The Sendak Grandfather Clock Case by Straight Line Designs

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Can you guess what’s inside this 9′ X 4′ crate?

This behemoth box arrived just before the holidays and we were very excited to unpack what was inside (it almost felt like an early Christmas).

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After some very careful maneuvers and masterful positioning (where we just managed to fit the object past the wooden ceiling panel above the gallery entryway) our new installation was ready for unveiling. . .

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Still can’t guess what it is?

This 104″ x 38″ polished maple and Plexiglas structure was designed and fabricated by Judson Beaumont and his company Straight Line Designs. Jud is a great friend of ours who also happens to have designed much of Bookscape (the current incarnation of the Cotsen Gallery).

But you’re probably still wondering what it is!

Well, it’s a display case of course! And what goes inside is just as unique and impressive as the case it is housed in. . .

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what were you expecting?

A Maurice Sendak clock!  It was presented to the Cotsen Children’s Library by antiquarian bookseller Justin G. Schiller, who acquired it when the New York City Opera sold off the contents of a New Jersey warehouse.

The clock is a 94″ x 30″ painted board, canvas, and wood stage prop from the Frank Corsaro production of Maurice Ravel’s “L’Heure espagnol” at the 1987 Glyndebourne Opera Festival in England. Maurice Sendak designed and supervised the creation of this prop (and one other similar clock), costumes, and stage set for this performance. Our clock includes a removable back panel so that an actor can slip into the clock itself. One can open not only the clock-face but the face on the clock as well (the one with the nose that is).

Slightly hidden in our conference room since the end of August, it was finally time for the clock to be united with its new permanent home in the front of the Cotsen gallery.

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After some more careful maneuvers and masterful positioning the clock and its case were set in place.

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With the new installation ready we went about setting up the rest of the gallery entryway.

Since our display table no longer fits in its old place, we brought out another Beaumont original to serve as our new “table”:

The accompanying books are made of wood, with a few displaying comical spine titles.

The accompanying books are made of wood, with a few displaying comical spine titles, just like the “library” in the gallery.

Complementing our new Sendak clock are 2 massive graphics being displayed on our exhibition cases. With images from Sendak’s In the Night Kitchen (New York: Harper & Row, 1970), these graphics softly announce our next exhibition coming this summer.

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With the new and wonderful installation of the Sendak clock and case, along with the other accompanying objects, the entryway has never looked so good! Sendak and Beaumont are a perfect fit!

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A special thanks to Jud and his daughter Shelby for visiting from Vancouver in order to oversee the installation our newest gallery item.

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Beatrix Potter Figurines, “Vienna Bronzes”?

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The whole family! in process item no. 6935392

Cotsen recently acquired a large collection of 62 bronze Beatrix Potter figurines.  The group was assembled over a period of years by Diana R. Tillson, whose remarkable collection of materials on the history of music education and appreciation are part of the Cotsen Children’s Library. The figures are hand painted and range in size from 1.5 to 7 centimeters in three general size categories (8 large, 32 medium, and 22 small). From Benjamin Bunny to Tom Kitten, these bronzes boast an array of familiar and beloved Beatrix Potter characters.

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The “large” figurines; the tallest of which only measures 7 centimeters high.

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the middle sized group, each around 3 to 5 centimeters high.

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the very small figurines, all around 2 centimeters high.

The whole group again, with a quarter for scale.

The whole group again, with a quarter for scale.

Bronze figurines, Potter-related and otherwise, are often found on Ebay and in auction catalogs, in gift shops and collectibles magazines. In all these various places these collectibles are almost ubiquitously referred to as “Vienna bronzes”, usually “cold painted”: an Art Deco technique in which the metal is first chemically treated then painted and then covered in a fixative. Many larger bronzes are stamped with a maker’s signature. The most familiar in the market is the cartouche of the Viennese manufacturer Franz Bergmann which often appears, unpalindromatically, as NAMGREB (with the last N dropped). But our Potter figurines, and other bronzes of similar size, are too small to bear any maker’s mark. Although these tiny figurines claim a Viennese origin, grasping at associations with those larger and verifiable pieces and with that Austrian city of art and culture, their place of manufacture is not actually noted on the objects themselves.

So while doing research for this blog post I discovered a very strange thing: namely, that the manufacturer and date of these adored collectibles is almost impossible to ascertain!

As has already been mentioned, whenever these objects appear for sale on the web or in trade catalogs, they usually don’t mention a manufacturer. Even in one very famous collection of “Vienna Bronze” Potter figurines, that of Doris Frohnsdorff (featured in the April 16th, 1997 Christie’s auction catalog of her sizable and one-of-a-kind Beatrix Potter collection), the manufacturer is not mentioned. This collection, now in the possession of the rare book dealer David Brass, was reviewed by Greta Schuster, a knowledgeable Potter collector. Of the Frohnsdorff collection (and Vienna Bronzes in general) she said “The Vienna Bronzes are a minefield, from what I can see in your pictures you have a very good selection of old ones (with whiskers), approx. 1913 – 1933… What you have to look out for are ones that were made yesterday and made to look worn and old; yes there are fake Vienna Bronzes.”

To the best of our knowledge and ability we can cautiously conclude that our collection is authentic. Our miniatures are probably contemporaneous with the Frohnsdorff collection, resembling similar quality and condition (our whiskers are intact too!). Although we can claim that our bronzes were probably made in the period between wars, we still don’t know by whom. From what I’ve been able to uncover, this isn’t an problem particular to bronzes. All kinds of collectibles (lead soldiers, pewter figures, porcelain dolls, crystal statuettes, etc.) are listed online, in hobby magazines, and trade catalogs without ever indicating a manufacturer.

Nevertheless, it seems that there are only two companies which could be responsible for the creation of authentic Vienna Bronze Beatrix Potter figurines in the early 20th Century: Franz Bergmann (sold to Karl Fuhrmann & Co. in 1960) and Fritz Bermann; firms with misleadingly similar names that were both started in or around Vienna ca. 1850. On the history page of Bermann’s website, the firm indicates that they fixed a licensing agreement with Warne (the late Potter’s publisher) to produce figurines from Potter’s stories only very recently, in 1984. So we might ostensibly count them out and conclude that only Bergmann could have made our little figurines. Yet both firms have been advertised as the manufacturer of antique Beatrix Potter pieces (though they are, of course, easy to mix up).

It still remains unclear, however, if Potter authorized any Vienna Bronzes during her lifetime. So it is always possible that these miniatures were made by different firms than the ones mentioned but are simply untraceable. We might never get a clear answer regarding the origin of Potter bronzes from this period or our Potter bronzes in particular. If we can conclude that our figurines are not piracies (if indeed they all even came from the same place), then they were most likely made by Bergmann. But given the muddled past and current market, it might be impossible to say for sure.  At the very least, we are pleased to have received a charming collection of Vienna Bronze Beatrix Potter figurines that were carefully cast, painstakingly painted, and lovingly cared for.

 


Additional links and sources:

The David Brass collection

The history of Bermann Weiner Bronzen

Visit Cotsen’s virtual exhibition about Beatrix Potter

http://library.princeton.edu/libraries/cotsen/exhibitions/BeatrixPotter/index.html