The Artist in Morocco
HENRI MATISSE PAR LUI-MÊME, 1912
Henri Matisse
Pen and Ink on Paper
Private Collection, Location Unknown
This self-portrait of Matisse painting shows his own conclusion in action, that: "The voyages to Morocco helped me accomplish the necessary transition and make contact with nature again better than did the application of a lively but somewhat limiting theory, Fauvism" (qtd. Schneider 459).

Matisse on Horseback: Matisse went for rides on a mule and then on horseback, as pictured here, through the wild territory of Morocco. Thirty years later he would still vividly recall riding "through a field of pure, virginal grass, in the morning's beauty. It was something exquisite" (qtd. Cowart et. al 35).

Matisse, picture in native dress by the shore, with a mosque in the background.
The Exhibit
Why Morocco?
Matisse's First Trip to Morocco: The Respectable Model Zorah in Tanger
Matisse's Interim in Paris: A Return to Fauvism?
Matisse's Second Trip to Morocco: The Most Refined Paintings of Zorah
The Ultimate Feminine Twist of Matisse's New Works
Works and Artwork Cited
About the Author
The Gallery
The Poissons Rouge Paintings
Landscapes in Collioure and Tanger
Paintings of Plants in Tanger
The Artist In Morocco