Cooking for Dolls in the Summertime: Marjorie Winslow’s Mud Pies and Other Recipes

Today I was reading a bookseller’s  catalogue and came across an extraordinary illustration in a late edition of a popular French alphabet book, L’abecedaire des demoiselles  (Paris: P. C. Lehuby,1839; Cotsen 52908).  I ran into the stacks to see if the 14th edition had the same engraved frontispiece of a little girl entertaining her friends outdoors with an elegant repast improvised with stones.  The story “Le diner de cérémonie” tells how little Elisa welcomes her friends in a corner of the garden shaded by lilacs on a tiny table with bricks for chairs, a sheet of paper for a table cloth, and leaves for plates.  Being a proper little French  girl, she serves them slices of small brioche, wedges of apple, and sugar-coated almonds.  The author notes approvingly how generous the little hostess was without lapsing into gourmandise, a good sign for the  future.

The reason I mistook the main course for two artfully arranged stones instead of a buttery brioche was I had leapt to the conclusion that I had discovered a nineteenth-century French equivalent of Marjorie Winslow’s enchanting cookbook for dolls, Mud Pies and Other Recipes (New York: Macmillan, 1961; Cotsen 13477), which assures readers that anyone with a little imagination can prepare a backyard picnic out of few ingredients:

Doll cookery is not a very exacting art.  The time it takes to cook a casserole depends on how long your dolls are able to sit at a table without falling over.  And if a recipe calls for a cupful of something, you can use a measure cup or a teacup or a buttercup.  It doesn’t much matter.  What does matter is that you select the best ingredients available, set a fine table, and serve with style.

Dolls dote on mud, according to Mrs. Winslow, so here are some recipes for choice dishes starring that tasty and tactile ingredient.  The illustrations are by the incomparable Erik Blegvad.Pair “Mock Mud Puddle Soup” with the “Molded Moss Salad” and a “Grilled Mud Sandwich.”  For a party of vegetarians, “Leaves en Brochette” are a nice substitute for the sandwiches.

Little girls and dolls adore gooey desserts.  “Instant Mud Custard” couldn’t be simpler and follow it with “Dollypops,”  which are not too sweet.  Seconds would not be out of order. On a day that isn’t too hot, a good late afternoon snack would be “Pie-Throwing Pies,” an easy variation on “Mud Throwing Pies,” that can take out big brothers or pesky neighbors.

We Americans may not rival the gracious hospitality for which the French are renowned, but we can show then a thing or two about outdoor cooking and dining!

New Acquisitions: Drawings by Beatrix and Bertram Potter of Peter Rabbit, Mushrooms and a Kestrel

A Family of Artists: Beatrix, Rupert, and Bertram Potter

A Family of Artists: Beatrix, Rupert, and Bertram Potter

Many people pity Beatrix Potter for her restrictive upbringing with limited contact with other children  in the family home at 2 Bolton Gardens, London.  For someone with her gifts, there were hidden advantages to her circumstances.  Instead of being sent to school, she was educated by governesses, one of whom, Annie Moore, became a life-long friend.  Beatrix and her younger brother Walter Bertram sound as if they were allowed to do pretty much what they liked in the school room on the top floor, which contained a small menagerie, a lab furnished with space for the dissection of specimens and their examination under the microscope.  There was plenty of time for them to record what they saw in detailed sketches.   In fact, they both drew constantly.

An unfinished portrait of Beatrix by Bertram in the collection of the V&A.

Their parents Rupert and Helen were artistic themselves and greatly attracted nature; the children’s interests were developed by the opportunities by the family’s wealth to take summer vacations in Scotland and the Lake District.  From their teens onward, Beatrix and Walter used their freedom to explore the countryside and draw in their sketch books.  They surely found inspiration in the classic story “Eyes and No Eyes,” by John Aikin from Evenings at Home (1792-1796).  Many Victorian writers, including John Ruskin, Charles Kingsley, and Mrs. Molesworth, testified that reading it awakened their curiosity and sense of wonder by letting William describe everything he saw on a walk to Broom Heath.  Nothing escaped his attention and everything delighted him, from the shy kingfisher, a cluster of sea shells in a marl pit, the remains of a Roman or Danish camp, the water rat who disappeared into his hole in the river bank.  I can imagine Beatrix and Walter taking as much satisfaction in their adventures as did William.In 2023 and 2024 the Cotsen Children’s Library was exceptionally fortunate to have acquired two natural history drawings by Beatrix and one by Walter.Attracted by their strange beauty, Beatrix began painting fungi in the late 1880s but it was not until she made the acquaintance of Charles McIntosh, the so-called Perthshire Naturalist, that she began to make a serious study of them.  This fine drawing was not signed or dated by Beatrix, but it was for a time owned by Captain Kenneth Duke, one of her executors.  Doris Frohnsdorff, the distinguished Potter collector and antiquarian bookseller, purchased it and it was acquired from her estate.Also from the Frohnsdorff estate is this beautiful drawing of a kestrel executed by Bertram in 1886 which displays his considerable talent as a natural history artist.  The small bird of prey is standing on one leg, the other one resting against the fluffy feathers on the lower part of the body.  Its bright black eyes stare fearlessly at the viewer.   Kestrels can be identified by the way they hover while hunting.  Since Betram drew this specimen, the species’ population has dropped considerably.Beatrix’s splendid watercolor over pencil drawing of Peter Rabbit’s head from ten different angles dated 1901.  It was torn out of a sketch book by Beatrix in 1928 and presented to seventeen-year-old Ernestine t’Hooft.  She was the daughter of a curator at the Museum Fodor in Amsterdam, who was visiting with the Lake District with her family.  During the visit, Ernestine bought a copy of Jemima Puddle-duck for her collection of Potter little books and the saleswoman told her that her favorite author lived nearby.  Her father wrote to Potter (or rather Mrs. Heelis) and asked if they might visit her.  The t’Hoofts were invited to tea and spent a very pleasant afternoon at Castle Cottage.  Before they left, she presented Ernestine with this marvelous drawing of Peter from ten different angles, inscribed and dated it 1928.  Ernestine kept her entire life: after her death, it came on the Dutch market.

Last but not least is another new Potter acquisition that fills a gap in the collection–one of Beatrix’s drawings for Christmas cards published by Hildesheimer and Faulkner.