Works Cited

Special thanks to my writing group, Grauer and Saul, for their insightful comments. Special thanks to my website review group for their suggestions. Special thanks to The Writing Center for their help in my conference. Special thanks to the New Media Center for all their help with the Moveable Type.

i.Works by Degas

Alexander and Bucephalus, 1859-1861. National Gallery of Art, Washington.

Before the Race, 1871-1872. National Gallery of Art, Washington.

Copy after a plaster cast of the north frieze, Parthenon, 1855. Bibliotheque Nationale, Paris.

Copy after the horse in Anthony van Dyck, Charles V, 1858-1859. Bibliotheque Nationale, Paris.

Children and Ponies in a Park, 1867-1868. Collection of Joan Whitney Payson.

Horses and Riders on a Road, 1867-1868. Private Collection.

Horses in a Meadow, 1871. National Gallery of Art, Washington.

Horse in Full Gallop, 1880s. Musee D’Orsay, Paris.

Horse Standing, 1919-1921. Norton SImon Art Foundation, Pasadena, California.

Rearing Horse, 1880s. Collection of Mr. and Mrs. Paul Mellon, Upperville, Virginia.

Rearing Horse, 1921. Collection of Mr. and Mrs. Paul Mellon, Upperville, Virginia.

Riderless Horses (Barberi) in Rome, 1856-1857. The Pierpont Morgan Library, New York.

Scene from the Steeplechase: The Fallen Jockey, 1866. Collection of Mr. and Mrs. Paul Mellon, Upperville, Virginia.

Semiramis Building a City, 1860-1862. Musee D’Orsay, Paris.

Sheet of Studies, 1855-1856. Musee de Louvre, Fonds du Musee D’Orsay, Paris.

Study of a Horse and Group of Attendants, 1860-1863. Musee du Louvre, Fonds du Musee D’Orsay, Paris.

The Fallen Jockey, 1896-1898. Offentliche Kunstsammlung Basel, Kunstmuseum.

The False Start, 1869-1872. Yale University Art Gallery, New Haven, Connecticut.

The Parade (Racehorses before the Stands), 1899-1872. Musee d’Orsay, Paris.

The Promenade on Horseback, 1867-1868. Hiroshima Museum of Art.

The Races at Chantilly, after E. Riou from Monde Illustre. National Gallery of Art, Washington.

The Stands at Longchamp, 1860-1870. Bibliotheque Nationale, Paris.

ii. Works by Other Artists

Cham, caricature of a steeplechase, in Cham, Paris Aux Courses. Bibliotheque Nationale, Paris.

Pierre Gavarni, The Races at Longchamp, 1874. Musee Carnavalet, Paris.

Plaster Cast from the west frieze, Parthenon.

iii. Other Works Cited

Barbour, Daphne S. and Shelley G Sturman, “The Horse in Wax and Bronze”, Degas at the Races, National Gallery of Art, Washington. Yale University Press: New Haven, 1998, 180-208.

Boggs, Jean Sutherland. Degas at the Races. National Gallery of Art, Washington. Yale University Press: New Haven, 1998.

Bouret, Jean. Degas. Tudor Publishing Company: New York, New York, 1965.

Guerin, Marcel. Degas: Letters. The Studio Publications Incorporated: New York, New York, 1949.

Herbert, Robert L. “At the Racecourse,” Impressionism: Art, Leisure and Parisian Society. New Haven, Connecticut: Yale University Press, 1988. 152-170.

Jones, Kimberly. “A Day at the Races: A Breif History of Horse Racing in France”Degas at the Races, National Gallery of Art, Washington. Yale University Press: New Haven, 1998, 208-224.

Kendall, Richard. “Degas at the Races: Washington.” The Burlington Magazine, Vol.140, No.1145. (August, 1998), pp.581-583.

Lipton, Eunice. Looking Into Degas. University of California Press: Los Angeles, California, 1986.