Moving Day in Feather Town: Ann and Henry Martin’s Manuscript for a Picture Book

cover

Front wrapper, Moving Day in Feather Town. (Cotsen)

To celebrate the very early end of our recent department-wide collections move, we thought it would be fun to post about an item from the collection that’s all about moving.

Moving Day in Feather Town (1989) is a heart-warming picture book written by Ann M. Martin and illustrated by her father Henry Martin about two chickens, Fran and Emma, who decide to switch houses.

Ann’s name might sound familiar because she’s the author of the first 35 novels of the beloved “Baby-Sitters Club” series and the 2003 Newbery Medal award winner, A Corner of the Universe.  Henry Martin is one of the famous New Yorker cartoonists and creator of a long running comic strip “Good News/Bad News,” among other things.  Perhaps less known is that Ann happens to be a Princeton native and Henry a member of the Princeton University class of ’48 and donor to the Graphic Arts collection in Special Collections.

The Princeton connection  explains why the Illustrator very kindly gifted his original artwork for the book to the Cotsen collection. So today I can not only show you some of the highlights of this story, I can showcase aspects of the production of the work as well.

Original artwork for the front wrapper

Original artwork for the front wrapper (notice the addition of a blue background to the published work)

The story Begins with a frustrated Fran and Emma waking up in their respective homes:

Page spread of [1] and [2]

Page spread of [1] and [2]

They’re both so envious of the other’s house and just sick of their boring old places!So they have they a great idea: swap houses!

And they both get excited and packed up and ready to move. But before long they both get cold feet. Unfortunately, neither has the heart to admit it to their friend. So they both decide to go through with it instead, on the day of the big parade no less:

Page [8]

And with heavy hearts, and all the items in the house packed away, each prepares her respective final act in the home:

Page [12]

Page [12]

But much to their mutual excitement, the two moving chicken friends get caught in the very parade they thought they’d miss. They even run into each other during the festivities:

Page spread of [18] and [19]

Page spread of [18] and [19]

Page spread of [18] and [19] galley (Notice how the original boarders have been clipped during production)

Page spread of [18] and [19] original artwork (Notice the absence of text and how the original boarders have been clipped during production)

Unfortunately they run into each other a little too literally and disaster strikes:

Page [19]

Page [20]

Page [19] original artwork

Page [20] original artwork

After all the commotion and confusion the pair are distraught and fear that they will never be allowed to join the parade again. Emma finally admits that she doesn’t want to move, and Fran is relieved at feeling the same. The friends part in happiness and return to their original houses:

Page [23]

Well so much for Fran and Emma’s move . . . but it all worked out in the end!

Our move to new vault space in Firestone Library, on the other hand, was much more necessary and much more efficiently handled. Not one crash!

***We’d like to thank the hard work and dedication of the CDTF team (you know who you are) and the Clancy-Cullen movers for doing such a great job.

Conference on Soviet Illustrated Books for Young Readers Friday-Saturday May 1-2 at Princeton

Cotsen is delighted to help spread the word about an international conference about Soviet illustrated children’s books!

“The Pedagogy of Images: Depicting Communism for Children”

A Symposium at Princeton University, May 2015.

Friday May 1st, Bobst Hall Room 105,  9:00am – 6:00pm.

Saturday May 2nd, Chancellor Green Room 103, 10:00am – 7:00pm.

Keynote: Dmitry Bykov, “The Golden Key to Blind Beauty: Reading the Russian Revolution Through Soviet Children’s Literature”. Friday May 1st, Aaron Burr Hall 219, 6:30pm.

The symposium will convene an international and interdisciplinary group of 16 scholars who work on Soviet-era Russian illustrated books for young readers.

Socialism always had major pedagogical ambitions: building a new society was also about promoting new forms of social imaginary and a new vocabulary of images. Lenin’s plan of monumental propaganda is well known and well researched. This symposium’s project is collaborative scholarly investigation of a less monumental but no less important and pervasive visual language developed by the socialist state for its children. Specifically, the participants will examine the interplay of text and image in illustrated books for young Soviet readers.

As a part of the general desire to translate state socialism into idioms and images accessible to the illiterate, alternatively literate, and pre-literate, children’s books visualized ideological norms and goals in a way that guaranteed easy legibility and direct appeal, without sacrificing the political identity of the message.  Relying on a process of dual-media rendering, illustrated books presented the propagandistic content as a simple narrative or verse, while also casting it in images. A vehicle of ideology, an object of affection, and a product of labor, the illustrated book for the young Soviet reader became an important cultural phenomenon, despite its perceived simplicity and often minimalist techniques. Major Soviet artists and writers contributed to this genre, creating a unique assemblage of sophisticated visual formats for the propaedeutics of state socialism.

Pedagogy_of_Images_Symposium_May_1_2_2015

In preparation for the symposium a selection of 47 books from the Cotsen Children’s Library underwent digital imaging, and the digital surrogates were mounted as a publicly accessible collection in the Princeton University Digital Library (“Soviet Era Books for Children and Youth 1918-1938”). The 47 books were selected from the Cotsen’s holdings of approximately 1,500 Soviet-era Russian imprints, almost 1,000 of which were published between the 1917 Revolution and the beginning of WWII. All of the selected imprints are very rare; a third of the editions included are held in only one other collection in North America, and more than a third are not held in any other North American collections.

Organizing Committee:

Thomas Keenan, Serguei Oushakine. Katherine Hill Reischl

To learn more about this momentous project (including the schedule of symposium speakers and the collaborative annotated catalogue) see the main site for The Pedagogy of Images.

(Just in case this is your first time visiting, here are the links for the interactive campus map and printable campus map).

		         До свидания!