It seemed like such a good idea. In fact, it seemed like a GREAT idea. But alas, I tested the Westcott hot glue pen, and it was not to be!
When it comes to projects and paper engineering, we use quite a lot of hot glue here at Pop Goes the Page. In fact, during story time, Katie and I always run two hot glue stations, each with two glue guns at the ready. We use book carts, which are terrific as mobile glue stations – just the right height to work on, and wheeled if we need to move them out of the way quickly.
We use standard mini glue guns, but when I spotted the Wescott glue pen whilst shopping (retails for around $8), I wanted to give it a shot. Especially if it allowed a little more control when it comes to distributing glue. Sadly, it did not work. This one might end up on a blog fail list someday!
To give credit where credit is due, the glue pen heated up nicely and was easy to hold. The fatal flaw, however, was the loading mechanism. Ideally, you load the hot glue sticks in, slide the little tab (the instructions call it the “handle”) to the rear of the pen, plug it in, and once heated, it’s ready to use. As you compress the trigger button, the glue is supposed to distribute nicely as both dabs and a steady clean line.
Nope. When I pressed the trigger, the handle released down the entire length of the pen, causing it to snap down on my finger. The glue glopped out, and then just stopped. As you can see in the image below, I tried several time. It never worked. I even unlplugged it and tried again. Nooooope. A dozen times this thing snapped on my finger!
While this was a great product idea, the mechanism was unfortunately faulty. We’ll be sticking to our standard glue guns and the elusive hot glue pen will remain, for now, a mythical entity yet to be discovered.
My studio is a small room at the back of my house, in a residential neighborhood on the outskirts of Buenos Aires. To get to it, you have to cross a patio that we filled with plants.
There is a split glass window with blue and orange borders, which is what I like the most about that space, because it lets in the light and looks right at a monstera with impressively large leaves.
Since I have small children and I like to change places to work, sometimes I move around the house and take “my studio” to different spaces. I like to share my materials and the creative process with them, so we often draw together, at the kitchen table or at a table in the patio. In that sense, it is common to see brushes and pencils in the kitchen, sketchbooks on the coffee table, Indian ink in the room where I sleep.
I wake up early and draw every morning with coffee. My studio is on the ground floor of our house. I create my art digitally, and I’ve cycled through various types of tablet and various drawing programs – there are lots of good options. Recently I like Procreate with an iPad pro.
This is the room I use for layout, framing, anything that benefits from great light. It’s basically just windows and a big table.
Here you can see the table in an unusually clean state. Our house, where my studio is, was built in 1845, so it has great natural light. The windows still have the original glass, which is a little wavy, and I love how that softens everything.
I spent most of my time in the computer and printer room. I have my big monitor here and in the winter I put a heated carpet under my desk (we’re in New England so it’s chilly) and my dog loves that. In the late afternoon there’s really great light – it’s my favorite time in the studio especially in the spring and summer when the days are long.
This room is for zoom calls and collaborative work.