Bound in first:. Aristotle’s Compleat Master-piece. In three parts dispaying the secrets of Nature in the Generation of Man [...] to which is added a treasure of Health; or the Family Physician. Twenty-First Edition. [London]: printed and sold by the Booksellers, 1738. (ESTC N298970, noting ‘Not in fact by Aristotle; the attribution is spurious.’)
Followed by: Aristotle’s Compleat and Experienc’d Midwife. In two parts. I. A guide for child-bearing women in the time of their conception, bearing and suckling their children [...] II. Proper and safe remedies for the curing of all those distempers that are incident to the Female Sex [...] Made English by W—S—, M.D. The Seventh Edition. London: printed and sold by the Booksellers, [1740?] (ESTC N51114 noting ‘Not in fact by Aristotle; the attribution is spurious.’)
Followed by: Aristotle’s Book of Problems. with other Astronomers, Astrologers, Physicians and Philosophers. Wherein is contain’d divers, Questions and Answers touching the state of Man’s body [...]. Twenty-Fifth Edition. London: printed and sold by J.W, J.K, G.C., D.M, A.B, E.M, R.R, J.O. and L, B.M. and A.W, [1710?]. (ESTC N43372 noting ‘Not in fact by Aristotle; the attribution is spurious.’)
And lastly comes: Aristotle’s Last Legacy: or, his Golden Cabinet of Secrets opened for youth’s delightful pastime. I. A compleat English Fortune-Teller. II. The whole art of Palmestry. III. A treatise of Moles. IV. The interpretation of Dreams. V. Observations on the Fortunate and Unfortunate Days. VI. A compleat books of Riddles. VIII. The city and country Jester; being a collection of new and witty Jests, Puns and Bulls. To which is added the Most Compleat Canting Dictionary. Translated into English by Dr. Saman, student in Astrology. Second Edition with the “Canting Dictionary.” London: printed for A. Bettsworth and C. Hitch [...], J. Osborn [...], S Birt [...], J. Hughes [...]. [1720?] (Not in ESTC)
All these may be found bound together
at call number (Ex) Item 6748731
Booklabel of Nicholson’s Circulating Library on front paste-down of Joseph Harris, The Description and use of the Globes and Orrery. … The Sixth Edition. London: Printed for Thomas Wright, mathematical instrument-maker, at the Orrery near Water-Lane, and E. Chushee, globe-maker, at the Globe and Sun, between St. Dunstan’s Church and Chancery Lane, both in Fleet-Street. 1745.
Instructions on front endpaper for titling the spine-label.
❧ “The principal Circulating Library in Cambridge, is Nicholson’s in Trumpington street. This Literary Repository has been established above fifty years, and may now be considered as one of the first in the kingdom: it is upon a different plan from any other extant ; consisting principally of classical and mathematical books, adapted to the lectures and studies of the University. The immense number of volumes, contained in this Library, is astonishing; for it possess three, four, and even five hundred copies of many publications, some of which are extremely scarce and of great value. The University and town are also accommodated here, with books of amusement and universal instruction: viz. Divinity, Law, Physic, History, Biography, Voyages, Travels, Novels, Romances, ‘Poetry, Plays, &c. &c, &c. in all languages: affording a Library adapted either for the study of the learned, or the instruction and amusement of the public in general. The terms of this Library are: subscriptions 7s. 6d. per quarter; for which sum each subscriber is allowed Fifteen Books at once, to be changed as often as agreeable. Books are also let out, on very moderate terms, by the volume or set, for any length of time. This Circulating Library has received the greatest encouragement from the members of the University, who in general become subscribers on their arrival at college. The number of subscribers in the University, (independent of the town and county) during term, generally exceeds five hundred.” — New Cambridge Guide; Or, A Description of the University, Town, and County of Cambridge (Cambridge: Printed for and sold by J. Nicholson, Trumpington-Street and F. and C. Rivington, St. Paul’s Church-yard, London. 1804) p. 97.
Inserted before page 35: Trade advertisement for Thomas Wright and Richard Cushee (d. 1732). Publisher of this 1745 edition, E. Cushee, succeeded Richard Cushee.
Rare Book Division. Call number: (Ex) Item 6813092
❧ Richard Marshall was a printer, bookseller, publisher of chapbooks and prints, as well as a seller of maps, charts, and prints, who traded at number 4 Aldermary Churchyard, Bow Lane, London, from ca. 1753 to ca. 1785. He published on his own as well as with partner Cluer Dicey. It is from their joint catalogue published in 1764 that we get a glimpse of the publishing context for these two unrecorded prints. The catalogue [digitized copy] offers for sale more than 1000 separate prints arranged by type (copperplate, on the one hand, “wooden (i.e. woodcut) prints,” on the other) and size of paper (Royal, Foolscap, Pott). In addition, to Copper Royals, Foolscap Sheets, Pott Sheets, Perspective Views, and Wood Royals, Dicey and Marshall offered maps, copy-books, drawing-books, histories, old ballads, patters (i.e. verse), collections, Christmas carols, small histories, and small books. • Evidence from both these prints and the catalogue show that the prints were issued in numbered series. In the 1764 catalogue, as number 71 in the ‘Fools-cap Sheets’ series, Dicey and Marshall offer ‘The Happy and Unhappy Marriage.’ Although printed on paper larger than foolscap, the Library’s ‘Happy Marriage’ is perhaps a precursor to the 1764 print. Matching foolscap in size is ‘Description of a Bad Wife.’ • Popular ballads of the day warned of bad wives and extolled those “loving, careful [and] prudent.”
Note: For larger image size, right click image and select “Open image / link in new window / tab.”
❧ Whereas others in the book trade choose emblematic figures or allegorical symbols for their devices, Wolfgang Kilian (1581-1662) gives us a detailed look into his shop. Depictions of his hard work now are his bona fides, while others prefer allusions to the past.
The full device is on the colophon page of Serenissimorum Austriae Ducum, Archiducum, Regum, Imperatorum Genealogia, à Rudolpho I. Habsburgensi, Caesare, ad Ferdinandum II. Rom. Imp. semper Augustum, &c. Aeri incisa a Wolfgango Kiliano, Eiconographo Augustano. (Augsburg: Wolfgang Kilian, 1623). Call number: (Ex) CS807.F4 M3 1580q
[Above] Detail of shopfront: Frontispiece to the European Magazine, Volume 69.
Drawn and engraved by Samuel Rawle (1771-1860).
James Asperne (1757-1820), bookseller and publisher of the The European Magazine. In 1803, he became successor to John Sewell at the Bible, Crown and Constitution, No. 32 Cornhill.
His portrait can be found in the online collections of the National Portrait Gallery.
For a description of the Frontispiece, see page 6 ff of The European Magazine Volume 69, January to June at http://books.google.com/books?id=NCkoAAAAYAAJ
“For the better direction of the Reader, and greater ease of his Memory, there is at the end of this little Book, a piece of Sculpture, exhibiting the Embleme itself, and a short Explication, by way of Figures, in the Cut, answerable to other in the Leaf next adjoining thereto, the Description of it might be the more familiar.”
— The Life, and Philosophy, of Epictetus. With The Embleme of Humane Life, by Cebes. Rendred into English, by John Davies of Kidwelly (London: printed by T[homas]. R[oycroft]. for John Martyn, and are to be sold at the sign of the Bell without Temple Bar, 1670). Call number: (Ex) B561.E6 E5 1670 copy 2.
❧ For another example of the Tabula Cebetis and further details, see
http://blogs.princeton.edu/notabilia/2012/07/21/tabula-cebetis/ as well as Tamara A. Goeglein, “Early Modern Emblem Books as Memorial Sites,” Princeton University Library Chronicle (Autumn, 2007), p. 43-70.
Booklabel, front cover and initial page of “Scrap Book on Aerostation,” complied by the antiquarian book-collector, amateur printer, and farmer Charles Clark (1806-1880) of Great Totham Hall, and Heybridge, Essex. [Call number: (Ex) TL618 .S37q]
❧ Clark is the focus of a book history research project conducted by Carrie Griffin, Teaching Fellow, University of Bristol, & Mary O’Connell, Leverhulme Visiting Researcher, School of English, University of St Andrews. They present their findings in the blog “Finding Charles Clark 1806-1880. Not just another book collector.” [Link]
❧ Recently they posted a short, engaging essay [Link] about Clark’s “Aerostation” compilation, a work consisting of approximately 46 pages of engravings, newspaper clippings, broadsides, songs and handbills on ballooning, dating from 1769 to the late 1820s, including as well material on the activities of balloonists Charles Green, the Montgolfiers, James Sadler and John Wilkes.
For an admirable study of this wonderful artifact of 17th century learning, see Susanna Berger, “Martin Meurisse’s Garden of Logic” in Journal of the Warburg and Courtauld Institutes, Volume LXXVI (2013), p. 203-250. [Link]
“1808, May 8. Died, Sir Charles Corbett, bart. one of the oldest liverymen of the company of stationers, aged about 76. He was, in the outset of life, well known as a bookseller, opposite St. Dunstan’s church; where he afterwards kept a lottery-office; had dame Fortune at his command; and used to astonish the gaping crowd with the brilliancy of his nocturnal illuminations. But it is not in the power of the keeper of a lottery-office to command success. A very unfortunate mistake in the sale of a chance of a ticket, which came up a prize of £20,000, proved fatal to Mr. Corbett, and was with difficulty compromised, the chance having fallen into the hands of Edward Roe Yeo, esq, at that time M.P. for Coventry. Some years after, the empty title of baronet (a title, in his case, not strictly recognised in the college of arms) descended to Mr. Corbett, which he assumed, though he might have received a handsome douceur from some other branch of the family if he would relinquish it.—Melancholy to relate! the latter days of this inoffensive character were clouded by absolute penury. Except a very trifling pension from the company of stationers, he had no means of subsistence but the precarious one of being employed, when his infirmities and bad state of health would permit him, in a very subordinate portion of the labours of a journeyman bookbinder.” – Charles Henry Timperley, The Dictionary of Printer and Printing, with the Progress of Literature (London, 1839) p. 832
❧ There is a copy of Ann and Charles Corbett’s lottery broadside for the year before (1760) held at OSU. [Link]
“It was bound to come. With the holiday season approaching, with book-lovers looking forward to new fiction, to special editions and illuminated texts, with nearly all the book and job compositors in New York City anticipating the festive season by beginning their “vacations” a few months earlier than ordinary people, and with pressmen “locked out” because of secession, something just had to be done to fill the want created by type that would not be set and presses that would not turn. So, enter the first book ever printed without the aid of typesetters or regular pressmen.
“It is “Piggie,” in itself an unusual book in that it romances so whole-souledly about hogs that one turns page 300 undecided whether to characterize it as the Pollyanna of the Chicago stockyards or as a post-bellum impressionistic conception of the true, inward piggishness of man. …” [Link to the complete article in 30 November 1919 issue of The New York Times]
“A novelty of book making. This book was written with a typewriter, the typewritten pages were photographed, and the book printed from the photographic plates. This was made necessary by a strike in the printing trades of New York, which prevented publication of books in the usual manner. The book is a pleasing innovation of permanent value, and perhaps may be the forerunner of the form in which all books of the future will be issued.” – Dustjacket of Piggie (New York: D. Appleton & Co., 1919).
For more on ‘typewriter printed books’ see Printing without Type-setters, a composite volume of three numbers of the Literary Digest and other matter relating to the printers’ strike in 1919, gathered by Byron A. Finney, reference librarian emeritus at the University of Michigan. (Prime example of library use of the ‘typewriter printed book’ and still very valuable: Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971 (G. K. Hall, 1979) in 800 volumes. It replicates the unique typewritten cards once filed alphabetically in thousands of wooden catalog drawers now vanished from the third floor of the Schwartsman Building.)
❧ Call number for the Princeton copy of Piggie is: (Ex) Item 6763728.
“Fifteen Thousand copies of this Poem were sold in the City of London, in about Three Weeks, at Two Shillings and Sixpence sterling, each, and the Money appropriated to the Benefit of the American Prisoners in England.” — at end of front matter headed “Advertisement to the London edition” in the 1782 Springfield, MA reprinting of this poem. ❧ ESTC records 25 copies. Perhaps some data useful for determining the perishment of printed books over time? If we give credence to the 1782 claim, then the instance of survival for this London edition is 1.7 copies per thousand.
Depictions of shopfronts usually have the front door closed. Here’s an uncommon glimpse through the doorway — How many figures? One? (The bookseller?) Two? (Customer and child?)
Wood engraving on back wrapper of Sophia Morton (Boston: Bowles and Dearborn, 72 Washington Street, … 1827). Call number: (Ex) in-process.
London bookseller Nathaniel Crouch (ca. 1640-1725) published his ‘histories’ under the pseudonym R.B. (alluding to Robert or Richard Burton). According to a contemporary, he “melted down the best of our English Histories into Twelve-Penny Books” and became a “Celebrated Author.” His works for the “middling sort” sold well, with some known to have gone into as many as thirteen editions. Thousands of illustrated, cheaply produced copies were issued, but few survive today. In 1918, publisher Charles Scribner II (1854-1930) presented a collection of “Burton’s books” and the Library collocated them at call number Ex 3701.276, subdivided by volume number, as follows:
Vol. 1. Admirable Curiosities. 1682.
Vol. 2. Admirable Curiosities. 10th Ed. 1737.
Vol. 3. England’s Monarchs. 2d Ed… Enl. 1685.
Vol. 4. The English Empire in America. 5th Ed. 1711.
Vol. 5. The English Hero. 13th Ed. 
Vol. 6. Extraordinary Adventures, Revolutions and Events. 3d Ed. 1704.
Vol. 7. The General History of Earthquakes. 1734.
Vol. 8. Historical Remarques and Observations. 4th Ed. 1691.
Vol. 9. The History of The Kingdom of Ireland. 12th Ed. [A much enl. Ed. of 2d pt. of v. 170] 1746.
Vol. 10. The History of The Kingdoms of Scotland & Ireland. 1685.
Vol. 11. The History of The Nine Worthies of The World. 1727.
Vol. 12. The History of The Principality of Wales. 1695.
Vol. 13. The History of The Two Late Kings, Charles The Second and James The Second. 1693.
Vol. 14. The Ladies Glory. 5th Ed. 1781.
Vol. 15. Martyrs in Flames. 1700.
Vol. 16. The Surprizing Miracles of Nature and Art. 2d Ed. 1685.
Vol. 17. Two Journeys To Jerusalem. 1695.
Vol. 18. The Unfortunate Court-Favourites of England. 2d Ed. 1706.
Vol. 19. The Unhappy Princesses. 1733.
Vol. 20. Unparallel’d Varieties. 3d Ed. 1699.
Vol. 21. Unparallel’d Varieties. 4th Ed. 1728.
Vol. 22. The Wars in England. 5th Ed… Enl. 1684.
Vol. 23. Youth’s Divine Pastime. 5th Ed. 1767.
Vol. 24. The Wars in England, Scotland & Ireland … 6th Ed., Rev. and Cor. 1697.
Vol. 25. Historical Remarks and Observations upon the Ancient and Present State of London and Westminster … 5th Ed. 1703.
For further details see: Robert Mayer, “Nathaniel Crouch, Bookseller and Historian: Popular Historiography and Cultural Power in Late Seventeenth-Century England,” Eighteenth-Century Studies v. 27, no. 3 (Spring, 1994), pp. 391-419.
The anonymous author of these Poetical Excursions in the Isle of Wight (London, 1777) seasons his ‘animated and poetical’ topographical work with political notes. He praises Wilkes: “But on This I will insist: that He has very materially contributed to the Weal of Human Kind, by protracting the Life, and Spirit of the sickly Constitution of England.”(p. 19). He comments on the American rebels in a long footnote on page 37: “I drew this political, and martial Prospect of America, at the Commencement of our Civil War on that Continent. My Opinion of an Individual, or of a State, is not hastily formed; therefore it is nor changed, or influenced by superficial Observation, or false Narrative. I have by no means inferred from some trivial, and temporary Advantages gained by Government on the other Side of the Atlantick, nor from the servile Ostentation of private Correspondence, and Report nor from the pompous Tale of the Gazette, that the Americans are divided in their Councils; that They want Arms, Ammunition, Courage, and the Necessaries of Life; or that any of the Regal Officers deserve the Name of Generals: therefore I do not yet apprehend the Subjugation of our Colonies.” Depicted on the title page is Carisbrooke Castle (here spelled ‘Craisbrook’), prison of Charles I from 1647 to 1648, a meaningful emblem to those with Commonwealth republican leanings like the author. Just so that point is not lost the author adds the caption:
Poetical excursions in the Isle of Wight. London, N. Conant (Successor to Mr. Whiston), in Fleet Street. MDCCLXXVII . Call number: (Ex) in-process.
The Reviewers Cave. [Etched by P. J. De Loutherbourg (1740-1812)]. The frontispiece to The Powers of the Pen by Evan Lloyd (1734-1776). Second edition published London, Printed for the Author, … 1768. [Call number: RCPXR 3829.67.373] The etching is described in detail in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires prepared by Frederic George Stephens, v. 4, no. 4247, (London, 1883). The description begins begins:”An etching showing a vast cave, where, recumbent on clouds overhead, the Genius of Dulness lies fast asleep. Many reviewers sit on benches, nearly filling the cavern; they include an ass who brays …” The description in full:
Frontispiece [larger file]
Description [larger file]
John Dean Book-binder & Stationer at the Sign of Dean Swift in Front Street between Walnut & Chestnut Streets, Philadelphia, Binds & Sells all sorts of Stationary Wares. Journal, Bill-book, Sale-book, Ledger. Adams, Sc.
Trade card of John Dean, mounted on front paste-down of Ledger of the Trustees of the College of New Jersey, May 1st, 1769 (Call number: Mudd Library: AC128, Subseries 1E: Ledgers).
Engraved by Dunlap Adams, “Engraver in Front Street between Chesnut and Walnut streets,” as per his advertisement in the Pennsylvania Gazette, September 6, 1764.
Further details: Francis James Dallet, “A Colonial Binding and Engraving Discovery: the College Ledger of 1769,” Princeton University Library Chronicle, v.31, no.2 (Winter, 1970) [link to issue]
Baptiste Colard, ex-soldat du train, un des prévenus de l’assassinat de Mr. Fualdès. Rouen : Imprimerie de C. Bloquel … , . 5,  p. : port. (woodcut) ; 21 cm. (8vo) Internal caption title: Cause célèbre : assassinat de M.Fualdès. Printed on laid paper. Call number: (Ex) 2012-0169N
For details on this recent acquisition, see
In the United States, city and country newspapers from Maine to Virginia, such as The New York Spectator and Isaiah Thomas’s Massachusetts Spy carried news of the trial and the ensuing convictions.
“The writings of the Anglo-Latin poet best known on the Continent in the early seventeenth century were never printed in England. Elizabeth Jane Weston is nowadays completely ignored by literary histories; but in her day, she was widely celebrated and earned for herself the sobriquet ‘the Maid of England.’” — J.W. Binns, Intellectual Culture in Elizabethan and Jacobean England: The Latin Writings of the Age (Leeds, 1990), p. 111. ❧ ❧ Parthenicôn Elisabethæ Ioannæ Westoniæ, virginis nobilissimæ, poëtriæ florentissimæ, linguarum plurimarum pertissimæ, liber I-[III] operâ ac studio G. Mart. à Baldhoven … collectus; & nunc denuò amicis desiderantibus communicatus.Pragæ: Typis Pauli Sessij, [ca. 1606]. Call number (EX) PA8595.W452 P3.
Now in ruins, Ravensworth Castle in County Durham was for several centuries the seat of the Liddell family. ❧ This painting decorates the fore-edge of a 32 cm tall copy of the Carmina of Horace printed in Strasbourg in 1788. Judging from the build-out depicted, this painting likely dates from the second quarter of the 19th century. ❧ This copy also has the armorial bookplate of Ravensworth Castle (Franks 18291). Call number PTT 2865.1788.2q.
Bucolica Virgilij cum commento familiari. (This title above a woodcut of Virgil, his patron Pollio, and his patron’s son Saloninus. This scene is framed by four rectangular ornaments in the lower one of which is Caxton’s device.) Colophon: Impressa Londini in jedibus VVinandi de VVorde. Annno (sic) domini M.CCCCC. xxix. ad calculum Romanum. xij. die Martij. Call number: VRG 2945.325.029. Citation: ESTC S95695
This is item 1094 in Bernard Quaritch (Firm).
A Catalogue of books in English history and literature from the earliest times to the end of the seventeenth century
Berthold’s Political Handkerchief.
No. 1. London, Monday, September 5, 1831.
Henry Berthold led the National Union of Working Classes, aiming at universal male suffrage. He printed his newspaper on cotton to evade the government tax on paper.
“To the Boys of Lancashire. We have no patent for this new pocket handkerchief, because we intend to advocate the interest of the working people, and consequently do not intend to pay any tax for our knowledge to the tyranny that oppresses us. You shall be all as busy as bees if our Whig Taxers do not, by the omnipotence of an Act of Parliament, declare cotton to be a paper, and a handkerchief to be a pamphlet or a newspaper.” ….
… “Cotton For Ever!
Cotton makes very bad paper, as we may see in all that comes from the United States of America; but when finely woven, it is a very pretty thing to print on. See of how much more worth is our news, than that which is printed on paper, as to the fabric on which it is printed. Paper is torn and wasted; but a piece of printed cotton may be read and then used for a thousand different purposes. It is possible, if the ink will wash out, that after six months reading, we may be able to buy back and use over the cotton again. We shall perform wonders with cotton. Truly, knowledge is spiritual and will pervade every thing. Knowledge is power. It makes everything minister to its purposes. What shape will the Whig despotism take to reach us? It is spiritual also; a black spirit. Our spiritualism is from the angels of light, who are clothed in white cotton garments. Every letter is breeched and show us only its face, which may be more appropriately termed the sooty face divine, than that humanity may boast of its human fall divine.” (p. 3)
❧ Berthold’s Political Handkerchief. No. 1, London, Monday, September, 5, 1831. 4 p. ; 44 x 29 cm. Printed on cotton cloth. Binding note: Ex copy: In recessed and padded white cardboard portfolio, in bluish gray cloth clamshell box (51 x 35 cm.). Call number:
(Ex) Oversize 2011-0015E
Illustration by Thomas Rowlandson for Tom Jones published in Edinburgh by James Sibbald in 1791, volume 1, page 55: Caption: Partridge cruelly accused and maltreated by his Wife & co. [Alternate caption: The astonished Partridge meets the vengeance of the whole sex.] ❧ The Library has long had the 1792 reissue of the sheets of James Sibbald’s 1791 Edinburgh edition. Recently acquired is the 1791 original. Each volume has four plates by Thomas Rowlandson. ❧ Fielding, Henry, 1707-1754. The History of Tom Jones, a foundling. By Henry Fielding, Esq. Edinburgh: printed by and for J. Sibbald, 1791. 3v.,plates; 8⁰. Call number (Ex) 2011-0440N.
With funding from the Rare Book Division, the Friends of the Library, and the Historic Maps Collection, in March 2009, the Library acquired a copy of the Philippe Vandermaelen, Atlas universel de géographie physique, politique, statistique et minéralogique . . . (Brussels, 1827), consisting of approximately 380 folio foldout sheets of maps and 40 pages of statistical tables. This is the first atlas to have been printed using lithography; it is also the first to show the whole world in maps using a uniform scale (about 26 miles to the inch).
The atlas was digitally photographed at high resolution in 2010, and is now available in two forms: in the Princeton University Digital Library [link] and on a stand-alone website, which includes a video showing a virtual rotating globe constructed from the Vandermaelen continental maps: the world as it was mapped in 1827 [link].
“This beautiful and romantic islet is situated in the most picturesque part of the Thames, between the Willows and Maidenhead Bridge; it is the favored resort of aquatic parties in the vicinity of Windsor, and is a delightful resting place for those bound to Cliefden, Henley, or Marlow – the woodland beauty of the scenery being unrivalled on the banks of ‘Thames winding stream’. The (third) Duke of Marlborough selected this sequestered spot for the enjoyment of Isaac Walton’s “gentle art”, and embellished it by the erection of two elegant buildings – a pavilion and a temple. The former is decorated by finely-executed paintings of monkeys, in various grotesque and humorous characters (which, with the pavilion, are represented by the drawings), and continue to prove an attraction to the curious…. it is asserted that the whole cost the Duke of Marlborough £12,000. It was purchased by H. Townly Ward, Esq., and is now the property of P.C. Bruce, Esq., of Taplow. The tout ensemble presents an imposing idea of aristocratic grandeur and magnificence.”
Preface to Monkey Island, Illustrated, by a series of Humorous Figures and a View of the Pavilion. From original sketched by M. Penley, drawn on the new patent zinc plates by T. Fairland. Dedicated to the Young Gentlemen of Eton College. Windsor: published by J.B. Brown … ca. 1839. This copy inscribed on front wrapper: “Robert H.J. Heygate from his brothers Frederick & William Heygate, March 28, 1839.” Call number: (Ex) Item 6473315
All kinds of East Indian cottons and Dutch linen cambric, linen goods [or linen drapery], calico [or muslin] and white-linen tape for sale: in Hamburg by the wall, at Jacob Kops. [Woodcut prospect of Haarlem above this text.]
Allerhande ostindische Cattoennen und
hollandisch linwant Camertuch weijs-zweern [i.e. Weisswaren?]
Kattuen und weijslinnen-bant Zu Kauf: in
Hamburgh bij der mueren. bij Jacob Kops.
One of more than 536 trade labels, chiefly for the linen thread trade, pasted into three albums with title Houtsneden door Izaak van der Vinne [Woodcuts by Isaac van der Vinne (1665-1740)]. Call number: (Ex) NC1002.L3 V56f [This label: volume 2, leaf 19.]
“Thereupon Marcus Curtius, … mounted on a horse caparisoned with all possible splendour, he plunged fully armed into the gulf” Livy, The History of Rome, Book 7, Chapter 6, illustrated in Sixteen Humourous Designs, to Illustrate Virgil, Horace, and Livy. With Mottoes in Latin and English. For Private Circulation Only. [(England), n.p., n.d., c. 1840]. Call number: (Ex) 2009-0431Q
“Aula Nassovica.” Copperplate engraving, 3.75 x 6.25 inches. Artist and engraver unknown. Illustration opposite p. 104 of New American Magazine, No. XXVII (March 1760), Woodbridge, in New Jersey: Printed and sold by James Parker. Sold also at the new printing-office in Beaver-Street New-York, and by Thomas Coombs, in Front-Street, Philadelphia. Call number: (Ex) 0901.525 ❧ Link to larger file.
Wrappers for skeins of ‘nun’s thread’ – a “finer thread, called ounce or nun’s thread, from its having formerly been made by nuns in France and Flanders” (A.J. Warden, The Linen Trade, Ancient and Modern (1867), p. 539). Three examples from more than 536 trade labels, chiefly for the linen thread trade (both export and domestic) pasted into three albums with title Houtsneden door Izaak van der Vinne [Woodcuts by Isaac van der Vinne (1665-1740)]. Call number: (Ex) NC1002.L3 V56f [These wrappers: volume 1, leaf 16.]
Ream wrapper for ‘fine’ (fyn = fijn) grade paper made by Lubertus van Gerrevink. ❧ W.A. Churchill, Watermarks in paper in Holland, England, France, etc. in the XVII and XVIII centuries, (1935), p. 36 describes this as “Garden of Holland, lion alone” and dates his copy at 1749. This ream wrapper is one of more than 536 trade labels, chiefly for the linen thread trade, pasted into three albums with title Houtsneden door Izaak van der Vinne [Woodcuts by Isaac van der Vinne (1665-1740)]. Call number: (Ex) NC1002.L3 V56f [This wrapper: volume 3, leaf 8.]
N.B. If any Persons shall Reprint this Book, or offer to Pirate it, they will be Prosecuted according to law, it being entered in Stationers-Hall. ❧
The Universal Directory for Taking Alive and Destroying Rats, and All Other Kinds of Four-footed and Winged Vermin, In a Method Hitherto Unattempted: Calculated for the Use of the Gentleman, the Farmer, and the Warrener. By Robert Smith, Rat-Catcher to the Princess Amelia. London: printed for the author, 1768. Call number: (Ex)SB993.S64 ❧
Leaf preceding title-page of New and complete instructions for the hautboy : containing the easiest & most improv’d rules for learners to play : to which is added a favorite collection of airs, marches, minuets, duets, &c. also the favorite rondo performed at Vauxhall by Mr. Fischer. London : Printed & sold at A. Bland & Wellers Music Warehouse … , [1800?] Call number (EX) MT362 .N38 1800q ❧ Scene depicts a concert in Vauxhall Gardens, London. The plate also served as an advertisement for A. Bland & Weller, Piano Forte Makers, No. 23 Oxford Street.
“State of New Jersey” map (58.5 x 28.5 cm) facing verso of final printed leaf of The Petitions and Memorials of the Proprietors of West and East-Jersey, to the Legislature of New-Jersey New-York: Printed by Shepard Kollock, no. 156, Water-Street.,  Call number: Ex 1174.271.2 c.1. Copy with ownership signatures of John Rutherfurd (1760-1840), who compiled the text of Petitions and Memorials.
❧ Joseph J. Felcone in his New Jersey Books 1698-1800 (1992) covers the publishing history of this book (entry 22). He states “It is the first map depicting only New Jersey to be printed and published in America.” Alas, the identity of the mapmaker is not known, but there is evidence to suggest it was John Hills. As of 1991, the original copper plate survived and owned by Howard Sereda of Edison, NJ.
“Tabula VII” of a suite of 17th century engravings graphically representing contemporary science and philosophy. In addition to both historic and allegorical figures there are a number of renderings of scientific instruments: barometers, thermometers, clocks, scales, hygrometers and chemical apparatuses.
Palatium sapientiae. Parisiis: Apud Stephanum Gantrel Via Jacobea sub signo Sti. Mauri, [ca. 1680]. 26 plates including engraved title-page. Call number: (EX) 2011-0248Q
Contes pour les Bibliophiles par Octave Uzanne & Albert Robida.
Paris: Ancienne Maison Quantin, Librairies-Imprimeries Reunies, 1895.
Call number: (Ex) 3295.27.326q. Front cover illustration by George Auriol.
Justus Velsius (1502-1582). In Cebetis Thebani Tabulam commentariorum libri sex
(Lyon, 1551). Call number: 2011-0654N
See a brief description of the Tablet of Cebes.
“A catalogue of the Heldenrüstkammer of Archduke Ferdinand II in Schloss Ambras, the first collection of armour formed for historical reasons in the first purpose-built museum North of the Alps.” The work illustrates 125 suits of armor, one per plate. Its full title runs to 133 words. What follows is a rendering of just the first portion of the full title: “Most true images of the most august emperors, the most serene kings and archdukes, of the most illustrious princes, as well as earls, barons, nobles, and other eminent men, who were either the commanding leaders in war or within their realms performed admirably…[together with] succinct descriptions [of their achievements].” (Sometimes this work is referred to as the “Armamentarium Heroicum,” Latinizing the German for “Heroes Armory.”)
❧ This tour-de-force of Baroque illustration was complied by Jakob Schrenk von Notzing with plates believed to be by the engraver Dominicus Custos. The book was published in Innsbruck in 1601. This date in the Princeton copy has been revised by means of a handstamp to read “M.DC.XIX.” The Library’s copy is bound in contemporary calf and is stamped with the name and arms of its first owner: Hector Le Breton, seigneur de la Doineterie, who held public offices during the reigns of Henri IV, Louis XIII, and Louis XIV. In 1615 he succeeded his cousin as roi d’armes de France.
❧ Call number; (Ex) D106 .S3f. Purchased in 1983 from Robin Halwas (antiquarian bookseller, London; his catalogue 3, number 79).
❧ Cf. Elisabeth Scheicher, “Historiography and Display: The Heldenrustkammer of Archduke Ferdinand II in Schloss Ambras.” Journal of the History of Collections 2 (1990): 69-79.
Large, readable digital file of this single sheet advertisement is also available.
Benjamin Henry Day was publisher of Brother Jonathan from 1852 to 1862. Publication dates of the “cheap books for sale” suggests that this advertisement was issued early during Day’s tenure as publisher.
The Library has recently built up a collection of 15 issues published in this newspaper’s lavishly illustrated extra “Pictorial Jubilee.” New York, 1851-1861. Usually issued twice yearly: July 4 as well as Christmas and New Year’s. A typical opened issue measures 29 x 42 inches. Call number for the advertisement and the collection of fifteen: (Ex) Flat files A floor. ‘Brother Jonathan’
To all lovers of angling: Gregory, fishing-tackle maker, at the Dial and Fish, opposite St. Clement’s Church in the Strand, London, makes and sells all sorts of multiplying and stop wheels
[London? : s.n., 1773?]
Notes: Broadside advertisement, 28 cm tall
Princeton copy dated by hand on verso: April ye 7th 1773.
Call number: (ExKi) SH453 .G73 1773
Higher resolution image available at
Title: The girl who reads sensation story papers : [broadside sheet]
Published/Created: [s.l., circa 1891]
Description: 1 sheet : ill. ; 37 x 23 cm.
Notes: First line: How charming the girl who endlessly glories.
Provenance: Written in blue pencil: “No harm inteded [sic].” Accompanied by envelope addressed to Miss M. C. Mershon, Princeton, N.J. with postmark 1891.
Source of acquisition: Purchase; J. Howard Woolmer, 2005.
Subject(s): Sensationalism in journalism –United States.
Youth –Books and reading –United States.
Form/Genre: Broadsides, Story papers
Call number: (Ex) Broadside 382
Published ca. 1891.
Higher resolution image available here