Category Archives: Animals

Childhood Illustrated by Jean-Henri Marlet in Le Bon Genie (1824-1829)

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The rather prim illustrated masthead for the French children’s periodical, Le bon genie, gives little indication that nearly every number contained a luminous lithographic plate by Jean-Henri Marlet (1774-1847) during its run between 1824 and 1829.  In 1824, Marlet demonstrated the artistic potential of lithography in an ambitious suite of seventy-two hand-colored plates about all aspects of life in Paris.  He likewise documented French childhood high and low of the late 1820s as the house artist for Le bon genie.

Harlequin, Polichinel, a prince out of the Arabian Nights and more frolic at a fancy dress ball for little ladies and gentlemen. Plate for volume 1, number 39 (January 30 1825). Le Bon Génie. Paris: Louis Colas, 1825. (Cotsen 11897)

Papa shows his family a magic lantern slide illustrating a fable of La Fontaine. Plate for volume 1, number 30 (November 21, 1824). (Cotsen 11897)

The fencing lesson. Plate for volume 5, number 39 (January 23, 1829). (Cotsen 11897)

Hunting for butterflies. The boy in the lower left is pinning specimens on a board. Plate for volume two, number 5 (May 29, 1825). (Cotsen 11897)

A familiy of Savoyards entertain passersby. Plate for volume 2, no. 14 (July 31, 1825). (Cotsen 11897)

The dancing master beats time for his graceful pupils. Plate for volume 5, number 26 (October 26, 1828). (Cotsen 11897)

A troop of elegant dancing dogs. Plate for volume 5, number 45 (March 8, 1829). (Cotsen 11897)

Dance of the marionettes. Plate for volume 2, number 52 (April 23, 1825). (Cotsen 11897)

 

Puss in Boots and Friends on the Cat Walk

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Charles Perrault, Contes de Perrault: Edition du Tricentenaire. Head piece by Joseph Hecht. Paris: Rene Hilsum & Cie, 1928. (Cotsen 60396)

What cat in children’s literature approaches the style of Dore’s Puss in Boots?  The turn-out of the extravagantly booted paws, the plumed hat, the tail floating in the air like a dancer’s arm all contribute to the air of effortless grace.

Charles Perrault, Les Contes de Perrault. Illustrated by Gustav Dore. Paris: J. Hetzel, 1862. (Cotsen 32595)

The equally fine ensemble by Harrison Weir for Puss is set off by a confident feline bearing.  No wonder the ladies find him irresistible.

“The History of Puss in Boots. With twenty-two pictures by Harrison Weir” in The Child’s Wonder Picture Book of Favorite Stories. London: Ward, Lock and Co., not after 1885. (Cotsen 95124)

The doe has eyes only for the noble lion, splendid in lace and velvet.  The pig in the admiral’s costume knows that he hasn’t got a chance.

Eduard Ille, “Der Maskenball der Thiere” in Munchener Bilderbucher nr. 36. Munchen: Braun & Schneider, ca. 1878. From the collection of Kurt Szafranski. (Cotsen 44329)

Tabbies are as alluring as the toms with the right hat and accessories.

My Grandmother’s Cat, or Puss in Boots. London: W. Darton jun., 1811. (Cotsen 20048)

“Tittums and Fido” in The Poll-Parrot Picture Book … with twenty-four pages of illustrations printed in colour by Kronheim. London: George Routledge and Sons, ca. 1878. (Cotsen 153481)

Of course, cats don’t need clothes to bring out their natural elegance (or ferocity), but illustrators love to dress them up anyway.

Nora Chesson, With Louis Wain to Fairyland. Illustrated by Louis Wain. London, Paris, New York: Raphael Tuck & Sons, not after 1905. (Cotsen 28339)

Good grooming is serious business for cats.

“The Cats’ Tea-Party,” illustrated by Harrison Weir in The Poll-Parrot Picture Book. (Cotsen 153481)

Or ought to be…

Cover design by Harry B. Neilson for The Jolly Fisher. John F. Shaw & Co. Ltd, not after 1913. (Cotsen N-002585)

For an awesome gallery of tigers, visit our virtual exhibition…  If you think dogs rule, we’ve got a post for you…