A London Birthday Party in Stephen Jones’ The Oracles (1792)

One of the few eighteenth-century coaches to survive in original condition was this one, which belonged to the Beekman family coach around 1770.

Celebrating a child’s birthday at a social gathering was a late eighteenth-century trend that was rather controversial because it undercut the traditional Christian practice of reflecting on one’s life and choosing goals for the coming year.  Children’s books are an underutilized source for documenting the shift in attitudes towards birthdays and The Oracles, Containing some Particulars of the History of Billy and Kitty Wilson (London: E. Newbery, ca 1792) is a good example of showing a way to strike a balance between religious observance and fashionable entertainments.  It’s not a book that has received much scholarly attention, even though it was illustrated by John Bewick.  The author was probably Stephen Jones (1763-1827), who was Newbery family royalty, being the son of Giles Jones and nephew of Griffith Jones, who are believed to have collaborated with their employer and collaborator John Newbery on some of the firm’s most famous children’s books.

At the beginning of The Oracles, Mr. and Mrs. Wilson are mostly satisfied with the characters of their two children, except for their tendency to assume their judgement is as good as that of their parents.  While the Wilsons may take their responsibilities as parents very seriously, they are not so strict as all that, because on Billy’s seventh birthday, the family goes to London for a day of  sightseeing.  The high point of the day is to be a visit to the famous Speaking Figure, which could answer questions put to it in English, French, German and Italian between noon and nine o’clock in the evening, Monday through Saturday. Here are the Wilsons testing the Speaking Figure’s ability to communicate.  Billy is posing a question to the Figure by speaking into the trumpet inserted into its mouth.

For the Wilson party of four, admission was a shilling per person, which means attendance in the exhibition rooms was not nearly as expensive theater tickets–a single opera ticket would have cost 4 shillings.  But if Mr. Wilson were not sufficiently wealthy to keep his own coach, he also would have had to pay for round-trip transportation from their home in the country to the capital and after the Speaking Figure to their other destination, the Tower Zoo.  Zoo admission was six pence per person.  A meal in a tavern was probably also in order at some point during the outing as well.  Depending upon the family’s annual income,  Billy’s birthday outing may have taken a good portion of the Wilsons’ discretionary income for that month.

This fictional day trip was not the product of Jones’s imagination, but based on a London exhibition that had been on view between 1784 and 1786 and  attracted quite a bit of publicity.  The Frenchman who constructed the Speaking Figure imposed upon the public at major European cities by creating the illusion of conversations between doll and visitor with tubes concealed by the doll’s large feather headdress.  The deception was promptly exposed by Phillip Thicknesse in a pamphlet, which is illustrated with this diagram, showing how the figure operated.

So where does Stephen Jones stand on the question of birthday celebrations?  From one perspective, he tried to have his cake and eat it too.  The Wilsons did not take Billy and Kitty to gawk at the Speaking Figure, but to prepare them to participate in a  plan conceived to correct their most serious fault with minimal intervention from their parents.  Billy and Kitty’s delight in the Speaking Figure is so great that the Wilsons promise to install in the house two speaking figures, who will serve as the children’s personal advisors.

Experiences at home and at school quickly teach Billy and Kitty that their oracles always had their best interests in mind and after a few trials, they trust the oracles so much that they follow the figures’ advice to the letter.  At that point, Mr. and Mrs. Wilson step up and reveal that they have been voicing the so-called oracles from the very beginning, with the result that the children transfer their trust to their parents, where it should have been all along.

Jones was on thin ice here.   He seems to have been leaning towards the approach of French educators like Jean-Jacques Rousseau or Mme de Genlis, who justified the deception of children if the ends of a ruse justified the means.  On the other hand, Jones is also suggesting that a birthday celebration that is both entertaining and improving is appropriate.   It  seems to have been possible for the day to be associated with pleasure as well as reflection and moral growth–at least at some remove from the big day.

Curator’s Choice: Pen Flourish Figures in a Dutch Boy’s Copybook ca. 1733

This week when I was paging some manuscripts, I got distracted and made a discovery.   I didn’t remember ever having looked at the materials on the shelf where the one manuscript to lives and stopped to peek into a few of the archive boxes on either side of it..

One of them was a eighteenth-century copybook that had been filled in between January and August 1733 by Jan Haverman, who lived in Amersfoort, a Dutch city on the river Een in Utrecht.

Jan Haverman’s signature on the leaf pasted down on the front marbled paper cover. [Copybook]. Amersfoort (Netherlands), 1733. (Cotsen 91631)

Cotsen has quite a few American and British copybooks, but I didn’t know there were  Dutch ones as well.  Opening the marbled paper wrappers, I noticed that the pages were not ruled with carefully spaced lines that are supposed to make it easy for the student to write the practice text across the page.  The odd-numbered pages, I discovered, had margins decorated with highly stylized decorations composed of swirling lines.  Whoever calligraphed these beautiful figures was something of  an artist.

The woman with a cap and curls down her back on leaf 1. (Cotsen 91631)

Jan Haverman signed the bottom of every page he copied out, but did he have the control of the pen to have drawn the figures in the margins as well?

The man in the feathered hat on page 3. (Cotsen 91631)

The hissing snake on page 5. (Cotsen 91631)

The dancing dog on page 19. (Cotsen 91631)

The sly fox on page 21. (Cotsen 91631)

The clever ape on page 67. (Cotsen 91631)

The bird eating cherries on page 35. (Cotsen 91631)

Could Jan’s writing master been the creator of the fantastic people and creatures?  Scholars who study the history of writing instruction often distinguish the parts in an exercise executed by the student and those the instructor corrected.  But why would the master have done the drawings in the margins?  Or is the hand that drew the illustrations that of Jan?

A sprig of flowers on page 27. (Cotsen 91631)

There ARE some blots, misformed letters, and wobbly lines on this page, so perhaps the figure in the margin here was intended as an incentive to do better next time!