Surrealist Interpretations of the Body: Thematization of the Eye

Works Cited

Introduction

faces1André Breton, Le Surréalisme et la Peinture (Paris : Gallimard, 1965)
Kim Grant, Surrealism and the Visual Arts: Theory and Reception (Cambridge: Cambridge University Press)
André Breton, Manifestoes of Surrealism, trans. Richard Seaver and Helen R. Lane (Ann Arbor: University of Michigan Press).
André Breton, Introduction au discours sur le peu de réalité (Paris : Gallimard, 1927). 
Paul Nougé, “Les images défendues” in Le Surréalisme au service de la révolution, no. 5 (1933) 

Violation of the Body

“Examples of Antisemitic Legislation, 1933–1939.” Holocaust Encyclopedia.
United States Holocaust Memorial Museum, 20 June 2014. Web. 12 May  2015.
Howarth, Sophie. “Man Ray, ‘Indestructible Object’ 1923, Remade 1933,
Editioned Replica 1965.” Tate. N.p., Apr. 2000. Web. 12 May 2015.
Iancu, Valentina. “Political Versus Occult: “The Story of Victor Brauner’s Eye”.”
(2012): 385-92. Brukenthal Museum. Web.
Koller, Michael. “Un Chien Andalou.” Senses of Cinema. N.p., Feb. 2001. Web. 27
Apr. 2015.
Lusty, Natalya. Surrealism, Feminism, Psychoanalysis. Aldershot, England:
Ashgate, 2007. Print.
Van Rensburg, H. Janse. “George Bataille’s Interpretation of Nietzsche: The
Question of Violence in Surrealist Art.” (1989): 388-98. Web.

Sexualization of the Eye

Bataille, Georges. Story of the Eye. San Francisco: City Lights, 1987. Print.

Bataille, Georges, and Allan Stoekl. “The Deviations of Nature.” Visions of Excess: Selected Writings, 1927-1939. Minneapolis: U of Minnesota, 1985. 53-56. Print.

Bataille, Georges, and Allan Stoekl. “The Pineal Eye.” Visions of Excess: Selected Writings, 1927-1939. Minneapolis: U of Minnesota, 1985. 79-90. Print.

Breton, André. L’amour Fou. Lincoln: U of Nebraska, 1987. Print.

Breton, André. Nadja. New York: Grove, 1960. Print.

Collins English Dictionary. Glasgow: Harper Collins, 1991. Print.

Jay, Martin. “The Disenchantment of the Eye: Surrealism and the Crisis of Ocularcentrism.” Visual Anthropology Review 7.1 (1991): 15-38. Web.

“Larmes (Tears) (Getty Museum).” The J. Paul Getty in Los Angeles. The J. Paul Getty Museum, n.d. Web. 20 Apr. 2015. <http://www.getty.edu/art/collection/objects/37756/man-ray-larmes-tears-american-1930-1932/>.

Leiris, Michel. Manhood: A Journey from Childhood into the Fierce Order of Virility. New York: Grossman, 1963. Print.

Lokhorst, Gert-Jan. “Descartes and the Pineal Gland.” Stanford University. Stanford University, 25 Apr. 2005. Web. 30 Apr. 2015. <http://plato.stanford.edu/entries/pineal-gland/>.

Mundy, Jennifer, Vincent Gille, and Dawn Ades. Surrealism: Desire Unbound. Princeton, NJ: Princeton UP, 2001. Print.

“This paper represents my own work in accordance with University regulations.”

/s/ Stevie Peacock

Turning a Blind Eye

Jay, Martin. “The Disenchantment of the Eye: Surrealism and the Crisis of Ocularcentrism.” Visual Anthropology Review 7.1 (1991): 15-38. Print.

Grant, Kim. Surrealism and the Visual Arts. Cambridge, UK ; New York : Cambridge University Press, 2005. Print.

Bataille, Georges. Story of the Eye. San Francisco : City Lights Books, 1987. Print.

Bataille, Georges. “Visions of Excess Selected Writings.” Theories and History of Literature 14 (1927-1939).

Ward, Geoff. “André Breton and Surrealism’s Double Vision.” The Cambridge Quarterly 28.3 (1999) : 252-61.

“This paper represents my own work in accordance with University regulations”

Tricking the Eye

Ades, Dawn. Dali’s Optical Illusions. Hartford, CT: Wadsworth Atheneum Museum of Art, 2000.

Breton, André. Manifestoes of Surrealism. Ann Arbor: U of Michigan, 1969.

Breton, André. Nadja. New York: Grove, 1988.

Dalí, Salvador, and Haim N. Finkelstein. The Collected Writings of Salvador Dalí. Cambridge, U.K.: Cambridge UP, 1998.faces1

Finkelstein, Haim. “Dali’s Paranoia-Criticism or The Exercise of Freedom.” Twentieth Century Literature 21.1, Essays on Surrealism (1975). JSTOR.

Foucault, Michel. This Is Not a Pipe. Berkeley: U of California, 1983.

~This represents my honest piece of work~Teddy Chow

 

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