Special acknowledgements to my writing consultants, Kelsi Goss, Thomas Arias and Namita Bisaria.
I. Works
Eduoard Manet, The Spanish Singer, 1861. Oil on Canvas. The Metropolitan Museum of Art, New York.
Eduoard Manet, Mme. V… in the Costume of an Espada, 1862. Oil on Canvas. The Metropolitan Museum of Art, New York.
Eduoard Manet, Young Woman in Toreador's Costume, 1862. Oil on Canvas. Carleton Mitchell Collection, New York.
Eduoard Manet, Young Man in the Costume of a Majo, 1863. Oil on Canvas. The Metropolitan Museum of Art, New York.
Eduoard Manet, The Bullfight, 1863. Oil on Canvas. National Gallery of Art, Washington, DC.
Eduoard Manet, Dead Toreador, 1863-1864. Oil on Canvas. National Gallery of Art, Washington, DC.
Eduoard Manet. The Bullfight, 1865. Watercolor. Getty Museum, New York.
Eduoard Manet, The Bullfight, 1865-86. Oil on Canvas. Musee d’Orsay, Paris.
Eduoard Manet. The Bullfight, 1865-67. Oil on Canvas. The Art Institute of
Chicago, Chicago.
Eduoard Manet. Races at Longchamp, c. 1867. Oil on Canvas. The Art Institute of Chicago, Chicago.
Eduoard Manet, A Matador, 1865-1870. Oil on Canvas. The Metropolitan Museum of Art, New York.
Eduoard Manet, The Spanish Ballet, 1862. Oil on Canvas. Philips Collection, Washington, DC.
Eduoard Manet, Lola de Valence, 1862. Oil on Canvas. Musee d'Orsay, Paris.
Eduoard Manet, Mariano Campribudo, 1862. Oil on Canvas.
Eduoard Manet, Gypsy with Cigarette, 1862. Oil on Canvas. Princeton University Art Museum, Princeton, New Jersey.
Eduoard Manet, Portrait of Emilie Ambre in the Role of Carmen, 1880. Oil on Canvas. Philadelphia Museum of Art, Philadelphia.
Diego Velazquez, Pablo de Valladolid, c. 1635. Oil on Canvas. Museo Prado, Madrid.
Francisco Goya, "The Spirited Moor Gazul Is the First to Spear Bulls According to Rules" from the Art of Bullfighting (Tauromachia), 1816. Print. The Whitworth Art Gallery, Manchester, England.
II. Sources
Armstrong, Carol. Manet Manette. New Haven, Connecticut: Yale University Press, 2002.
Bois, Mario.Manet Tauromachies et Autres Thèmes Espagnols. Paris: Plume, 1994.
Farwell, Beatrice. "Manet, Edouard." Grove Art Online. Oxford University Press, 30 March 2005, http://www.groveart.com/.
Duro, Paul. “Paris: The Salon.” Grove Art Online. Oxford University Press, 15 April 2005, http://www.groveart.com/.
Hanson, Anne Coffin. Manet and the Modern Tradition. New Haven, CT: Yale University Press, 1977.
Hoenigswald, Ann. “Manet's The Dead Toreador and The Bullfight: Fragments of a Lost Salon Painting Reunite.” National Gallery of Art Online. 17 April 2005, http://www.nga.gov/.
Issacson, Joel. Manet and Spain: Prints and Drawings; an Exhibition Prepared by Joel Isaacson. Ann Arbor, MI: Univ. Michigan Press, 1969.
Marqués, Manuela B. Mena. “Manet at the Prado.” Museo Nacional del Prado Online. 17 April 2005, http://www.museoprado.msu.es/.
Phillips, Carla Rahn, and William D. Phillips, Jr. "Spain." World Book Online Reference Center. 2005. World Book, Inc. 4 May 2005.
Ramon, Jose Luis. “Regarding Suerte and the Suertes.” Passes: The Art of the Bullfight: Secution, Deception, Illusion and Truth. New York: Rizzoli, 2000.
Rich, Daniel Catton. "Spanish Background for Manet's Early Work."Parnassus, v. 4, February 1932. p 1-5.
Rollin, Nicholas. The Concise Oxford Spanish Dictionary. Oxford University Press, 1998. Oxford Reference Online. Oxford University Press. Princeton University. 9 May 2005
Rudd, Paul. "Reconstructing Manet's Velazquez in his Studio." The Burlington Magazine, v. 136, November 1994. p 747-51.
Tintero, Gary. “French Perception of Spanish Painting.” Manet/Velazquez: The French Taste for Spanish Painting. The Metropolitan Museum of Art Online. 15 April 2005, http://www.metmuseum.org/.
Wilson-Bareau, Juliet. Manet by Himself: Correspondence and Conversation, Paintings, Pastels, Prints, and Drawings. Boston: A Bulfinch Press Book, 1991.
Wilson- Bareau, Juliet. “Manet and Spain”. Manet/Velazquez: The French Taste for Spanish Painting. New Haven, CT: Yale University Press, 2003.