Respectively: Cotsen 2333, 1616, 14315 (Oldenburg : Gerhard Stalling, [ca. 1921])

Slot books (sometimes, unfortunately, referred to as “slotty books” in England) are part doll house and part book. While they are clearly a codex, pages or spreads feature illustrated backgrounds (often of a domestic nature) with little or no text. Each book is accompanied by any number of cut-out figures which can be fit into slots on the pages. These figures are often people and various objects which can be fit into the book in order to, by the powers of the user’s imagination, form scenes or narratives about the figures and their background environment.  Essentially then, slot books serve as a kind of two dimensional (and much more transportable) doll house.

Nürnberger Puppenstubenspielbuch  features six household scenes, each occupying their own double page spread. The book runs through a middle class German household, from the front hallway, to a parlor, a bedroom, a nursery, the kitchen, and the backyard garden.

The parlor, spread 2

The nursery, spread 4

In addition to the obvious slots necessarily present in any slot book, Nürnberger also includes various flaps. Here, figures can be places behind doors, in ovens, in cabinets, etc. Since these flaps need to be manipulated in order for the figures behind them to be revealed, this kind of interaction allows for a sense of motion and time to be introduced into a particular scene.

The door flap and the oven door flap in the parlor, spread 2

We recently received a reference question regarding the figure cut-outs that belong to the different editions (sparking this blog post in the first place). As it turns out, there are some slight cosmetic differences between the three editions that we have here at Cotsen.

As you can tell from the picture at top, the fourth edition has a blue spine while editions three and five have red spines. Since this blue spine is so much worse for wear than the other contemporary editions, it might indicate that the publisher attempted to save money by cutting a corner in production. But with our sample size so small, we can’t be sure about the spine color or material of different editions or printings.

The editions have different figures as well. The varying number of figures between our different copies, however,  has more to do with time than it does with production choices. Many cut-outs have simply been lost or damaged with use.

All the figures with edition 3. Nürnberger Puppenstubenspielbuch. Oldenburg: Gerhard Stalling, [ca. 1921] (Cotsen 2333)

All the figures with edition 4. Nürnberger Puppenstubenspielbuch. Oldenburg: Gerhard Stalling, [ca. 1921] (Cotsen 1616)

All the figures with edition 5. Nürnberger Puppenstubenspielbuch. Oldenberg: Gerhard Stalling, [ca. 1921] (Cotsen 14315)

While the fourth and fifth editions overlap in all but a few extra outfits and objects (though light and time have affected the figures differently), you’ll probably notice that the fifth edition includes some extra guests in the bottom left of the picture. These figures are from a different slot book and must have been introduced by a former owner. Besides the obvious coloring differences, they are made of much thinner paper.

Figures from other sources, replacements, and custom cut-outs were often introduced by savvy children more interested in play than collection. As a result, those who do collect slot books often find an array of outside material.

Now, with the technical exposition out of the way, what blog post about slot books would be complete without a little fun scene making?

Young Hans loses control of the parlor while babysitting his sister Helga.

Here little Odetta fails at quietly playing tea with her dolly and wakes the babes in the nursery.

With such a variety of backgrounds and figures slot books could potentially provide hours of imagination and fun. I, at least, had some fun making my own scenes and I hope you enjoyed learning about Nürnberger Puppenstubenspielbuch.