A special thanks to my writing group, Sarah and Candice, for all their helpful insight, and to the Jets draft team of Eric Mangini and Mike Tannenbaum, for shoring up our awful offensive line.
I. Tanner’s Artwork
Tanner, Henry Ossawa. Entrance to the Casbah, 1912. Greater Lafayette Museum of Art, Lafayette, IN.
Tanner, Henry Ossawa. Entrance to the Customs House, Tangier, 1908. Michael Rosenfeld Gallery, New York, NY.
Tanner, Henry Ossawa. Flight into Egypt, 1923. Estate of Sadie T.M. Alexander.
Tanner, Henry Ossawa. Flight into Egypt: Palais de Justice, Tangier, 1908. Smithsonian American Art Museum, Washington, D.C.
Tanner, Henry Ossawa. Gate in Tangier, n.d. Smithsonian American Art Museum, Washington, D.C.
Tanner, Henry Ossawa. Gate to the Casbah, 1914. Private Collection.
Tanner, Henry Ossawa. Miraculous Haul of Fishes, 1913-14. National Academy of Design, New York, NY.
Tanner, Henry Ossawa. Mosque, Tangier, 1912-14. Smithsonian American Art Museum, Washington, D.C.
Tanner, Henry Ossawa. Near East Scene, 1912. Des Moines Art Center, Des Moines, IA.
Tanner, Henry Ossawa. Street in Tangier, 1912. Smithsonian American Art Museum, Washington, D.C.
Tanner, Henry Ossawa. Sunlight, Tangier, 1912-14. Milwaukee Art Museum, Milwaukee, WI.
Tanner, Henry Ossawa. The Annunciation, 1898. Philadelphia Museum of Art, Philadelphia, PA.
Tanner, Henry Ossawa. The Banjo Lesson, 1893. Hampton University Museum, Hampton, VA.
Tanner, Henry Ossawa. The Resurrection of Lazarus, 1896. Musée d’Orsay, Paris, France.
II. Other Images
Eakins, Thomas. Portrait of Henry O. Tanner, 1897. Hyde Collection, Glen Falls, NY.
Sargent, John Singer. Moorish Buildings in Sunlight, 1879-80. Metropolitan Museum of Art, New York, NY.
Sargent, John Singer. Moorish Buildings on a Cloudy Day, 1879-80. Metropolitan Museum of Art, New York, NY.
Sargent, John Singer. Tangier, 1895. Metropolitan Museum of Art, New York, NY.
Sargent, John Singer. Street, Tangier, 1895. Metropolitan Museum of Art, New York, NY.
Satellite photograph of Morocco. Courtesy Jaques Descloitres, MODIS Land Group, NASA GSFC, 2000. Accessed 15 May 2006.
http://visibleearth.nasa.gov/view_rec.php?id=673
III. Other Works Cited
Boime, Albert. “Henry Ossawa Tanner’s Subversion of Genre.” Art Bulletin 75 (1993): 415-442.
Bruce, Marcus C. Henry Ossawa Tanner: A Spiritual Biography. New York: Crossroad Publishing Company, 2002.
Brenson, Michael. “For Tanner, Light Was Love.” New York Times 17 Feb. 1991, late ed.: H33+
Edwards, Holly. Noble Dreams, Wicked Pleasures: Orientalism in America, 1870-1930. Princeton, NJ: Princeton University Press, 2000.
Herdrich, Stephanie L. and Weinberg, H. Barbara. John Singer Sargent: American Drawings and Watercolors in The Metropolitan Museum of Art. New York, NY: Metropolitan Museum of Art, New York, 2000.
Mosby, Dewey F. Across Continents and Cultures: The Art and Life of Henry Ossawa Tanner. Kansas City, MO: Nelson Atkins Museum of Art, 1995.
Mosby, Dewey F. Henry Ossawa Tanner. Philadelphia, PA: Philadelphia Museum of Art, 1991.
Olsen, Stanley. John Singer Sargent. London, UK: MacMillan, 1986.
Skeel, Sharon Kay. “A Black American in the Paris Salon.” American Heritage 42.1 (1991): 76-83.