17th century armorial binding and contemporary slip case


Fig­ure 1
❧ The fig­ures explained: Armo­r­ial bind­ing cov­er­ing
Ogier Ghis­lin de Bus­becq, Lega­tio­nis Tur­ci­cae epis­to­lae quatuor.
Frank­furt, A. Wechels Erben, C. de Marne et J. Aubry 1595. Call num­ber (Ex) 1789.229.13.

J. Basil Old­ham in Shrews­bury School Library Bind­ings (Oxford, 1943) notes the fol­low­ing regard­ing one such book bound for Ramiro de Guzmán, Duque de Med­ina de las Tor­res (ca. 1600–1668): On both cov­ers there is a “nar­row bor­der formed by a sim­ple con­ven­tional foliage roll, with a foliage orna­ment in each angle; in cen­tre, an heraldic stamp 96x75 mm; a shield, sur­rounded with the fol­low­ing let­ters in cir­cles CGDDMMAHPPMIGPCLA, and sur­mounted by a coro­net under which is a scroll bear­ing the let­ters FEI. On the upper cover: arms: two coats impaled: Dex­ter (arms of Felipe Ramirez de Guz­man, Duke of Med­ina de las Tor­res, Mar­quis of Tor­rel): Two cal­drons checky with snakes issu­ing there­from, flanked in saltire by ten ermine-tails (5 and 5), within a bor­dure gob­ony of Castile and Leon; Sin­is­ter (arms of Anna Caraffa, Duchess of Sab­bioneta, Mon­drag­one and Tra­jetto, Princess of Stigliano): Quar­terly of six (two in chief and four in base): 1. Per fesse (a) three bars (Caraffa) and (b) a band counter-embattled between six stars (Aldo­bran­dini); 2. a cross patty between four eagles crowned, and over all an escutcheon quar­terly of three bars and a lion ram­pant (Gon­zaga); 3. four pal­lets (Aragon); 4. per fesse a cas­tle (Castile) and a lion (Leon); 5. four pal­lets flanked in saltire by two eagles crowned (Sicily); 6. a col­umn ensigned by a crown (Colonna). On the lower cover: arms (uniden­ti­fied): Upon a ter­race in base, a plant grow­ing between reeds or tufts of grass; in chief an arched band inscribed REVOLUTA FOECUNDANT, with, beneath it, and ranged in the same man­ner, three rows of stars.“
Ramiro de Guzmán’s arms impale those of his sec­ond wife, “Anna Caraffa, daugh­ter of Anto­nio Caraffa, Duke of Mon­drag­one, and Elena Aldo­bran­dini. He had pre­vi­ously mar­ried Marie de Guz­man, daugh­ter of Gas­par de Guz­man, Count of Oli­vares, Philip IV’s min­is­ter, to whose titles, through his mar­riage, he suc­ceeded on Oli­vares’ death in 1645, for which rea­son he used the acro­logic inscrip­tion round the shields which Oli­vares had used as an adjunct to his armo­r­ial insignia. The let­ters (C and G being trans­posed towards the end) stand for: ‘Comi­ta­tui gran­da­tum duca­tum duca­tum mar­chion­a­tum mar­chion­a­tum arcis his­palen­sis per­pet­uam prae­fec­turam mag­nam Indi­arum chan­cel­lar­ia­tum pri­mam Guz­mano­rum lin­eam addidit.’ The let­ters FEI stand for: ‘For­tuna etiam inv­i­dente.‘
As the owner of the book would not be likely to use the boast­ful inscrip­tion of his father-in-law until he had, by the latter’s death, suc­ceeded to his titles, the book was prob­a­bly not bound till after 1645, and in Spain, not Naples, because by that time the owner had ceased to be Viceroy of Naples. A larger vari­ant of these heraldic stamps is found on some books.” (p. 120–121; Shrews­bury School Library exam­ple illus­trated on plate XXVI)
❧ Fig­ure 2 • Two inscrip­tions on titlepage:
Along­side right mar­gin, “[Guil.] Godophin” [See a com­pa­ra­ble exam­ple at the Uni­ver­sity of Penn­syl­va­nia.] This is the sig­na­ture of Eng­lish diplo­mat, Sir William Godophin (1634?-1696) •
At bottom:“Ex lib­ris bib­lio­the­cae Domus S[anct]ae. M[ari]ae M[ontium] Pio­rum Oper­ar­i­o­rum” From the library of the Con­greation of the Pii Oper­arii, a group of reli­gious founded at Naples in 1602.For com­pa­ra­ble prove­nances, see exem­plars at Cam­bridge Uni­ver­sity Libraryand at
Uni­ver­si­tats de Catalunya.]
❧ Fig­ure 3 • A remark­able sur­vival • 17th / 18th cen­tury slip case cus­tom made for this book. Why would such a case have been made? Per­haps to pro­tect the book dur­ing travel — Busbecq’s Turk­ish Let­ters pro­vided impor­tant detailed infor­ma­tion about the Ottoman state and were highly prized (and still are.)

Fig­ure 2 (above) ❧ Fig­ure 3 (below)

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