As the days of summer dwindle into a precious few, the long days of sunshine slowly get shorter, and a new school terms impends, we all tend to wonder: “Where did the summer go?”
With that thought in mind, we might help keep summer alive a little longer by taking a look at how children’s book illustrators picture summer and its activities.
It certainly didn’t take children’s books to make school kids (and the rest of us) love the prospect of having time off from school and being able to enjoy all the activities available for a few precious months a year. But nineteenth-century books for children certainly stressed summertime fun and vividly pictured outdoor activities, some relatively ‘novel’ ones at the time, such as beach holidays at newly popular (and accessible) ocean-side resorts. As such, the provide a terrific window onto life at the time.
Frederick Warne & Co., one of the major nineteenth-century publishers of children’s books readily added “holiday” books picturing seasonal and summertime fun to its line of books. The large format (over 12″ tall) picture book Little Tot’s Holiday Book features vivid, full-page chromolithographed illustrations of children in all sorts of holiday activities (including some in winter). The bright red cloth front cover features a paper onlay of two Victorian children at a seaside locale. Note their fashionable, but modest, attire, fairly typical for the time.
One of the illustrations inside the book shows children happily engaged in a range of contemporary seaside activities: playing on the beach and making sandcastles, taking donkey rides, and riding in a goat cart. I like the background detail of “On the Sands,” which shows a Brighton-like pleasure pier, one of the “novel” aspects of Victorian seaside resorts.
Another full-page illustration features a train. While trains were always popular with children, particularly boys, why does a train appear in a holiday book? The answer lies in the caption: “off to the seashore.” Trains were a relatively novel form of transport at this time, and one of the ways that middle-class and more prosperous working class families went to the seashore in the 1880s.
Little Tot’s Holiday was apparently a popular title, because Warne issued another version of the same title, with identical content, but a different cover, one showing a very different kind of summertime activity. Again, two, fashionable (and presumably fairly affluent–just like the book’s target audience) children are featured, but this time they’re presented in a rural setting, getting donkey rides from a young adult from the country (note, his mustache and “rural” attire).
Warne’s books repeatedly show children at the seaside, attesting to the popularity of the subject. Another large-format picture book, Little Tots Playtime Book includes an illustration of a girl on a donkey, a sailor-suited boy and the family dog on the shore, with sailboats and a patriotic Union Jack, which breaks the perfect (“boring”?) symmetry of the rectangular frame and creates visual interest via a technique sometimes used by painters.
The cover design of the Playtime Book is essentially the same as the Holiday Book (perhaps Warne’s stock sort of design for these picture books?), but the inset chromolithographed medallion provides quite a different, more formal and stylized, view of little women in summertime — a somewhat Kate “Greenawayesque” presentation.
Speaking of Kate Greenaway (whose presentations of children are famous), let’s take a quick look at how she pictures summer in Kate Greenaway’s Book of Games, issued by by George Routledge & Sons in 1889 (and later reissued by Warne in 1899). The cover shows a vignette of children on a rustic teeter-totter. The twenty-four color wood-engraved illustrations by Edmund Evans show children in the classic Greenaway style: all extremely well-dressed, fashionable, and not very kinetic. The two illustrations below present several girls in caps playing “Battledore & Shuttlecock” (badminton to us now) and “Puss in the Corner,” both with brief descriptions of the games below.
I wouldn’t want to give you the impression that summertime and beaches are featured only in English books for children — that was definitely not the case! For instance, a German book, In Sommer, from about 1900 features a terrific, highly-saturated color depiction of children playing on the beach on its cover. And illustrations inside the book show children busily involved in other summer activities: flying kites, picking flowers, ad making quite a fuss over an apple!
Another terrific cover appears on Johnny Headstrong’s Trip to Coney Island, published about 1882 by New York’s McLoughlin Brothers, perhaps the preeminent children’s books publisher in the USA at the time. In the 1880s, Coney Island was a seaside resort for residents of New York City and Brooklyn Heights, a place reached by train and with the same sort of summery festive, ambience as Cape May or Cape Cod, if you can imagine it. The chromolithographed cover of this “toybook” presents an idyllic beach scene via illustrator William Bruton’s artwork, although something in Johnny’s own expression suggests another strand in the thread of the story…
Johnny Headstong’s story begins in much the same way as the other summertime books we’ve been looking at – a fashionable youth sets out for the Coney Island seaside resort accompanied by his sister, nanny, and father, a “kindly man of good repute…and wealth.”
But as his name suggests, Johnny is impulsive and lacking in self-discipline — he gets into all sorts of trouble… He climbs over the railing while sailing a toy sailboat, falls into a pool, and has to be fished out. He then “slips away” from the adults “to see things by himself”… Trouble ensues in the form of more misadventures, as Johnny hits another boy in the face with a ball, falls off a swing he pushed too high, and finds himself on a runaway donkey, causing mayhem on the beach and knocking over an apple-seller (as Bruton’s double-page illustration shows). Eventually, covered in bandages, Johnny winds up back home, where his father admonishes: “You see what comes to heedless boys, whene’er they disobey.”
So McLoughlin’s Brothers’ rendition of this “summertime story” is really one of the “cautionary tales” inspired by Heinrich Hoffmann’s Struwwelpeter for which the firm was famous: stories showing kids “acting badly” and suffering the consequences. Some of their other classics in this vein have titles like: Little Suck-a-Thumb, Naughty Girls, Lazy Sam, Inky Jake, Foolish Fanny, Paulina Pry, and Moping Mary. After all, “to please and instruct” was the company motto, even during summer vacation!