The Sendak Grandfather Clock Case by Straight Line Designs

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Can you guess what’s inside this 9′ X 4′ crate?

This behemoth box arrived just before the holidays and we were very excited to unpack what was inside (it almost felt like an early Christmas).

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After some very careful maneuvers and masterful positioning (where we just managed to fit the object past the wooden ceiling panel above the gallery entryway) our new installation was ready for unveiling. . .

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Still can’t guess what it is?

This 104″ x 38″ polished maple and Plexiglas structure was designed and fabricated by Judson Beaumont and his company Straight Line Designs. Jud is a great friend of ours who also happens to have designed much of Bookscape (the current incarnation of the Cotsen Gallery).

But you’re probably still wondering what it is!

Well, it’s a display case of course! And what goes inside is just as unique and impressive as the case it is housed in. . .

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what were you expecting?

A Maurice Sendak clock!  It was presented to the Cotsen Children’s Library by antiquarian bookseller Justin G. Schiller, who acquired it when the New York City Opera sold off the contents of a New Jersey warehouse.

The clock is a 94″ x 30″ painted board, canvas, and wood stage prop from the Frank Corsaro production of Maurice Ravel’s “L’Heure espagnol” at the 1987 Glyndebourne Opera Festival in England. Maurice Sendak designed and supervised the creation of this prop (and one other similar clock), costumes, and stage set for this performance. Our clock includes a removable back panel so that an actor can slip into the clock itself. One can open not only the clock-face but the face on the clock as well (the one with the nose that is).

Slightly hidden in our conference room since the end of August, it was finally time for the clock to be united with its new permanent home in the front of the Cotsen gallery.

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After some more careful maneuvers and masterful positioning the clock and its case were set in place.

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With the new installation ready we went about setting up the rest of the gallery entryway.

Since our display table no longer fits in its old place, we brought out another Beaumont original to serve as our new “table”:

The accompanying books are made of wood, with a few displaying comical spine titles.

The accompanying books are made of wood, with a few displaying comical spine titles, just like the “library” in the gallery.

Complementing our new Sendak clock are 2 massive graphics being displayed on our exhibition cases. With images from Sendak’s In the Night Kitchen (New York: Harper & Row, 1970), these graphics softly announce our next exhibition coming this summer.

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With the new and wonderful installation of the Sendak clock and case, along with the other accompanying objects, the entryway has never looked so good! Sendak and Beaumont are a perfect fit!

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A special thanks to Jud and his daughter Shelby for visiting from Vancouver in order to oversee the installation our newest gallery item.

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Christmas Book Shopping at John Newbery’s ca. 1765

The Christmas season is a most wonderful time of the year to praise the children’s bookseller.  In this post, I’ll pay tribute to one of the most famous: John Newbery, the friend of Dr. Samuel Johnson and Oliver Goldsmith, who made a fortune selling children’s books and patent medicines (references to the nostrums like Dr. James’ Fever Powder were strategically planted in his books).

One of Newbery’s really clever publishing projects for young readers was a series of books that were suitable as presents for  any major holiday– Christmas, New Year’s, Twelfth Night, Valentine’s Day, Easter, and Whitsuntide.   Could this series been the answer to the prayers of every brother, sister, papa, mama, uncle, aunt, godfather and godmother who needed a present at the last minute?   Thanks to Newbery, the philanthropic bookseller of St. Paul’s Church-Yard, perukes, product placement, and plum pudding go together like Macy’s, Santa, and Sedaris.

Many critics feel that Newbery’s reputation is sullied by his shrewd commercial instincts, even though it is probably true that his success in creating needs that could be gratified only at his bookstore in St. Paul’s Church-yard were instrumental in the creation of children’s literature as we know it.  This does not seem to have bothered a handful of modern writers who decided to  explain to children the debt of gratitude they owe Mr. Newbery as the namesake of the American Library Association’s annual award for the best American work written for children.  There is Josephine Blackstock’s Songs of Sixpence: A Story about John Newbery (1955) and Russell Roberts’ John Newbery and the Story of the Newbery Medal (2003).  The latest entry in the field is Shirley Granahan’s John Newbery: The Father of Children’s Literature (2009).

For some reason, John Newbery (of whom no portraits survive) always bears a striking resemblance to Ben Franklin. Front board,  Songs of Sixpence: A Story about John Newbery (New York: Follett, 1955), (Author’s  collection)

Quite by accident, I discovered in the Cotsen stacks what appears to be the earliest children’s book about John Newbery: A Book for Jennifer (1940) by Alice Dalgleish, founding editor of Scribner & Sons Children’s Book Division and author of well-regarded historical novels for children.  It was illustrated by Katharine Milhous, perhaps best known for murals she painted for the Pennsylvania WPA and The Egg Tree, the picture book about Pennsylvania Dutch Easter traditions that won the 1950 Caldecott Medal.

If you are familiar with the dark urban landscape of Leon Garfield’s historical fiction set in the eighteenth century, the recreation of Dr. Johnson’s London by Dalgleish and Milhous in A Book for Jennifer is a bit prim and dull.   Milhous’s full-page color plates were paired with the line art based on cuts in eighteenth-century children’s books in Wilbur Macy Stone’s collection, which Dalgleish consulted so that her readers would have some idea of what Jennifer’s books actually looked like.  Dalgleish did not identity the sources of those illustrations, but only one or two were reproduced from  Newbery titles.  There is one howler: the cut identified as a picture of Newbery’s store front is actually the early nineteenth-century one for the Juvenile Library of William Godwin.

True to the spirit of her subject, Dalgleish has repackaged the Newbery myth of enlightened entrepreneurship for American youngsters  as a story about a little girl named Jennifer getting not one, but two Newbery books as Christmas presents.  With that snow coming down, shouldn’t someone break into a song?

Plate facing page 3, (New York : Scribner, 1941), A Book for Jennifer, (Cotsen 7267)

Page 2, (New York : Scribner, 1941), A Book for Jennifer, (Cotsen 7267)

Here is the scene where Jennifer’s doting godmother gives her a copy of The Important Pocket-Book.   Her godmother is about to leave for America and she would like Jennifer to track her good and bad deeds and present the diary for inspection upon her return to England.  Jennifer looks underwhelmed by this thoughtful and useful gift, which was published by Newbery and is now of legendary rarity.

Plate facing page 12

Pages 11, A Book for Jennifer

When Jennifer falls ill on Christmas day, her two brothers are driven down to Newbery’s shop to find something to cheer her up while confined to quarters until the plum pudding is ready for flaming.  Tempted by John-the-Giant-Killer’s Food for the Mind, a collection of riddles which the boys mistake for a version of the famous gory English folk tale, they think better of their first choice and unselfishly select The History of Goody Two-Shoes as perfect for girls, who should not be upset by anything too stimulating  Newbery himself makes a cameo appearance.

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Page 25, A Book for Jennifer

“Quaint” was the verdict of the anonymous reviewer in Kirkus.

A final Digression for Christmas Shoppers that should not be Skipped

I would be doing my gentle readers a disservice if this tribute to the great-grandaddy of  children’s booksellers did not close with a puff for three marvelous independent booksellers in the Princeton area, who could give the old man some stiff competition.  To wit…

 

The Bear and the Books on Broad Street in Hopewell has over 4000 titles lovingly and knowledgably selected by Bobbie Fishman, who was the long-time children’s book buyer at Micawber’s and Labyrinth before going out on her own.

 

Jazam’s on Palmer Square has a small but choice selection of books—many signed by the authors or illustrators—complementing with all the wonderful toys and games.  

 

Labyrinth Books on Nassau Street has a cozy nook in the back with everything from board books to YA fiction.  Buyer Annie Farrell has real bookish creds as the daughter of librarian and a rare books curator and a mother of two.

 

Yes, it’s supposed to be more convenient  and cheaper to order from Amazon, but why not visit stores where people who are passionate about children’s literature want to put the best of the best in hands of their customers’ children?   In Princeton we are really lucky to have easy access a truly priceless resource, great children’s booksellers…