April C. Armstrong *14

These days, most Americans think of PBS when they think of educational television, but in the 1950s, viewers expected commercial networks to offer this sort of programming. In 1952, New York’s WNBT (NBC) offered Princeton University a grant for faculty to develop a variety of shows in their areas of expertise suitable for a mass audience. Yale, Brown, Rutgers, Columbia, NYU, and Georgetown were all already involved in similar endeavors. By 1954, 84 colleges and universities were involved in creating educational television. Some even offered college credit to viewers.

Princeton was ready to go on the air in 1954. The series, Princeton ’54, was only shown in the New York-New Jersey-Connecticut region, but the program was successful enough that NBC decided to show its successor, Princeton ’55, throughout the eastern United States, in a covetable Sunday afternoon time slot. The series was meant to appeal to diverse interests, opening with “Communists, and Who They Are” with Prof. Gabriel A. Almond (Woodrow Wilson School) on January 2, 1955, and drawing upon faculty in English, music, the Creative Arts Program, and geology, among others for its 13-episdode season.

Erling_Dorf_FAC28_photo_by_Orren_Jack_Turner

Erling Dorf, ca. 1950s. Photo by Orren Jack Turner. Historical Photograph Collection, Faculty Photographs Series (AC059), Box FAC28.

Today, we’re sharing the program that aired sixty years ago today, on February 6, 1955. Geology professor Erling Dorf presented “Climates of the Past,” asserting that the Earth was going through a period of warming within an epoch of cooling.

Princeton followed up with a third and final season, Princeton ’56, the following year.

By Sarah Robey

[We recently digitized a campaign film from the Adlai E. Stevenson Papers, located in our Public Policy Papers. The film, “Nuclear Test Ban,” was produced as a televised campaign program for Stevenson’s 1956 presidential bid against Dwight D. Eisenhower. The film speaks to an important transitional moment in the American encounter with nuclear weapons.]

With a deafening roar, a mushroom cloud blossoms on the screen. As viewers watch the cloud of smoke, dust, and water vapor take its awful form, a narrator declares, “this is the H-Bomb at work… This is the means for destroying all living things on earth.”

The scene cuts to Adlai Stevenson, Democratic candidate in the 1956 presidential election, as he makes his case to the American public for a ban on hydrogen bomb testing. Stevenson is quick to dispel the notion that his proposal is simply an election maneuver: the issue “was and it is too serious for that,” despite then-Vice President Richard Nixon’s assertion that a ban was “catastrophic nonsense.”

For the next twenty-three minutes, Stevenson and a group of experts in the field present a grim assessment of the possible consequences of America’s nuclear testing: sickness, war, and horrors unknown.

The film ends with Stevenson’s disquieting appeal: “I believe we must somehow guarantee mankind against the horrible destructiveness of the hydrogen bomb… I believe we have no alternative.”

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