I would like to acknowledge those in my writing group, Sarah and Doorey, for their feedback on my drafts, the rest of this writing seminar class for keeping me company in Marquand Library all those long nights, and for my parents who passed on their love of traveling to me.
I. Images Sargent, John Singer. Venetian Interior. 1880-1882. Carnegie Museum of Art, Pittsburgh, Pennsylvania.
Sargent, John Singer. A Venetian Interior. 1880-1882. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts.
Sargent, John Singer. A Street in Venice. 1880-1882. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts.
Sargent, John Singer. Street in Venice. 1882. National Gallery of Art, Washington, D.C.
Sargent, John Singer. A Street in Venice. 1882. Collection of the Ormond Family. Location Unknown.
Sargent, John Singer. An Interior in Venice. 1898. Royal Academy of Arts, London.
Sargent, John Singer. Side Canal in Venice. 1902. Private Collection, Location Unknown.
Sargent, John Singer. Venetian Doorway. 1902. The Metropolitan Museum of Art, New York. Sargent, John Singer. On the Canal. 1903. Musèe du Petit Palais, Paris, France.
Sargent, John Singer. Scuola di San Rocco. 1903. Private Collection. Location Unknown. Sargent, John Singer. Steps of a Palace. 1903. Owner Unknown. Location Unknown.
Sargent, John Singer. Santa Maria della Salute. 1904. The Brooklyn Museum of Art, New York. Sargent, John Singer. On the Zattere. 1905. Private Collection. Location Unknown.
Sargent, John Singer. Rio di Santa Maria Formosa. 1905. Museum of Art, Rhode Island School of Design, Providence, Rhode Island.
Sargent, John Singer. On the Steps of the Salute. 1906. Private collection. Location Unknown.
Sargent, John Singer. Self Portrait. 1906. Galleria degli Uffizi. Florence, Italy.
Sargent, John Singer. On the Grand Canal. 1907. Private collection. Location Unknown.
Sargent, John Singer. The Salute, Venice. 1909. Yale University Art Gallery, New Haven, Connecticut.
II. Other Images
“Palazzo Barbaro” from Whittick, Arnold. Ed. Ruskin’s Venice. New York: Watson-Guptill Publications, 1976.
“Santa Maria della Salute” from Antonio Salvadori. Architect’s Guide to Venice. Butterworth Architecture, London. 1990.
“Sargent” from Kilmurray, Elaine and Ormond, Richard, eds. John Singer Sargent. Princeton, N.J.: Princeton University Press, 1998.
III. Texts
Adelson, Warren, et. al. Sargent Abroad: Figures and Landscapes. New York: Abbeville Press, Publishers: 1997.
Davis, Robert. Et. al. Venice, the Tourist Maze: A Cultural Critique of the World’s Most Touristed City California: University of California Press, 2005.
Fairbrother, Trevor. John Singer Sargent. New York: Harry N. Abrams, Inc., Publishers, 1994.
Fernandez, Rafael. A Scene of Light and Glory: Approaches to Venice. Williamstown, Massachusetts: Sterling and Francine Clark Art Institute: 1982.
Halsby, Julian. Venice: The Artist’s Vision: A guide to British and American painters. London: B.T. Batsford Ltd, 1990.
Hills, Patricia, ed. John Singer Sargent. New York: Harry N. Abrams, 1986.
“History of the Gondola.” Institution for the Conservation of the Gondola. Accessed 8 May 2005. Available online (http://www.gondolavenezia.it/history.asp?scelto=1).
Isham, Samuel. The History of American Painting. New York: The Macmillan Company, 1942.
Kilmurray, Elaine and Ormond, Richard, eds. John Singer Sargent. Princeton, N.J.: Princeton University Press, 1998.
Lovell, Margaretta M. A Visitable Past: Views of Venice by American Artists 1860-1915. Chicago: The University of Chicago Press, 1989.
Norwich, John Julius. Paradise of Cities: Venice in the 19th Century. Westminster, Maryland: Doubleday Publishing, 2003.
Ratcliff, Carter. John Singer Sargent. New York: Abbeville Press, Publishers, 1982.
Robertson, Bruce, ed. Sargent and Italy. Princeton, N.J.: Princeton University Press, 2003.
