Scott and Zelda Document Their Lives

The Manuscripts Division is pleased to announce that the scrapbooks of F. Scott Fitzgerald (Class of 1917) and Zelda Fitzgerald are now online in the Princeton University Digital Library (PUDL). The Fitzgeralds’ daughter Scottie gave the scrapbooks to the Princeton University Library in the decades following the donation of most of the Fitzgerald Papers in 1950. F. Scott Fitzgerald saw life as raw material for literature. His gift for autobiographical observation and self-documentation can be seen in the way he kept his papers and scrapbooks. He chronicled his early life in “A Scrap Book Record, compiled from many sources of interest to and concerning one F. Scott Fitzgerald,” as he wrote boldly in white ink to label the volume. He traces his life from birth through Princeton and service in the U.S. Army during World War I, concluding with the acceptance of his short story Head and Shoulders for publication in The Saturday Evening Post (1920). Fitzgerald was perhaps inspired to keep scrapbooks by his mother, Mary “Mollie” McQuillan Fitzgerald, who chronicled his formative years until 1915 in The Baby’s Biography, by A. O. Kaplan, with Pictures by Frances Brundage (New York: Brentano’s, © 1891). Between 1920 and 1936, Fitzgerald compiled five other scrapbooks, in which he usually emphasized his published books and short stories, sometimes adding unrelated materials about his life, travels, and friends. Zelda Fitzgerald kept a scrapbook of her own until 1926, chiefly relating to her family and childhood in Montgomery, Alabama; and early married life with Scott and Scottie.

Scrapbook contents include newspaper clippings, book reviews, and interviews relating to F. Scott Fitzgerald’s life and writing; tearsheets of magazine articles and short stories; dust covers and promotional announcements for books and collections; printed ephemera; formal studio portraits of the author, photographs of friends and acquaintances, and family photos (mostly small snapshoots) of the Fitzgeralds (Scott, Zelda, Scottie); memorabilia; and occasional documents and letters from authors, publishers, and friends. Many of the photographs and clippings are well known and have been often reproduced. But there are a few surprising items as well, such as F. Scott Fitzgerald’s check-stub book for the First National Bank of Princeton, October-November 1916, while he was a Princeton undergraduate; his grimacing self-portrait in a Photomaton coin-coperated photo booth, probably at a train station in the late 1920s; and his personal copy of the Directory of Directors, Writers etc. (1931), proudly kept because it includes his name in the company of Hollywood directors and writers. When Fitzgerald moved from Baltimore to North Carolina in 1936, he put the scrapbooks in storage, and though he later had them shipped to him in Hollywood, the author never again added to them.

The best resource for understanding the scrapbook contents, usually unidentified and undated, is Matthew J. Bruccoli, Scottie Fitzgerald Smith, and Joan P. Kerr, eds., The Romantic Egoists: A Pictorial Autobiography from the Scrapbooks and Albums of F. Scott Fitzgerald and Zelda Fitzgerald (New York: Charles Scribner’s Sons, 1974). This is because much of the contents was reproduced with commentary in The Romantic Egoists. Scottie Fitzgerald Lanahan noted (p. ix), “ninety percent of the illustrations in this book…was taken from the seven scrapbooks and five photograph albums….” Physical access to the original scrapbooks is restricted for compelling preservation reasons because all but The Baby’s Biography are largely made up of highly acidic newsprint pasted down on equally acidic album paper. The scrapbooks were digitized in 1999 as part of the Library’s Fitzgerald Papers preservation project, funded by the Save America’s Treasures, a grant initiative administered by the National Endowment for the Humanities (NEH). Over the past fifteen years, researchers have been able to consult the digitized scrapbooks in the Department of Rare Books and Special Collections. The inclusion of the Fitzgerald scrapbooks in the PUDL will now enable everyone to see and appreciate them, along with the manuscripts of This Side of Paradise (1920) and The Great Gatsby (1925). These materials and more can be found in the Fitzgerald Collection.

The online version of the scrapbooks has been digitally watermarked and provides information about “Usage Rights,” including form of citation, reproduction, copyright, and other issues. For information about reproducing selective images in the scrapbooks, please contact Public Services, Department of Rare Books and Special Collections. rbsc@princeton.edu

Scrapbook
First page of F. Scott Fitzgerald’s
Scrapbook I, showing dust cover of
This Side of Paradise (1920)
and snapshots of Zelda.

Archival Research on African American Literature and Authors

The Manuscripts Division’s most important archival holdings for African American literature are the Toni Morrison Papers (C01491), the major portion of which are now open for research. But there are other relevant archival collections, chiefly in the archives of American publishing houses and literary magazines, and of American and British literary agenices. The most substantial for research are the author files for Richard Wright (1908-60), dating from 1938 to 1957, found in Selected Records of Harper & Brothers (C0103). These files include editorial and business correspondence with Wright, his agent Paul R. Reynolds, the publishing house’s editors, and promotional staff; reader’s reports; and review media relating to books published over several decades: Uncle Tom’s Children (1938), Native Son (1940), Black Boy (1945), The Outsider (1953), Black Power (1954), and Pagan Spain (1957), as well as books for which Wright supplied introductions. The Harper & Brothers files are complemented by the Wright files of the British literary agency Victor Gollancz Ltd. (C1467), which include correspondence, contracts, and readers’ reports for Uncle Tom’s Cabin, Native Son, Black Boy, and American Hunger (1978). There are also Wright letters and photographs of 1946-49 in the Sylvia Beach Papers (C0108); and letters of 1945-56 in the author files of Story Magazine and Story Press (C0104).

Several other Harlem Renaissance authors are represented in holdings. For Langston Hughes (1902-67), the Manuscripts Division has occasional letters and photos in the Sylvia Beach Papers and Carl Van Doren Papers (C0072), and in the New Review Correspondence of Samuel Parker (C0111), the Archives of Charles Scribner’s Sons (C0101), and the Archives of the John Day Company (C0123). Posthumous files (1968-72) pertaining to his books are found in the Archives of Harold Ober Associates (C0129), through their British affiliate Hughes Massie Ltd. Additional items are in the Franklin Books Program archives at Mudd Library. The Archives of Charles Scribner’s Sons has author files for Zora Neale Hurston (1891-1960), including 100-plus items, 1947-63, of which 25 are letters by Hurston, mostly pertaining to her novel Seraph on the Suwanee (1948). Some additional Hurston material is found in the Story archives. For the African American poet and editor Kathleen Tankersley Young (1903-33), the Manuscripts Divisiion has correspondence with New York book designer and printer Lew Ney and his wife Ruth Widen, 1928-32 (C1273). Young was editor of Modern Editions Press and Blues: A Magazine of New Rythms during the Harlem Renaissance. The Manuscripts Division has some correspondence of the African American historian Carter G. Woodson (1875-1950), with fellow historian Charles H. Wesley, 1925-50 (C1310). Woodson was the founder of the Association for the Study of Negro Life and History and in his writing called attention to W.E.B. Dubois and the Harlem Renaissance. Also in the Manuscripts Division are the correspondence files of the New York Urban League, 1922-79 (C0869).

Ralph Ellison (1914-1994) is the Manuscripts Division’s best-documented African American author of the post-war generation, primarily in the archives of the Quarterly Review of Literature [QRL] (C0862). This literary magazine was edited from 1943 to the 1990s by the American poet Ted Weiss, who taught at Princeton, 1967-87. QRL‘s issue files include correspondence with Ralph Ellison, as well as corrected typescripts, and proofs of his second, posthumously published novel Juneteenth. Includes the following. (1) “The Roof, the Steeple and the People,” QRL, vol. 10, no. 3 (1959-60), relating to the nicoleodeon excursion. There are also proofs in box 6, folder 2, and a corrected typescript in box 6, folder 3; (2) “Juneteenth,” QRL, vol. 13, no 3-4 (1965), in box 8, folder 4; (3) “Night-Talk,” QRL, vol. 16 (1972), a moviegoing episode in Atlanta., with an edited revision, box 11, folder 4. There are a few Ellison letters in the archives of The Hudson Review and in the recently acquired papers of Joseph Frank (1918-2013), Professor of Comparative Literature, who received a 3-page letter from Ellison in 1964, in which he explains the obscurity of the “pink hospital scene” in his novel Invisible Man by describing how he cut out a 225-page section from the middle of book.

Beyond African American authors, the Manuscripts Division holds some literary collections relating to the Afro-Carribean experiences. The best example is in the papers of the contemporary American author Madison Smartt Bell (C0771), Princeton Class of 1979, including manuscripts, corrected typescripts, and proofs for his trilogy about Toussaint Louverture and other leaders of the Haitian Revolution. The first novel was All Souls Rising (1995), which was a finalist for the 1995 National Book Award and the 1996 PEN Faulkner Award, and won the 1996 Anisfield-Wolf Award for the best book of the year. The novel was continued in Master of the Crossroads (2002) and The Stone Builder Refused (2004). Providing context for Bell’s writing is his correspondence with his publishers, agents, and friends. The Manuscripts Division also holds the correspondence of Professor Léon-François Hoffmann with the Haitian poet René Depestre, 1984-2003 (C1103).

Archival, printed, and audiovisual materials about African American literature and history can be found in the various divisions and collections of the Department of Rare Books and Special Collections. For general information about holdings, please contact Public Services, at rbsc@princeton.edu

Harper & Brothers author files for Richard Wright's The Outsider.
Harper & Brothers files for Richard Wright’s
The Outsider.

Toni Morrison Papers Open for Research

The Princeton University Library is pleased to announce that the major portion of the Toni Morrison Papers (C1491), part of the Library’s permanent collections since 2014, is now open for research. The papers are located in the Manuscripts Division, Department of Rare Books and Special Collections, in the Harvey S. Firestone Memorial Library. They contain more than two hundred linear feet of archival materials that document the life and work of Toni Morrison, Nobel Laureate in Literature (1993) and Robert F. Goheen Professor in the Humanities (Emeritus) at Princeton University. Morrison’s papers were gathered from multiple locations over more than two decades, beginning with the files recovered by the Library’s Preservation Office after the tragic fire that destroyed her home in 1993. Over the past eighteen months, the most significant of the papers have been organized, described, cataloged, and selectively digitized. The papers are described online in a finding aid.

Most important for campus-based and visiting researchers are some fifty linear feet of the author’s manuscripts, drafts, and proofs for the author’s novels The Bluest Eye (1970), Sula (1973), Tar Baby (1981), Beloved (1987), Jazz (1992), Paradise (1997), Love (2003), A Mercy (2008), Home (2012), and God Help the Child (2015). The only exception are materials for Song of Solomon (1977), which are believed lost. In the interest of preservation, by agreement with the author, all of these manuscripts have been digitized in the Library’s Digital Studio. Research access to digital images of Morrison’s manuscripts will be provided in the Rare Books and Special Collections Reading Room. The study of Morrison’s manuscripts illustrates her approach to the craft of writing and help trace the evolution of particular works, from early ideas and preliminary research, to handwritten drafts on legal-size yellow notepads, and finally corrected typescripts and proofs. The early drafts often differ substantially from the published book in wording and organization, and contain deleted passages and sections.

A single yellow notepad may contain a variety of materials, including content related to other works, drafts of letters, inserts for later typed and printed versions, and other unrelated notes. Corrected typescript and printout drafts often show significant revisions. Material from various stages of the publication process is present, including setting copies with copy-editor’s and typesetter’s marks, galleys, page proofs, folded-and-gathered pages (not yet bound), blueline proofs (“confirmation blues”), advance review copies (bound uncorrected proofs), and production/design material with page and dust-jacket samples. In addition to documenting Morrison’s working methods, the papers make it possible to see how books were marketed to the reading public and media, and also to trace the post-publication life of books, as they were translated, repackaged, reprinted, released as talking books, and adapted for film.

Among unexpected discoveries that came to light during archival processing are partial early manuscript drafts for The Bluest Eye and Beloved; and born-digital files on floppy disks, written using old word-processing software, including drafts of Beloved, previously thought to have been lost. Morrison also retained manuscripts and proofs for her plays Dreaming Emmett (1985) and Desdemona (2011); children’s books, in collaboration with her son Slade Morrison; short fiction; speeches, song lyrics; her opera libretto for Margaret Garner, with music by the American composer Richard Danielpour; lectures; and non-fiction writing.

Also valuable for researchers is Morrison’s literary and professional correspondence, approximately fifteen linear feet of material, including letters from Maya Angelou, Houston Baker, Toni Cade Bambara, Amiri Baraka, Gwendolyn Brooks, Ossie Davis and Ruby Dee, Leon Higginbotham, Randall Kennedy, Ishmael Reed, Alice Walker, and others. Additional literary correspondence is found in Morrison’s selected Random House editorial files, where her authors included James Baldwin, Toni Cade Bambara, Angela Davis, and Julius Lester. Morrison also retained drafts, proofs and publication files related to two works by Toni Cade Bambara, which Morrison posthumously edited for publication; as well as photocopies of selected correspondence of James Baldwin, 1957-1986, and materials relating to Baldwin’s literary estate.

The remaining Morrison Papers are being processed and will be made available for research gradually over the next year, with arrangement and description to be completed by spring 2017. These include her Princeton office files and teaching materials, fan mail, appointment books (sometimes called diaries), photographs, media, juvenilia, memorabilia, and press clippings. Complementing the papers are printed editions of Morrison’s novels and other published books; translations of her works into more than twenty foreign languages; and a selection of annotated books. Morrison’s additional manuscripts and papers will be added over time.

Beyond the Toni Morrison Papers, the Department of Rare Books and Special Collections holds other archival, printed, and visual materials about African American literature and history. The best files are in American publishing archives. For example, the Manuscripts Division holds the Harper & Brothers author files for Richard Wright’s books Uncle Tom’s Children (1938), Native Son (1940), Black Boy (1945), Outsider (1953), Black Power (1954), and Pagan Spain (1957); Charles Scribner’s Sons author files for Zora Neale Hurston, chiefly pertaining to her novel Seraph on the Suwanee (1948); and the Quarterly Review of Literature files of Ralph Ellison’s corrected typescripts and proofs for three extracts from early working drafts of his second, posthumously published novel Juneteenth (1999).

For information about the Toni Morrison Papers, please consult the online finding aid. For information about visiting the Department of Rare Books and Special Collections and using its holdings, please contact the Public Services staff at rbsc@princeton.edu

Toni Morrison, Beloved draft jpeg
Beloved early draft
Toni Morrison Papers (C1491)
Princeton University Library

Rediscovering Lost Mayan Text

Researchers regularly make discoveries in the reading rooms of the Department of Rare Books and Special Collections. Curators, catalogers, and conservators can make their own discoveries when describing and preparing materials for research use. A case in point is the recent recovery of Mayan textual fragments during conservation treatment of an eighteenth-century Latin American manuscript in the Garrett-Gates Collection of Mesoamerican Manuscripts (C0744.01, no. 177), gift of Robert Garrett (1875-1961), Class of 1897. It was written in 1759 by a scribe named Tomás Ossorio, at San Sebastián Lemoa, Guatemala, and is one of nearly 300 Mesoamerican manuscripts, documents, and related items in the Manuscripts Division, each written in whole or part in one of the indigenous languages of the Americas. Garrett acquired most of his Mesoamerican manuscripts from the collection of William Gates (1863-1940).

This Mesoamerican manuscript contains a single text: Domingo de Vico (1485-1555), Teologia indorum, translated from Latin into K’iche’ (or Quiché), a Mayan language spoken by the people of central Guatemala. It was written in the Roman alphabet and disseminated by scribal copying during the Contact Period. Vico was a Dominican friar, who left his native Spain for the Kingdom of New Spain. He prepared this treatise in Chiapas, Mexico, for the use of Dominicans at the parish level to interact with the indigenous populations and their ancestral religious beliefs, which Spanish conquerors and missionaries viewed as a form of “idolatry.” The Teologia indorum is filled with brief Christian lessons drawn from the New Testament and lives of the saints, with explanations of basic Christian concepts. Vico’s text was translated by native speakers into the Mesoamerican languages of K’iche’, Kaqchikel, and Tzutuhil between the sixteenth and eighteenth centuries. The present manuscript includes pen-and-ink drawings, perhaps the work of the scribe himself, depicting the Cross with the Virgin Mary and St. John (fol. 1 v); and the Virgin Mary and Christ Child (fol. 113v). In total, there are at least a dozen extant manuscripts of Vico’s text in translation, of which Princeton has seven (C0744.01, nos. 175-180, 227) and the Bibliothèque Nationale de France (Paris) has five.

When the manuscript arrived in the Library in 1949, it was in a crudely made, repeatedly repaired one-piece animal-hide cover or wrapper, not a contemporary binding. The binding was dysfunctional and was damaging the fragile paper leaves. Whoever was responsible for this later binding had ignored original folio numbers and bound the manuscript out of order. Moreover, one could see portions of five leaves of unrelated contemporary K’iche’ text, written in different hands. These leaves were upside down relative to the Vico text and lined the inside of the animal-hide cover that wrapped around the text block The lining was possibly an attempt to stiffen the wrapper. Mick LeTourneaux, Book Conservator in the Library’s Preservation Office, disbound the manuscript, cleaned and mended the text leaves, reassembled them in the correct order, and rebound the manuscript in a conservation binding employing long-stitch sewing for flexibility. LeTourneaux was able to recover the unrelated text leaves from inside the cover. These leaves were then separated, mended, encapsulated, and rehoused in a custom drop-spine box, along with the rebound manuscript and animal-hide cover.

Don C. Skemer, Curator of Manuscripts, sent digital images of the recovered leaves to Matthew Restall, Edwin Erle Sparks Professor of Latin American History and Anthropology, and Director of Latin American Studies, at Pennsylvania State University. Restall has been a frequent research visitor to the Department of Rare Books and Special Collections. He reads several Mayan languages and does research on the ethnohistory of the Yucatan and Mexico, Guatemala, and Belize. Scott Cave and Megan McDonie, two of Restall’s graduate students, studied the digital images and were able to identify three folios of prayers and other liturgical text, written in K’iche’ with some crossover into Kaqchikel. Like most Mesoamerican religious texts of this era, the text incorporates Christian sacred names and other loan words in Spanish and Latin. The remaining two folios are in K’iche’ and may deal with church business. The texts did not precisely match any known texts and will require more study.

The Manuscripts Division has been working with the Preservation Office for years to conserve scores of Mesoamerican manuscripts that came to the Library in poor condition nearly seventy years ago. Several of the manuscripts have also been digitized in the Library’s Digital Studio and added to “Treasures of the Manuscripts Division,” in the Princeton University Digital Library (PUDL). For more information about the collection, contact Public Services, at rbsc@princeton.edu

no 177  opening 2
Rebound manuscript, fols. 1v-2r

no 177 fragment
Recovered text leaf

Aubrey Beardsley: A British Artist for the 1890s

The Manuscripts Division has particularly rich holdings on Aubrey Beardsley (1872-98), the celebrated fin-de-siècle artist, who is best known for his exquisite black-and-white book illustrations. Beardsley’s books, posters, bookplates, and magazine contributions—most notably Oscar Wilde’s Salome and The Yellow Book—brought him international celebrity before his untimely death from tuberculosis at age 25. Through his art, Beardsley became the leading exponent of a British movement referred to by its detractors as “decadent,” as was Wilde in literature. He completed nearly 1100 drawings in just six years. Beardsley absorbed the Pre-Raphaelites, the Aesthetic movement, Japanese woodblock prints, Greek vases, and eighteenth-century engravings to produce the bold, instantly recognizable “Beardsley style.” Then as now, Beardsley’s artistic vision can be seen as as amusing, grotesque, decadent, perverse, liberating, erotic, or even obscene. But it is always original, unique, and arresting.

Yet while Beardsley’s art has been much admired since his own time, the daunting task of identifying and locating all of his illustrations would have to wait more than a century after his death. The scholarly world is fortunate that a comprehensive catalogue has finally been published. Professor Linda G. Zatlin, Department of English, Morehouse College, spent three decades preparing a Beardsley catalogue raisonné, including innumerable research trips and photography orders to the Department of Rare Books and Special Collections. Zatlin has carefully identified, described, studied, and reproduced nearly 1100 extant Beardsley illustrations, whether they survive only in printed editions or also in drawings and sketches preserved in libraries and museums worldwide. The result is an indispensable catalogue, both handsome and learned, which will long remain the standard guide to Beardsley’s work.

Linda G. Zatlin, Aubrey Beardsley: A Catalogue Raisonné (New Haven: Yale University Press for the The Paul Mellon Centre for Studies in British Art, 2016), a two-volume boxed set, with 75 color and 1145 black-and-white illustrations. Available from Yale University Press, the catalogue provides a full record for each work, with a provenance note and exhibition history; and discusses themes, motifs, symbolism, and critical reception, with an up-to-date bibliography. Among those to whom the catalogue is dedicated is Mark Samuels Lasner, who co-curated the Library’s Beardsley centennial exhibition (1998-99) with Don C. Skemer, Curator of Manuscripts.

More than 100 of the original Beardsley drawings and sketches cataloged and reproduced by Zatlin are in the Manuscript’s Division’s Aubrey Beardsley Collection (C0056). Most of these were donated to Princeton in 1948 by the American artist and art collector A. E [Alfred Eugene] Gallatin (1881-1952). The collection was one of the earliest exhibitions in Firestone Library, curated by Alexander D. Wainwright, Class of 1939. Additions have been made to this collection in the decades since the Gallatin gift. The drawings and sketches were done for book illustrations, borders, chapter headings, title pages, and posters, and book plates.

These are complemented by selected correspondence and manuscripts. Among Beardsley’s major correspondents are Edmund Gosse, Robert Underwood Johnson, and Leonard Smithers. In addition, there is correspondence from Douglas Ainslie, Joseph M. Dent, John Lane, and Beardsley’s mother and sister, as well as photographs of Beardsley and family members. His own literary manuscripts include “The Art of Hoarding,” “Under the Hill,” and “The Ivory Piece.” The Department of Rare Books and Special Collections also has printed editions of all works illustrated by Beardsley.

For information about Beardsley holdings in the Manuscripts Division, including several recent acquisitions, please contact Don C. Skemer, Curator of Manuscripts, dcskemer@princeton.edu

Beardsley catalogue for blog post

The Criminal Adventures of Jack Sheppard

The latest additions to the Morris L. Parrish Collection of Victorian Novelists (C0171) include two volumes of manuscripts by William H. Ainsworth (1805-82), chiefly for his novel Jack Sheppard: A Romance. This lurid Newgate School novel was serialized in Bentley’s Miscellany (1839-40) and published by Richard Bentley (1839) as a “triple-decker” (3-volume novel). The novel was published with a series of 27 etchings by the eminent British illustrator George Cruikshank, a large collection of whose papers (C0256) is also in the Manuscripts Division. The novel’s protagonist is Jack Sheppard (1702-23), a London apprentice carpenter, who turned to a life of crime and in the course of just two years achieved notoriety as a housebreaker, pick-pocket, and outlaw, until he was executed at the Tyburn gallows. Sheppard’s audacious prison escapes made him an appealing “low-society” anti-hero for the novel, which became a bestseller and outsold Oliver Twist, also published around that time. Yet the novel’s popularity displeased many critics, who considered it unseemly for the publisher and author to profit from a sensationalized life of an unrepentant criminal.

A contemporary of Charles Dickens, Ainsworth was the author of 39 novels, mostly on historical themes, and some of his novels (including Jack Sheppard) were adapted to the stage. Ainsworth began researching the novel in 1837, the year Queen Victoria came to the throne. He drew on eighteenth-century press accounts and on popular literature about Sheppard’s criminal career, daring escapes, and ultimate punishment. The author made many revisions and corrections in his autograph manuscript, entitled “True Account of Jack Sheppard the Housebreaker,” in part at Bentley’s insistence. The text often differs from the published novel. Also included in the two volumes are Ainsworth’s research notes about Sheppard, a synopsis and early drafts of the novel, a letter of 1838 to Charles Ollier about Bentley and publication, portraits of Ainsworth and Sheppard, and fragments from the manuscript of the author’s later novel Old St. Paul’s (1841).

The Jack Sheppard manuscript has been added to the Manuscripts Division’s portion of the Parrish Collection. Ainsworth was one of the British authors comprehensively collected by Morris Longstreth Parrish (1867-1944), Class of 1888, a respected Philadelphia businessman, who bequeathed his extraordinary library of Victorian novelists to Princeton. Parrish’s library was at Dormy House, his residence in Pine Valley, New Jersey. In addition to Ainsworth, Parrish collected Charles Dickens, Anthony Trollope, Charles Reade, Charles Kingsley, Dinah Craik, George Eliot, Elizabeth Gaskell, Thomas Hardy, Thomas Hughes, Charles Lever, George Meredith, Robert Louis Stevenson, William Makepeace Thackeray, Lewis Carroll, and other Victorian authors.

In the many decades since the Parrish bequest, the Department of Rare Books and Special Collections has continued to add to enrich Parrish holdings by gift and purchase. Alexander D. Wainwright, Class of 1939, a life-long curator and administrator at the Princeton University Library, played an instrumental role in this acquisitions effort. While the original Parrish bequest included only one Ainsworth letter, the holdings have grown to nearly 300 Ainsworth letters, including the author’s correspondence with Richard Bentley and 18 letters received from other people. The Parrish Collection includes major parts of the autograph manuscripts of Chetwynd Calverley (1876) and Beatrice Tyldesley (1878); and leaves of other manuscripts. The Rare Books portion of the Parrish Collection has editions of all Ainsworth’s novels. The Graphic Arts Collection has Daniel Maclise’s oil portrait of Ainsworth and 3 volumes with Cruikshank’s etchings for Jack Sheppard, with additional pencil drawings.

Other recent additions to manuscript holdings for Parrish authors include selected correspondence of Anthony Trollope, autograph manuscripts by Charles Lever and Wilkie Collins, and a large number of sermons by Charles Kingsley.

For more information about the holdings of the Parrish Collection, contact Public Services, rbsc@princeton.edu

Ainsworth MS Draft
Manuscript draft of Jack Sheppard

David K. Lewis and Analytical Philosophy

The Manuscripts Division is pleased to announce that the correspondence, manuscripts, and other papers of the philosopher David K. Lewis (1941-2001) have been donated to the Princeton University Library by his widow Stephanie Lewis and are now available for study in the Department of Rare Books and Special Collections. The finding aid for the David K. Lewis Papers (C1520) is available online. Lewis is widely regarded as one of the most important analytic philosophers of the twentieth century. He is the author of Convention (1969), Counterfactuals (1973), On the Plurality of Worlds (1986), Parts of Classes (1991), and over 110 articles. He also published five volumes of collected articles: Philosophical Papers I (1983), Philosophical Papers II (1986), Papers in Philosophical Logic (1998), Papers in Metaphysics and Epistemology (1999), and Papers in Ethics and Social Philosophy (2000). Lewis’s work was highly influential and affected most areas of analytic philosophy. He made significant contributions to philosophy of mind, philosophical logic, philosophy of language, philosophy of science, philosophy of mathematics, epistemology, and metaphysics. His impact and influence was due not merely to the doctrines he defended, but also to the way he framed the philosophical debates in which he engaged. Lewis’s work continues to be widely discussed and remains a central part of contemporary philosophy.

Lewis was a graduate student in philosophy at Harvard University (PhD, 1967), where he studied under Willard Van Orman Quine (1908-2000) and met Stephanie Robinson, Lewis’s future wife and the present donor of the papers. They met in a philosophy of science course taught by J.J.C. Smart, who at the time was visiting Harvard from Australia. In 1966, Lewis accepted an Assistant Professorship at UCLA. In 1970, Lewis became an Associate Professor at Princeton University. He was named Stuart Professor of Philosophy in 1995, and three years later was appointed Class of 1943 University Professor of Philosophy. Lewis and his wife made annual summer trips to Australia from 1971 until his death. Australia became a second home to Lewis, and he became an integral part of the philosophical culture of Australia. Along with the Australian philosopher D. M. Armstrong, Lewis played an important role in reviving metaphysics in the latter half of the twentieth century.

The David K. Lewis Papers include his extensive correspondence with other philosophers and scholars. There are approximately sixteen thousand pages of Lewis’s correspondence, both incoming and outgoing. There is significant volume of correspondence with David Armstrong, J.J.C. Smart, Frank Jackson, Willard Van Orman Quine, Hugh Mellor, Max Cresswell, Allen Hazen, and John Bigelow; as well as smaller amounts of correspondence with R. B. Braithwaite, Peter van Inwagen, Paul Benacerraf, William Alston, Iris Murdoch, Jonathan Bennett, Anthony Appiah, J. Peter Burgess, Paul Churchland, D. C. Dennett, Gareth Evans, Philippa Foot, Margaret Gilbert, Sally Haslanger, Jaakko Hintikka, David Kaplan, Saul A. Kripke, Colin McGinn, Thomas Nagel, Derek Parfit, Steven Pinker, Alvin Plantinga, and many others. Lewis’s letters are often very detailed, as he maintained ongoing conversations regarding many philosophical topics with his colleagues through regular correspondence. Lewis’s writings include drafts of published articles and books, often along with publishing correspondence, reviews, and notes related to each publication. A smaller amount of reviews and unpublished or posthumously published writings are also present, as well as some of Lewis’s undergraduate and graduate student writings, course materials, and notes, including notes from graduate seminars with Donald Williams and others at Harvard and elsewhere, and research files and reports from Lewis’s time as a researcher at the Hudson Institute in the 1960s.

Two research projects now underway make extensive use of the David K. Lewis Papers. The first project is organized by Professor Peter Anstey of the University of Sydney and Stephanie Lewis. They aim to publish the correspondence between Lewis and Armstrong. The second project is The Age of Metaphysical Revolution: David Lewis and His Place in the History of Analytic Philosophy, which is headed by Professor Helen Beebee of the University of Manchester and is funded by the British Arts and Humanities Research Council. The project includes Professor Fraser MacBride of the University of Glasgow as co-investigator, and two postdoctoral researchers: Anthony Fisher, University of Manchester, who provided the biographical information for this blog-post; and Frederique Janssen-Lauret, University of Glasgow. The latter project has the goal of publishing several volumes of Lewis’s correspondence and unpublished papers, as well as a monograph on Lewis and his place in the history of analytic philosophy.

The Manuscripts Division also holds the extensive papers of the eminent mathematical logicians Kurt Gödel (1906-78), C0282, on deposit from the Institute for Advanced Study, Princeton; and Alonzo Church (1903-95), C0948, Department of Mathematics. The division also has manuscripts and selected other papers of Princeton philosophy professors Charles Woodruff Shields (1825-1904), C0343; George Tapney Whitney (1871-1938), C0448); and Walter Kaufmann (1921-80), C0469. For information about the David K. Lewis Papers, consult the finding aid. For more information about the holdings of the Manuscripts Division, contact Public Services at rbsc@princeton.edu


David K. Lewis in Cambridge, June 2001,
where he received an honorary D. Litt.
degree from the University of Cambridge.
© Hugh Mellor

A Founding Father in Revolutionary Paris

The Manuscripts Division is pleased to announce the acquisition of a letter book of James Monroe (1758-1831), the most recent addition to its substantial Franco-American holdings. Monroe kept the letter book during the first part of his term as American Minister to France, 1794-96. The volume includes 112 letters, probably in the hand of Monroe’s secretary and fellow Virginian Fulwar Skipwith (1765-1838). Many letters have minor textual differences from published versions, including a dozen with previously unrecorded corrections and revisions in Monroe’s own hand, such as his Circular to Consuls and Agents, 25 September 1794 (see below). Eighteen of the letters are unknown and unpublished, including six about American repayment of a loan from the Dutch financiers Willink, Van Staphorst & Hubbard. Monroe was posted to Paris at the height of the French Revolution, only days after the Reign of Terror had ended with the execution of Maximilien Robespierre, Louis-Antoine de Saint-Just, and others. On Sunday, 10 August 1794, Monroe penned his first official letter as U.S. Minister to France, sending political news to Secretary of State Edmund Randolph, a fellow Virginian.

Monroe served with distinction during the Revolutionary War. He crossed the Delaware River with General George Washington on Christmas Day 1776 and a week later was seriously wounded at the Battle of Trenton (2 January 1777). We remember Monroe today for his lifetime of public service, including a term as Senator from Virginia to the U.S. Congress (1790-94); multiple terms as governor of Virginia; Secretary of State (1811-17) and Secretary of War (1814-15) under President James Madison (Princeton Class of 1771); and finally the fifth American President (1817-25). Although a slaveholder, Monroe supported African colonization for free African Americans in the geographical area that eventually became Liberia, for which reason its capital was named Monrovia in his honor. In the Early Republic, he played a major role in U.S. territorial expansion and foreign policy and is best remembered for his promulgation of the Monroe Doctrine (1823).

The Monroe letter book is a large volume with 324 numbered pages. A stationer’s label on front paste down identifies the shop as “À L’Espérance,” located on Rue Neuve des Petits-Champs, facing the French Ministry of Finance. There one could buy quills, ink, paper, sealing wax, and other writing materials, as well as blank volumes like the present letter book. It was a difficult time for Monroe and for Franco-American relations. He found his own position in France undermined by the American adoption of Jay’s Treaty, which the French Directory viewed with suspicion. Among Monroe’s other challenges were the intrigues of “Citizen” Edmond Charles Genêt (1763-1834), the French minister to the United States. Monroe defended his conduct as Minister to France in A View of the Conduct of the Executive in the Foreign Affairs of the United States, Connected with the Mission to the French Republic, during the years 1794, 5, & 6 (Philadelphia: Printed by and for Benjamin Franklin Bache, 1797).

One of Monroe’s principal diplomatic initiatives was securing freedom for American prisoners, the most famous being Thomas Paine (1737-1809), author of Common Sense and The American Crisis. A letter of 1 November 1794 to the French Committee of General Surety was part of Monroe’s successful effort to secure the Paine’s release from Luxembourg prison in Paris, where he worked on The Age of Reason. American citizenship was presented as a reason for Paine’s release. Indeed, he owned a house in Bordentown, New Jersey, and a farm in New Rochelle, New York. Monroe wrote, “The citizens of the United States can never look back to the era of their own revolution without recollecting among the names of their most distinguished patriots that of Thomas Payne. The services that he rendered them in their struggle for liberty have made an impression of gratitude which will never be erased, whilst they continue to merit the character of a just and generous people.”

The oldest of the Manuscripts Division’s substantial Franco-American holdings is the correspondence of Raymond de Fourquevaux (1508-1574), French ambassador to Spain, concerning colonization of Florida and the West Indies, 1565-71. This is part of the extensive Americana collection of André De Coppet, Class of 1915 (C0063), who was also the donor of the extensive archives of Eugène de Beauharnais (1781-1824), Napoleon’s step-son and French viceroy in Italy, 1805-14 (C0645). The best-known collection is that of Louis-Alexander Berthier (1753-1815), containing more than a hundred hand-colored, manuscript maps, one of which includes Nassau Hall (C0022). Berthier was an officer on General Rochambeau’s staff and traced the historic overland march of the French and American forces from Philipsburg, New York, to Yorktown, Virginia, in 1781, and then their return march to Boston in 1782. Accompanying these maps is Berthier’s journal in French. Donated by Harry C. Black, Class of 1909, the Berthier maps and journals have been digitized and are available online.

The Manuscripts Division also holds other individual manuscripts and small collections, such as Joachim du Perron, comte de Revel (1756-1814),”Brouillon du journal de ma campagne sur le Languedoc,” 1780-82; Charles Henri d’Estaing (1729-94), “Relation de la compagne navale … en Amérique,” 1778-89; [Comtes de Forbach de Deux-Ponts], “Suite de journal des campagnes 1780, 1781, 1782: dans l’Amérique septentrionale,” 1782; Henri Jean Baptiste de Pontevès-Gien, comte de Pontevès-Gien (1738-90), a journal kept by him as commander of the French naval vessel l’Illustre, 1788-90; Louis-Guillaume Otto, comte de Mosloy, letters to the marquis de Moustier, 1789-91; and Charles Balthazar Julien Frevret de Saint-Mémin (1770-1852), “Gagne-pain d’un exilé aux États-Unis d’Amérique de 1793 à 1814.” Also dating from this period is a portion of the correspondence of John Lewis [Jean-Louis] Guillemard, 1787-1844, an English aristocrat of French Huguenot ancestry, who lived in Philadelphia in the late 1790s and corresponded with his family and friends about American politics and foreign relations, the British Empire, and the French Revolution (C1492).

Holdings for the nineteenth century include the recently acquired manuscripts of French journalist Frédéric Gaillardet (1808-82), including a partial draft of L’Aristocratie en Amérique and other materials relating to his travels and observations in Louisiana, Mississippi, and other southern states, as well as in Canada and Cuba, 1837-48 (C01519). French interest in the peoples of North America can also be seen in the photographs of Northern Plains Indians in the “Collection Anthropologique” of Prince Roland Bonaparte (C1177). Relevant holdings on Franco-American historical subjects can be found in the Gilbert Chinard Papers (C0671) and Gilbert Chinard Collection of French Historical Material (C0428). The latter includes letters written by the French Consul to Maryland, 1788-1797; and three untitled and undated 18th-century manuscript documents concerning French governance of Louisiana, its cession to Spain in 1762, and subsequent administration by Spain. Chinard was a Franco-American scholar who was Pyne Professor of French at Princeton University, 1937-50, and was also associated with the Institut Français de Washington.

For more information about the James Monroe letter book, contact Don C. Skemer, Curator of Manuscripts, at dcskemer@princeton.edu Concerning manuscript and archival holdings relating to Franco-American historical, diplomatic, and cultural relations, search the Department of Rare Books and Special Collections finding aids website

Monroe letter book
James Monroe’s Letter Book (detail)

T. A. Barron: Author and Conservationist

The Princeton University Library is delighted to announce that the award-winning American author and conservationist Thomas A. Barron ’74 has donated his literary papers to the Library. The T. A. Barron Papers (C1522) are in the Manuscripts Division, Department of Rare Books and Special Collections. Barron is the author of more than thirty books, including many well-known mythic-quest and fantasy novels, published in series such as The Great Tree of Avalon, which is a New York Times bestselling trilogy; The Atlantis Saga; The Adventures of Kate trilogy; and The Merlin Saga, currently being adapted for film by Disney.

Barron’s writing has been compared to that of authors such as J.R.R. Tolkien, C.S. Lewis, and Madeleine L’Engle. Barron has said of his writing, “My first priority is to craft enjoyable stories. Beyond that, I hope to create characters, plots, and themes that raise the big questions of life. Good fantasy isn’t an escape from reality, but rather an alternate, deeper view of reality.”

The T. A. Barron Papers include more than twenty linear feet of files about this popular author’s life and work. His papers provide full documentation for his novels, children’s books, nature books, and other published work since 1990, including outlines, concept summaries, original maps, and editorial correspondence; handwritten drafts, usually on legal pads, as well as corrected typescripts and proofs, and bound galleys; hardback and paperback editions; translations into German, Chinese, French, Spanish, Japanese, and other languages; audio books by Listening Library; and publishers’ promotional materials. In addition, the papers include articles, speeches, interviews, videos, unpublished writings, fan mail, and correspondence with other authors.

The papers are a welcome addition to the Department of Rare Books and Special Collections, which already has strong holdings in the area of children’s and young adult literature, especially printed books and original artwork in the Cotsen Children’s Library. The Manuscripts Division holds the archives of many other authors, including several who also wrote for young audiences, such as Mary Mapes Dodge, best known for the novel Hans Brinker, or, The Silver Skates (1866) and as editor of St. Nicholas magazine; and Frances Hodgson Burnett, author of Little Lord Fauntleroy (1886) and The Secret Garden (1911).

Barron’s youth was on a ranch near Colorado Springs, Colorado, close to Pikes Peak. As a Princeton undergraduate, he majored in history and politics and wrote his senior thesis on U.S. Presidential elections. He was awarded the prestigious Pyne Prize as well as the Class of 1901 Medal. In addition, Barron was named a Rhodes Scholar, which enabled him to attend Balliol College at Oxford University. After extensive travels in Europe, Asia, and Africa, he went on to receive JD and MBA degrees from Harvard University. Barron had a successful business career in New York City but then in 1989 decided to focus on writing, his passion since childhood. Since returning to Colorado in 1990 with his wife Currie and family, he has been a full-time author and conservationist. His first published novel was Heartlight (1990), the first volume in The Adventures of Kate trilogy, published by Philomel Books and Puffin Books, imprints of Penguin Books USA.

Barron has received many writing honors and awards, such as the de Grummond Medallion (2011) for “lifetime contribution to the field of children’s and young adult literature.” He has also written the nonfiction book The Hero’s Trail, which profiles diverse young people who have shown exceptional courage, perseverance, and compassion. In addition, he has written several illustrated children’s books including Where Is Grandpa? and High as a Hawk: A Brave Girl’s Historic Climb. His conservationist’s reverence for the natural world is present in much of his writing, including his two nature books about Rocky Mountains wilderness.

The Barrons have provided generous support to the Princeton Environmental Institute (PEI), which made possible creation of the Thomas A. and Currie C. Barron Visiting Professorship in Humanities and the Environment; the Barron Family Fund for Innovations in Environmental Studies, which supports efforts by students and faculty to make connections between humanities and the environment; the T. A. Barron Prize for Environmental Leadership, awarded annually to a student who shows extraordinary leadership in environmental issues in any field; and the Henry David Thoreau Freshman Seminar in Environmental Writing. Barron is a former Princeton charter trustee and alumni trustee, and serves on PEI’s advisory board. He has also been very active with conservation organizations such as EarthJustice, The Nature Conservancy, and The Wilderness Society, which honored him with the Robert Marshall Award (1997), its highest award to a citizen conservationist. In 2000, he founded the Gloria Barron Prize for Young Heroes, which honors outstanding young people from diverse backgrounds who have made significant positive impacts on their communities and the environment.

The T. A. Barron Papers are now available for research. A finding aid is available. For information about using the Barron Papers and other collection, please contact Public Services, rbsc@princeton.edu

Barron portrait
T. A. Barron. Photo by Aimee Giese.

Barron Great Tree of Avalon
Courtesy of Penguin Publishing
Group.

JTS Geniza Collection on Deposit at Princeton

The Princeton University Library is very pleased to announce that The Jewish Theological Seminary of America (JTS), located in New York City, has placed its renowned Geniza Collection on deposit in the Library. The collection will be housed at Princeton until fall 2019 in the Manuscripts Division, Department of Rare Books and Special Collections, and will accessible for scholarly purposes. It will then return to the new Rare Book Room of an entirely rebuilt JTS Library. The Geniza Collection contains some 40,000 handwritten text leaves and documents, chiefly on paper and fragmentary. These have been conserved and mounted in 1024 bound volumes. The individual items are written in Hebrew, Arabic, Aramaic, Judeo-Arabic, and Judeo-Persian (the latter two terms respectively referring to Arabic or Persian written in Hebrew script). The JTS Geniza Collection represents a substantial portion of some 300,000 items “discovered” in the late nineteenth century in the Cairo Geniza (a Hebrew word meaning “storeroom”) of the Ben Ezra Synagogue, in the old city of Cairo (Al-Fusṭāṭ). The Cairo Geniza fragments were consigned to the storeroom over the course of a millennium because damaged or worn-out religious texts and unneeded old documents could not be thrown away if they contained the name of God.

Over a century ago, western scholars began using the Cairo Geniza to study the religious, social, economic, and cultural life of Jews in Egypt from the Umayyad Caliphate until the nineteenth century. The Geniza fragment seen below is from the oldest extant Passover Haggadah (ca. 1000 CE), inexpertly written with a spelling error that reflects the influence of oral tradition. Someone also practiced writing the alphabet on the right side. Found among the preponderance of religious texts are legal and economic documents that offer unparalleled insight into the everyday lives of Jews in medieval Egypt and beyond, in a sense like the documentary papyri of Roman, Byzantine, and Islamic Egypt, as well as Arabic paper documents of Egyptian Muslims during the Middle Ages. A significant portion of the Manuscripts Division’s holdings of documents from ancient and medieval Egypt have been digitized in the Princeton University Digital Library (PUDL) in the Princeton Papyri Collections and Michaelides Collection of Letters and Documents (1106-1497).

Princeton scholars have long been interested in Geniza studies. The historian S. D. Goitein (1900-85) began working with Geniza documents in 1948, and in 1970 he was appointed to the faculty of the Institute for Advanced Study, Princeton. There he completed his monumental 6-volume work, A Mediterranean Society: The Jewish Communities of the Arab World as Portrayed in the Documents of the Cairo Geniza (1967-1993). Since 1985, Princeton University’s Department of Near Eastern Studies has been the home of the Princeton Geniza Lab, beginning under Professor Mark R. Cohen, Near Eastern Studies, with Goitein’s working files and copies of Geniza documents. The Geniza Lab is a collaborative space devoted to making Cairo Geniza documents accessible to the scholarly world and the general public. It hosts the Princeton Geniza Project, a searchable database of Geniza texts transcribed from the originals. Since fall 2015, the Geniza Lab has been headed by Professor Marina Rustow, Khedouri A. Zilka Professor of Jewish Civilization in the Near East, and Professor of Near Eastern Studies and History. She is also a MacArthur Fellow (2015). Others who will be using the JTS Geniza Collection in the next few years include Professor Eve Krakowski, Near Eastern Studies, as well as graduate students and post-doctoral fellows.

The JTS Geniza Collection is the world’s second largest such collection, after the Cambridge University Library’s Taylor-Schechter Genizah Collection. Smaller numbers of Cairo Geniza fragments are found in more than sixty other libraries and private collections worldwide. Recent digital initiatives have been used to reunite the dispersed Cairo Geniza holdings. The JTS Geniza Collection has been largely digitized with funding support from the Friedberg Geniza Project and the National Endowment for the Humanities (NEH) and is now almost entirely available online through The Friedberg Genizah Project. Prior to visiting the Princeton University Library, researchers can find digital images, make preliminary identifications, and obtain other pertinent information by accessing the Friedberg site and following the link to the Cairo Geniza. Users must register to use the Friedberg site. Researchers wishing to visit the Princeton University Library in order to consult the original items in the JTS Geniza Collection should first determine the specific volume and folio numbers of the items in which they are interested. This will allow them to select the exact volume(s) in the JTS Geniza Collection (JTS001) finding aid. Then researchers must register as readers in order to use the Library. No fee is required either to access the Friedberg site or register as a Princeton reader.

For visiting hours and registration information, please go to the website of the Department of Rare Books and Special Collections. For information about using the JTS Geniza Collection, contact rbsc@princeton.edu For information about the Geniza Collection, including cataloging, photoduplication, and publication, please contact David C. Kraemer at DAKRAEMER@jtsa.edu, Joseph J. and Dora Abbell Librarian at the JTS Library and Professor of Talmud and Rabbinics.

JTS Geniza for blog-post
Reproduced courtesy of the Jewish
Theological Seminary of America.