Works Cited
I’d like to thank Jackie for her comments and note taking on my presentation as well as the rest of the class for making helpful suggestions on the presentation as well. I’d also like to thank my essay and website revision groups for their help, especially JJ, Saul and Sarah for their revision letters.
I. Artwork
Cezanne, P. Self-Portrait with Rose Background, c. 1875, oil on canvas. Private Collection, location unknown.
Cézanne, P. Chestnut Trees and Farm at the Jas de Bouffan, c. 1885, oil on canvas. Private Collection, location unknown.
Cézanne, P. Mount Saint-Victoire, c. 1885-1895, oil on canvas. Barnes Foundation, Merion, PA.
Cézanne, P. Mount Saint-Victoire, c. 1897-1898, oil on canvas. The Hermitage Museum, St. Petersburg, Russia.
Cézanne, Paul. Chateau Noir, 1900-1904, oil on canvas. National Gallery of Art, Washington
Cézanne, P. Woods with Millstone, 1898-1900, oil on canvas. Collection of Mrs. Carroll S. Tyson, Philadelphia, PA.
Cézanne, P. Mount Saint-Victoire (V.798), 1902-1904, oil on canvas. Philadelphia Museum of Art, Philadelphia, PA.
Cézanne, P. Mount Saint-Victoire, 1902-1906, oil on canvas. Collection of Mrs. Carroll S. Tyson, Philadelphia, PA.
Cézanne, P. Mount Saint-Victoire Seen from Les Lauves (V. 1529), 1904-1906, oil on canvas. Kuntsmuseum, Basel, Switzerland.
Cézanne, P. Mount Saint-Victoire Seen from Les Lauves (V. 802), 1904-1906, oil on canvas. Private Collection, Switzerland.
Cézanne, P. Jas de Bouffan, the Pool, c. 1876, Oil on canvas. The Hermitage, St. Petersburg, Russia.
Cezanne, P. Chateau Noir, 1904-1906, oil on canvas. The Museum of Modern Art, New York
Picasso, P. Three Women, 1908, oil on canvas. The Hermitage Museum, St. Petersburg, Russia.
II. Literature
Athanassoglou-Kallmeyer, N. Cezanne and Provence. Chicago, IL: University of Chicago Press, 2003.
Conisbee, P. and Coutagne, D. Cezanne in Provence. New Haven, CT: Yale University Press, 2006.
Fry, E. Cubism. New York, NY: McGraw-Hill Book Company, 1966.
Karmel, P. “Ideas.” Picasso and the Invention of Cubism. New Haven, CT: Yale University Press, 2003. p. 1-22.
Karmel, P. “Lessons from the Master: Cézanne and Cubism.” Cézanne and the Dawn of Modern Art. Eds. Felix Baumann,Walter Feilchenfeldt and Herbertus Gassner. Germany: Hatje Cantz Verlag, 2004. p. 182-193.
Novotny, F. “The Late Landscape Paintings.” Cezanne: The Late Work. Ed. William Rubin. Boston, MA: New York Graphical Society, 1977. p. 107-112.
Rewald, J. “The Last Motifs at Aix.” Cezanne: The Late Work. Ed. William Rubin. Boston, MA: New York Graphical Society, 1977. p. 83-106.
Rewald, J. “The Final Years 1902-1906.” Cézanne:A Biography. New York: Henry Abrams Inc., 1986.
Richardson, J. “On the Multiple View Point Theory of Modern Art.” Journal of Aesthetics and Art Criticism. 53(1995): 129-138.
Venturi, L. Cézanne. Paris: P. Rosenberg, 1936.