A Member of Jarvis D. Braham’s Swimming School in 1830s Boston.

The printer's name, S. N. Dickinson is visible in the lower left hand corner of the receipt. Cotsen 30631.

The printer’s name, S. N. Dickinson is visible in the lower left hand corner of the receipt. “To the Swimming School.” Boston, 1838. (Cotsen 30631)

It’s too hot and humid this Fourth of July weekend to write about anything except cooling down in the pool.   This little receipt documents Henry Brown’s membership in the Swimming School operated by Jarvis Braman in Boston near Chesnut Street at the foot of Beacon Hill.  It opened its doors in 1836 and after the old man’s death in 1850, his son Jarvis Dwight continued to manage the business at least until 1872, according to Boston city directories.  The Bramans were not the first to operate a pool in Boston; that distinction belongs to Francis Lieber, who opened one in 1826 at the short-lived Boston Gymnasium.  Although the reason given for withdrawing support was that the exercises were too vigorous, there were uncomfortable questions about whether women and African-Americans should be allowed access.

Henry paid for admission on June 10, 1838 and it looks as if he were member number 52.  He did not sign up for lessons or a bathing costume, so perhaps he had learned to swim the previous year and now needed access to keep up his strokes, strength, and stamina. The $5.00 fee sounds very reasonable, even without any indication of how many months’ admission he signed up for.  That $5.00, however, had the purchasing power of $136.00 in today’s currency, so it was probably a lot for many people to pay.  Certainly less affluent Bostonians availed themselves of Braman’s public bath at a different address.

The back of the receipt states all the rules governing members.  Opening hours were between sunrise to sunset.  No swimming naked: the drawers were for the swimmer’s safety as well as modesty, because proficient swimmers were designated by the red cords around their waists. The interpretation of rule 8 poses a few difficulties. Does “interfere” mean no rough housing or horse play?  Or no physical contact of any sort between boys to forestall the temptation of self-pollution?  Rule 6, which states that boys may not go into any other boys’ apartments, suggests that management felt obligated to try and maintain their scholars’ purity.

Things on the Continent do not seem to have been quite so regimented, at least in book illustrations where children are shown swimming outside in idyllic settings.  In this German salute to the seasons, July was the time for swimming.  The boys are shown  a garment that looks like a modern pair of trunks, although they were probably made of woven cloth, not a knitted jersey.  Perhaps American boys wore something similar.

Ein Jahr und seine Freuden, between 1840 and 1850? This board book of hand-colored lithographs has no publishing information. (Cotsen 31899)

G. de Pomaret, Les Diables a Quatre. Illustrated by Petit and F. Appel. Paris: Theodore Lefevre, 1892. (Cotsen 10780)

This illustration of a French Famous Five offers an interesting contrast to the previous illustration.  Coed bathing seems not to have been forbidden.  Certainly the children’s costumes are less revealing than the German ones.  The boy’s chest is covered up, but the trunks are shorter. The girls are wearing suits in two pieces, with the waists defined by drawstrings.  Their shorts come to the knee instead of mid-thigh.  The hems of the blouses and shorts are trimmed.  Everyone has short sleeves, conducive to getting what used to ungraciously be called a “farmer’s tan” in Southern California.  Did anyone in the nineteenth century use some kind of sunscreen to prevent sunburn????

To see more children enjoying swims, visit Cotsen’s virtual exhibition Water Babies.

 

Wheels: Bicycles, Sleighs and Chariots in Nineteenth-century Children’s Books

Les Enfans Parisiens. Paris: Chez Aubert & Cie. [ca. 1850]. (Cotsen 22849)

An elegant, low-slung coach drawn by a matched pair of stylish young gentlemen for an afternoon ride through the park?  This enormous plate (24 x 29 cm.) comes from Les enfans parisiens: Jeux, exercice et amusements (Paris: Aubert & cie, ca. 1850].

Lustige gesellschaft. München: Braun & Schneider, 1867. (Cotsen 34396)

If you have to have fresh air no matter what the weather, this is the sleigh for you.  Graf Franz von Pocci designed this sleek, minimal vehicle for an illustration to a poem in his Lustige gesellschaft: Bilderbuch von Fr. Pocci (Munich: Braun & Schneider, 1867).

Het nieuwe apenspel. Amsterdam: G. Theod. Bom, [1862]. (Cotsen 52644)

Something with more power?  These simian charioteers were dreamed up by Jacobus Wilhelmus Adrianus Hilverdink for Jan Schnkman’s Het nieuwe apenspel (Amsterdam: G. Theodore Bom, 1862).

Little Hearts. London, Manchester and New York: George Routledge and Sons, Limited, 1897. (Cotsen 15288)

There’s always the reliable old bicycle.  It’s not fast or flashy, but it can take you where you want to go.  Florence Upton drew this image of a little girl polishing up her big brother’s bike for her mother’s Little Hearts (London, Manchester, New York: George Routledge and Sons, Limited, 1897), several years before she scored an enormous hit with the Golliwog series.

All these pictures of vehicles were chosen to illustrate the theme of transportation in the nineteenth-century volumes of the Cotsen catalogue.