1980): 96-110.