Am I the only person who remembers last March’s tempest in a tea pot about how Last Week Tonight with John Oliver hustled into print a picture book about BOTUS Marlon Bundo (Bunny of the United States) a day before the one by his owners Charlotte and Karen Pence, wife and daughter of Vice President Pence, was to be issued? Independent booksellers called out Oliver for choosing Amazon as the distributor of a heart-warming but barbed story about the courtship and marriage of the rabbits Marlon and Wesley. Its author Jill Twiss pointedly dedicated it to “every bunny who has ever felt different” and the last line is “it doesn’t matter if you love a girl bunny or a boy bunny, or eat your sandwich backward or forward.” The first printing sold out overnight and for weeks Amazon couldn’t fulfill orders and offered no ship date without apologies. I lost patience and got a copy within a few days from a small independent bookstore in Bucks County, Pennsylvania.
Oliver and Company got its fifteen minutes of fame until the media moved on to less amusing but more important events as they erupted on the national scene. The two books have continue to sell. Today on Amazon’s list of the one hundred best-selling children’s books about rabbits, A Day in the Life of Marlon Bundo is number two after Goodnight Moon by Margaret Wise Brown and Clement Hurd. Numbers four, seven, eight, and nine are, respectively Dorothy Kunhardt’s Pat the Bunny, Margery Bianco’s The Velveteen Rabbit, Beatrix Potter’s Peter Rabbit, and Brown’s The Runaway Bunny. The Pences’ Marlon Bundo made number thirty-four, barely ahead of the Kindle edition of Last Week Tonight’s Marlon Bundo and Bunnicula in a Box. I won’t compare these titles because it would be breaking buttterflies on wheels. It won’t be long until the field will be left to Bianco, Brown, and Potter. Those conventional plots and pleasant but forgettable illustrations will not make either book is going to be a contender for the 2018 Caldecott Medal, whatever your politics.
John Oliver’s baiting the vice president for his views on gay marriage was the only angle the media covered. Nobody thought to cover it as a formidable case of industrial espionage: just how did the Last Week Tonight team obtain advance knowledge of the Pences’ book and rush their illustrated satire through the press on time. The Marlon Bundo affair is also, I think, a timely and salutory reminder that the prevailing view of the children’s book market centers on firms with mainstream liberal values. We are much more likely to have heard of Chronicle Books, the publisher of A Day in the Life of Marlon Bundo, than Regnery Kids, the publisher of Marlon Bundo’s A Day in the Life of the Vice President.
Thanks to John Oliver and his merry pranksters, I realized I had became aware of the conservative book publisher’s existence when buying political children’s books during the 2016 election, but didn’t make the connection in March. The motto of Regnery Kids is “Great Americans of today inspiring great Americans of tomorrow” and its brand consists of children’s books that are “non-partisan, entertaining, brilliantly written and illustrated by award-winning authors and artists.” Its stable includes Fox News personalities such as Janice Dean and Rachel Campos Duffy and the nation’s ambassador to the Holy See, Callista Gingrich, creator of the Ellis the Elephant series. Regnery’s Little Patriot’s Press has at least six titles featuring Charles M. Schultz’s Peanuts characters.
Regnery is no newcomer to conservative publishing. Founded in 1947, it has published notable writers like Russel Kirk, William F. Buckley Jr., and Donald Trump. Since 1993, it has been a part of Eagle Publishing, a subsidiary of Salem Media Group, which is owned by the very successful and wealthy Christian broadcasters Edward G. Atsinger II and his brother-in-law Stuart Epperson. Who knew?
For the benefit of future scholars of twenty-first century American children’s book publishing, the collection of the Cotsen Children’s Library really should include good samples of books produced by firms like Regnery Kids, along with the better-known award-winning authors and illustrators, which have traditionally set the ethos and aesthetics for the genre. Silently passing over Regnery would be like refusing to collect the eighteenth-century children’s book publisher John Marshall because of his involvement in the Cheap Repository Tract project masterminded by archconservative Evangelist Hannah More to make sure the masses had reading that wouldn’t radicalize them….