American children, to the best of my knowledge, are not acquainted with little Rabbit Foo Foo, the most belligerent of bunnies. Beatrix Potter’s fierce bad rabbit can’t begin to compete with him for anti-social behavior, but her anti-hero is at a real disadvantage, not having been given the opportunity to get creative with a motor cycle or a mallet. Thank heavens a frumpy gran-fairy in a woolly jumper is watching over the woods. Even though she is really displeased with Foo Foo, she gives the rotter rabbit three chances to clean up his act (silly fairy). All the bashing of innocent forest creatures is to be chanted to the sort of lilting, anodyne tune associated with the sweetest and stickiest of nursery rhymes, not cautionary tales.I heard it when we lived in England and was so delighted by its unapologetic rudeness that a copy of Michael Rosen’s improved version illustrated by Arthur Robbins was acquired for the family nursery library. It was a major miscalculation because my toddler-daughter refused to have anything to do with it. I am still forbidden to recite it under any circumstances. So here is the author Michael Rosen, the first Children’s Laureate of England, performing it for fans who appreciate its knock-about British humor. And it goes without saying that no one confined to quarters during COVID-19 is allowed to act like Foo Foo, no matter what the provocation.
Am I the only person who remembers last March’s tempest in a tea pot? When Last Week Tonight with John Oliver hustled into print a picture book allegedly about BOTUS Marlon Bundo (Bunny of the United States) a day before the publication date of the one by his owners Charlotte and Karen Pence, wife and daughter of Vice President Pence?
Independent booksellers called out Oliver for choosing Amazon as the distributor of a heart-warming but barbed story about the courtship and marriage of the rabbits Marlon and Wesley. Its author Jill Twiss pointedly dedicated it to “every bunny who has ever felt different” and the last line is “it doesn’t matter if you love a girl bunny or a boy bunny, or eat your sandwich backward or forward.” The first printing sold out overnight and for weeks Amazon couldn’t fulfill orders and offered no ship date without a word of apology. I lost patience and got a copy within a few days from a small independent bookstore in Bucks County, Pennsylvania.
Oliver and Company got its fifteen minutes of fame until the media moved on to less amusing but more important events as they erupted on the national scene. The two books have continue to sell. Today on Amazon’s list of the one hundred best-selling children’s books about rabbits, A Day in the Life of Marlon Bundo is number two after Goodnight Moon by Margaret Wise Brown and Clement Hurd. Numbers four, seven, eight, and nine are, respectively Dorothy Kunhardt’s Pat the Bunny, Margery Bianco’s The Velveteen Rabbit, Beatrix Potter’s Peter Rabbit, and Brown’s The Runaway Bunny. The Pences’ Marlon Bundo made number thirty-four, barely ahead of the Kindle edition of Last Week Tonight’s Marlon Bundo and Bunnicula in a Box. I won’t analyze these titles because that would be breaking butterflies on wheels. It won’t be long until the field will be left again to Bianco, Brown, and Potter. The conventional plots and pleasant but forgettable illustrations will not make either Marlon Bundo book a contender for the 2018 Caldecott Medal, whatever your politics.
John Oliver’s baiting the vice president for his views on gay marriage was the only angle the media covered. Nobody thought to cover it as a formidable case of industrial espionage: just how did the Last Week Tonight team obtain advance knowledge of the Pences’ book and rush their illustrated satire through the press on time? The Marlon Bundo affair is also, I’d argue, a timely reminder that the prevailing view of the children’s book market centers on firms with mainstream liberal values. We are much more likely to have heard of Chronicle Books, the publisher of A Day in the Life of Marlon Bundo, than Regnery Kids, the publisher of Marlon Bundo’s A Day in the Life of the Vice President.
Thanks to John Oliver and his merry pranksters, I realized I had brushed up against the conservative book publisher’s existence when buying political children’s books during the 2016 election, but didn’t make the connection until later in March. The motto of Regnery Kids is “Great Americans of today inspiring great Americans of tomorrow” and its brand consists of children’s books that are “non-partisan, entertaining, brilliantly written and illustrated by award-winning authors and artists.” Its stable includes Fox News personalities such as Janice Dean and Rachel Campos Duffy and the nation’s ambassador to the Holy See, Callista Gingrich, creator of the “Ellis the Elephant” series. Regnery’s Little Patriot’s Press has at least six titles featuring Charles M. Schultz’s Peanuts characters.
Who knew that Regnery is no newcomer to conservative publishing? Founded in 1947, it has published notable writers like Russel Kirk, William F. Buckley Jr., and Donald Trump. Since 1993, it has been a part of Eagle Publishing, a subsidiary of Salem Media Group, which is owned by the very successful and wealthy Christian broadcasters Edward G. Atsinger II and his brother-in-law Stuart Epperson.
For the benefit of future scholars of twenty-first century American children’s book publishing, the collection of the Cotsen Children’s Library really should include good samples of books produced by firms like Regnery Kids, along with the better-known award-winning authors and illustrators, which have traditionally set the ethos and aesthetics for the genre. Silently passing over Regnery would be like refusing to collect the eighteenth-century children’s book publisher John Marshall because of his involvement in the Cheap Repository Tract project masterminded by archconservative Evangelist Hannah More to make sure the masses had reading that wouldn’t radicalize them….