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<title>Manet &amp; the American Civil War</title>
<link>http://blogs.princeton.edu/writingart6/</link>
<description></description>
<copyright>Copyright 2006</copyright>
<lastBuildDate>Sat, 08 Jan 2005 23:13:25 -0500</lastBuildDate>
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<title>Matt Popper</title>
<description>Matt Popper was born in Pompton Plains, New Jersey on 4/20/86, lived in the glorious suburb of Bloomfield until the age of four, and then moved on with his family to the ten-mile by ten-mile farm that is Tewksbury New...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/was_the_executi.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/was_the_executi.html</guid>
<category></category>
<pubDate>Sat, 08 Jan 2005 23:13:25 -0500</pubDate>
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<item>
<title>Works Cited</title>
<description>I would like to acknowledge my writing partners, Cindi Textor and Roger Mason, for assisting me during the revision process, particularly with regard to the structure of this essay. I would also like to thank Kati Lovasz from the Princeton...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/works_cited.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/works_cited.html</guid>
<category></category>
<pubDate>Sat, 08 Jan 2005 13:27:34 -0500</pubDate>
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<title>Self-Portrait with a Palette</title>
<description>Edouard Manet truly did despise illusion â€&quot; as well as anything else that convoluted, manipulated, or corrupted the truth or reality of a situation. He was a man obsessed with unadulterated, unaltered truth, and sought to display reality in his...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/selfportrait.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/selfportrait.html</guid>
<category></category>
<pubDate>Sat, 08 Jan 2005 10:02:55 -0500</pubDate>
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<title>Other Depictions of the Naval Engagement</title>
<description> Manet was not the only artist (although he was the only impressionist) to depict the unique but significant American naval engagement off Cherbourg. Henri Durand-Brager, an official painter for French naval expeditions throughout the mid nineteenth-century, and James Bryant,...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/nonmanet_nonunf.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/nonmanet_nonunf.html</guid>
<category></category>
<pubDate>Tue, 04 Jan 2005 14:07:12 -0500</pubDate>
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<item>
<title>Letters from the Merchant Marine</title>
<description>Seeking a diversion from oppressive monotony as a pre-law student, Manet decided to enroll in France&apos;s merchant marine to fulfill his early predilection for the sea. In his letters chronicling the four-month journey across the Atlantic on board the Havre...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/letters_from_th_1.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/letters_from_th_1.html</guid>
<category></category>
<pubDate>Sun, 02 Jan 2005 03:28:42 -0500</pubDate>
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<title>Manet&apos;s 1864 Boulogne Seascapes</title>
<description> Manet had retained a distinct fascination for both the sea and for maritime activity since his late childhood â€&quot; according to his confidant Antonin Proust, it was around the sea at Boulogne where Manet &quot;se ressaisit (re-seized himself)&quot; (Proust,...</description>
<link>http://blogs.princeton.edu/writingart6/2005/01/manets_boulogne.html</link>
<guid>http://blogs.princeton.edu/writingart6/2005/01/manets_boulogne.html</guid>
<category></category>
<pubDate>Sun, 02 Jan 2005 02:17:03 -0500</pubDate>
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<item>
<title>Was The Execution of Maximilian Truly Anti-Imperialist?</title>
<description>Utilizing this contradiction, this tension, between word and image in his Kearsarge paintings as a basis for comparison, Manet may quite possibly have distanced his professed political views from those present in The Execution of Maximilian three years later. If...</description>
<link>http://blogs.princeton.edu/writingart6/2004/12/about_the_autho.html</link>
<guid>http://blogs.princeton.edu/writingart6/2004/12/about_the_autho.html</guid>
<category></category>
<pubDate>Thu, 09 Dec 2004 22:36:34 -0500</pubDate>
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<item>
<title>The Battle of the &apos;Kearsarge&apos; and the &apos;Alabama&apos;</title>
<description>Finally, in The Battle of the &quot;Kearsarge&quot; and the &quot;Alabama,&quot; Manet&apos;s pro-Napoleonic sentiment is most overwhelmingly apparent, suggesting the most pronounced diversion from his stated anti-Napoleonic sentiment. Here, the distanced, neglected presence of the Kearsarge is punctuated most overwhelmingly in...</description>
<link>http://blogs.princeton.edu/writingart6/2004/12/the_battle_of_t.html</link>
<guid>http://blogs.princeton.edu/writingart6/2004/12/the_battle_of_t.html</guid>
<category></category>
<pubDate>Thu, 09 Dec 2004 21:19:42 -0500</pubDate>
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<title>The Kearsarge at Boulogne</title>
<description> Indeed, this unfavorable, distanced depiction of the U.S.S. Kearsarge in the previous watercolor is even more pronounced in Manet&apos;s oil paint version of the very same work The Kearsarge at Boulogne, painted slightly later in 1864 (Wilson-Bareau, 50). In...</description>
<link>http://blogs.princeton.edu/writingart6/2004/12/manet_the_secon.html</link>
<guid>http://blogs.princeton.edu/writingart6/2004/12/manet_the_secon.html</guid>
<category></category>
<pubDate>Tue, 07 Dec 2004 12:08:47 -0500</pubDate>
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<title>The Kearsarge at Boulogne Watercolor Study</title>
<description> This contradiction between Manet&apos;s professed politics and those present on canvas, this tension between word and image, is evident in the first of Manet&apos;s Civil War depictions, the 1864 watercolor study The Kearsarge at Boulogne (Wilson-Bareau, 56). Here the...</description>
<link>http://blogs.princeton.edu/writingart6/2004/11/manet_and_the_a.html</link>
<guid>http://blogs.princeton.edu/writingart6/2004/11/manet_and_the_a.html</guid>
<category></category>
<pubDate>Tue, 30 Nov 2004 16:32:23 -0500</pubDate>
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<item>
<title>The Politics of the Kearsarge</title>
<description>Louis Napoleon&apos;s Imperialist Politics and the Kearsarge In order to establish exactly why Manet&apos;s distant depictions of the Kearsarge contradict his political philosophy, it is first necessary to establish how Louis Napoleon&apos;s involvement in Mexico is pertinent to the Boulogne...</description>
<link>http://blogs.princeton.edu/writingart6/2004/11/manets_politics.html</link>
<guid>http://blogs.princeton.edu/writingart6/2004/11/manets_politics.html</guid>
<category></category>
<pubDate>Tue, 30 Nov 2004 14:20:33 -0500</pubDate>
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