Edmond Morin, the nineteenth century French painter, watercolorist, and engraver, illustrated children’s books for the leading French publishers Hetzel and Hachette. He also created comic strips for the periodical Le semaine des enfants like “L’ Histoire de la queue d’un chien,” in which a boy tried to defend his dog from a giant lobster. Cotsen has some nice examples of Morin’s lithographed picture books, including an alphabet, a book of trades, and editions of Perrault’s fairy tales and Swift’s Gulliver’s Travels.
Morin’s Album des jeunes demoiselles (Paris: Aubert & Cie, ca. 1845?) is full of pictures of fashionably dressed little girls fishing, being ambushed by geese, drinking milk from a bucket, circle-dancing on the grass, and tending flower gardens. The beautiful hand-colored lithographic plates were produced by the same firm who printed the works of Daumier and other famous satirists of the day.
Dolls appear in many of the plates. Here the carriage waits for Madam, who is escorted down the stairs by two young ladies. It looks like a lovely afternoon for a drive.
Album des Jeunes Demoiselles. Paris: Chez Aubert & Cie., [ca. 1850]. (Cotsen 9869)
This doll is dwarfed by her crib with the rose canopy. She dozes, oblivious to the girls working hard overhead on her trousseau.
A carefully dressed doll artfully propped up on the sofa, is an excellent subject for a sketch.
Polichinelle goes down on one knee to propose marriage to the doll he simply cannot imagine life without. The girl in the yellow hat looks as if she worries that the match will not be especially advantageous. He is so ugly. And his shoes are atrocious.
Are the girls taking turns playing the school mistress, so they all have a chance to discipline the poor doll? Surely none of them have ever been guilty of neglecting their lessons and made to wear the donkey’s ears…
