Special acknowledgements are due to my peer editors, Mike Snyder and Raphael Haziot, who both gave invaluable advice for revising the essay that provided the basis for the text of this website.
I. Paintings
Bonnard, Pierre. Checked Blouse. 1892. Private collection.
Bonnard, Pierre. The Croquet Game. 1892. Musée D’Orsay, Paris.
Bonnard, Pierre. Dining Room in the Country. 1913. Minneapolis Institute of Arts, Minneapolis, MN.
Bonnard, Pierre. France-Champagne. 1891. The Cleveland Museum of Art, Cleveland, Ohio.
Bonnard, Pierre. The Garden Steps. 1940. Private Collection.
Bonnard, Pierre. Saint-Tropez Harbor. 1911. Private Collection.
Bonnard, Pierre. Women in the Garden. 1982-1898. Musée D’Orsay, Paris.
Bonnard, Pierre. Women With Dog. 1891. Clark Art Institute, Williamstown, Massachusetts.
Bonnard, Pierre. Young Girl Playing With a Dog. 1913. Collection of Mme. Morgan-Snell, Paris.
Bonnard, Pierre. Young Woman at the Piano. 1890. Private Collection.
Cassatt. Mary. Le Coiffure. 1883. Princeton University, Princeton, New Jersey,
Choki. The Courtesan Toukasa-dayu. ca. 1770s. The Japan Society, New York.
Utamaro. Courtesan Wekaume With Maidservant. ca. 1790s. The Japan Society, New York.
Utamaro. Two Beauties at Bamboo Shade. ca. 1795. The Japan Society, New York.
Whistler, James. Caprice in Purple and Gold No. 2: The Golden Screen. 1864. Freer Gallery of Art, Washington, DC.
II. Other Works Cited
Cate, Phillip Dennis. "Japanese Influence on French Prints 1883-1910." Japonisme: Japanese Influence on French Art 1854-1910. Cleveland, Ohio: Cleveland Museum of Art, 1975. 53-69.
“Collections.” The Phillips Collection. 10 Nov. 2004.
Exhibition of Paintings by Bonnard. New York: Wildenstein and Co., Inc., 1934.
Floyd, Phylis. “Japonisme.” The Grove Dictionary of Art Online. Oxford University Press. 2004. 10 Nov. 2004.
Gliem, David E. “Pierre Bonnard, Le Nabi Très Japonard.” Diss. Pennsylvania State U, 2002.
Hempel, Rose. Gems of the Floating World. New York: Japan Society, 1995.
Hyman, Timothy. “Flatness and the Floating World.” Bonnard. London: Thames and Hudson, 1998.
Michener, James A. Japanese Prints. Rutland, Vermont: Charles E. Tuttle Company, 1959.
Petrucchi-Petri, Ursula. “Japonisme in Bonnard’s Early and Late Work.” Pierre Bonnard: Early and Late. London: Phillip Wilson Publishers, 2002. 190-206.
Rewald, John. Pierre Bonnard. New York: The Museum of Modern Art, 1948.
Soby, James Thrall. Bonnard and His Environment. New York: Doubleday and Company, Inc., 1964.
Sutton, Denys. Pierre Bonnard. London: Royal Academy of Arts, 1966.
Terrasse, Antoine. Bonnard. Geneva, Switzerland: Skira, 1964.
Terrasse, Antoine. “Bonnard, Pierre.” The Grove Dictionary of Art Online. Oxford University Press. 2004. 10 Nov. 2004.
Terrasse, Antoine. “The Eye of a Painter.” Bonnard: Shimmering Color. New York: Harry N. Abrams, Inc., 2000. 13-43.
Terrasse, Michel. “Pierre Bonnard at ‘Le Bosquet.’” Bonnard at Le Cannet. London: Thames and Hudson, Ltd, 1988. 11-33.
Tour of the Impressionist Wing. The Metropolitan Museum of Art, New York. 6 Nov. 2004.
Tralbout, Marc Edo. “Japan in the South.” Vincent Van Gogh. New York: The Alpine Fine Arts Collection, 1981. 217-273.
Zutter, Jörg. Pierre Bonnard: Observing Nature. Canberra, Australia: The National Gallery of Australia, 2003.