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<title>Gauguin&apos;s Garden of Eden</title>
<link>http://blogs.princeton.edu/writingart23/</link>
<description></description>
<copyright>Copyright 2006</copyright>
<lastBuildDate>Thu, 06 Jan 2005 22:31:26 -0500</lastBuildDate>
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<title>About the Author</title>
<description> Meghan L. Howard &apos;08 graduated from Woodbridge High School in June of 2004. It was upon reading The Moon and Sixpence by William Somerset Maugham during her freshman year in high school that she first became interested in the...</description>
<link>http://blogs.princeton.edu/writingart23/2005/01/about_the_autho.html</link>
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<pubDate>Thu, 06 Jan 2005 22:31:26 -0500</pubDate>
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<item>
<title>Works Cited</title>
<description>Works Cited I would like to thank Nina Cronan and Emily Turner for their feedback on my original research paper Gauguin&apos;s Garden of Eden? The Contradiction of Gauguin&apos;s Words by His Works in Tahiti and Ioannis Avramides and Amelia Salyers...</description>
<link>http://blogs.princeton.edu/writingart23/2005/01/works_cited.html</link>
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<pubDate>Thu, 06 Jan 2005 21:59:46 -0500</pubDate>
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<title>Gauguin&apos;s Gallery</title>
<description>Scroll down to see the progression of Gauguin&apos;s integration of Christian symbolism into his Tahitian artwork, from Ia Orana Maria to Where Do We Come From? What Are We? Where Are We Going?. Ia Orana Maria (We Greet Thee, Mary)...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/gauguins_galler.html</link>
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<pubDate>Thu, 30 Dec 2004 15:49:00 -0500</pubDate>
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<item>
<title>French Missionaries in Oceania</title>
<description>The French â€&quot; and more specifically, French missioniaries â€&quot; had been in Oceania since before Paul Gauguin was born. It is important to understand the fact that while Gauguin likely had a large impact on the native Tahitians that he...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/french_missiona.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/french_missiona.html</guid>
<category></category>
<pubDate>Mon, 27 Dec 2004 11:42:27 -0500</pubDate>
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<item>
<title>Paul Gauguin: The Noble Savage</title>
<description>Paul Gauguin did not believe in conformity. He did not adhere to one set of religious beliefs and pioneered a new artistic style known today as symbolism. Throughout his life, Gauguin shirked tradition and instead blazed his own paths, making...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/paul_gauguin_th.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/paul_gauguin_th.html</guid>
<category></category>
<pubDate>Mon, 27 Dec 2004 11:41:15 -0500</pubDate>
</item>
<item>
<title>Te Nave Nave Fenua</title>
<description>Beyond Te Nave Nave Fenua Gauguin&apos;s Te Nave Nave Fenua displayed very clear Christian symbolism, but after painting this piece Gauguin took a step back from this obvious symbolism and used more subtle Christian symbolism in his paintings between 1892...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/te_nave_nave_fe.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/te_nave_nave_fe.html</guid>
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<pubDate>Mon, 06 Dec 2004 21:04:37 -0500</pubDate>
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<item>
<title>Before Ia Orana Maria</title>
<description> Gauguin began painting Ia Orana Maria within a year of arriving in Tahiti. For much of the time prior to producing this painting Gauguin lived mainly as an observer of Tahitian life, recording thoughts in letters and journals but...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/ia_orana_maria.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/ia_orana_maria.html</guid>
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<pubDate>Mon, 06 Dec 2004 20:49:44 -0500</pubDate>
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<item>
<title>Conclusion</title>
<description>Triumph of Gauguin the Artist In the end, if we are to give equal weight to Gauguin&apos;s artwork and his written word, then perhaps Gauguin&apos;s true feelings on the influence of Christian missionaries in Tahiti at the turn of the...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/conclusion.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/conclusion.html</guid>
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<pubDate>Fri, 03 Dec 2004 23:28:34 -0500</pubDate>
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<item>
<title>A Tahiti Enhanced</title>
<description> Gauguin most clearly suggests an enhancement of Tahiti by the Christian missionaries in his harmonious masterpiece Where Do We Come From? What Are We? Where Are We Going?, a painting that strikingly conflicts with Gauguin&apos;s written commentary on Christianity...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/a_tahiti_enhanc.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/a_tahiti_enhanc.html</guid>
<category></category>
<pubDate>Fri, 03 Dec 2004 22:37:55 -0500</pubDate>
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<title>Gauguin&apos;s Paintings</title>
<description>Harmony of Christianity in Tahiti In his paintings, however, Gauguin portrays the Christian missionary influence as first an integrated aspect of the Tahitian culture and then, gradually, as an enhancement to the old way of life in Tahiti, rather than...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/gauguins_painti.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/gauguins_painti.html</guid>
<category></category>
<pubDate>Fri, 03 Dec 2004 20:25:24 -0500</pubDate>
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<title>Gauguin&apos;s Writings</title>
<description>Harsh Words on Christian Influence If we begin by examining Gauguin&apos;s words, we see that the written word played an important role during his life in Tahiti. Gauguin did a significant amount of writing during this time spent in Tahiti...</description>
<link>http://blogs.princeton.edu/writingart23/2004/12/harsh_words_on.html</link>
<guid>http://blogs.princeton.edu/writingart23/2004/12/harsh_words_on.html</guid>
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<pubDate>Fri, 03 Dec 2004 20:05:59 -0500</pubDate>
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