New Acquisitions: Drawings by Beatrix and Bertram Potter of Peter Rabbit, Mushrooms and a Kestrel

A Family of Artists: Beatrix, Rupert, and Bertram Potter

A Family of Artists: Beatrix, Rupert, and Bertram Potter

Many people pity Beatrix Potter for her restrictive upbringing with limited contact with other children in the family home at 2 Bolton Gardens, London.  For someone with her gifts, there were hidden advantages to her circumstances.  Instead of being sent to school, she was educated by governesses, one of whom, Annie Moore, became a life-long friend.  Beatrix and her younger brother Walter Bertram sound as if they were allowed to do pretty much what they liked in the school room on the top floor, which contained a small menagerie, a lab furnished with space for the dissection of specimens and their examination under the microscope.  There was plenty of time for them to record what they saw in detailed sketches.   In fact, they both drew constantly.

An unfinished portrait of Beatrix by Bertram in the collection of the V&A.

Their parents Rupert and Helen were artistic themselves and greatly attracted to nature; the family’s wealth afforded many opportunities to take extended summer vacations in Scotland and the Lake District.  From their teens onward, Beatrix and Walter used their freedom to explore the countryside and draw in their sketch books.  They surely found inspiration in the classic story “Eyes and No Eyes,” by John Aikin from Evenings at Home (1792-1796).  Many Victorian writers, including John Ruskin, Charles Kingsley, and Mrs. Molesworth, testified that reading it awakened their curiosity and sense of wonder when William described everything he saw on a walk to Broom Heath.  Nothing escaped his attention and everything delighted him, from the shy kingfisher, a cluster of sea shells in a marl pit, the remains of a Roman or Danish camp, the water rat who disappeared into his hole in the river bank.  I can imagine Beatrix and Walter taking as much satisfaction in their adventures as did William.

In 2023 and 2024 the Cotsen Children’s Library was exceptionally fortunate to have acquired two natural history drawings by Beatrix and one by Walter.Attracted by their strange beauty, Beatrix began painting fungi in the late 1880s but it was not until she made the acquaintance of Charles McIntosh, the so-called Perthshire Naturalist, that she began to make a serious study of them.  This fine drawing was not signed or dated by Beatrix, but it was for a time owned by Captain Kenneth Duke, one of her executors.  Doris Frohnsdorff, the distinguished Potter collector and antiquarian bookseller, purchased it and it was acquired from her estate.

Also from the Frohnsdorff estate is this beautiful drawing of a kestrel executed by Bertram in 1886, which displays his considerable talent as a natural history artist.  The small bird of prey is standing on one leg, the other one resting against the fluffy feathers on the lower part of the body.  Its bright black eyes stare fearlessly at the viewer.   Kestrels can be identified by the way they hover while hunting.  Since Bertram drew this specimen, the species’ population has dropped considerably.

Beatrix’s splendid watercolor over pencil drawing of Peter Rabbit’s head from ten different angles dated 1901.  It was torn out of a sketch book by Beatrix in 1928 and presented to seventeen-year-old Ernestine t’Hooft.  She was the daughter of a curator at the Museum Fodor in Amsterdam, who was visiting with the Lake District with her family.  During the visit, Ernestine bought a copy of Jemima Puddle-duck for her collection of Potter little books and the saleswoman told her that her favorite author lived nearby.  Her father wrote to Potter (or rather Mrs. Heelis) and asked if they might visit her.  The t’Hoofts were invited to tea and spent a very pleasant afternoon at Castle Cottage.  Before they left, she presented Ernestine with this marvelous drawing of Peter from ten different angles, inscribed and dated it 1928.  Ernestine kept her entire life: after her death, it came on the Dutch market.Last but not least is another new Potter acquisition that fills a gap in the collection–a  Christmas cards published by Hildesheimer and Faulkner illustrated from a drawing by Beatrix.  I’m not sure why coconuts were associated with the holiday season in the 1890s, but perhaps someone has an explanation?!

 

The History of Dental Care for Babies: The Anodyne Necklace for Teething

Frustration is trying to soothe a teething baby.  The signs are easy to spot—a bright red cheek, inflamed gums, lots of drool, a fist stuck in the mouth, fussing and more fussing.  Rubbing the gums with a lightly chilled silver spoon or a clean finger wrapped in gauze may provide some temporary relief.  No one will be in a very good mood until the tooth breaks through.  The good news is that the process will repeat over and over again the next six to twelve months until all twenty deciduous or milk teeth come in.

We have known for some time that teething is a nuisance that can be dealt with at home, except in rare cases.  Probably every tired parent today goes online questing for a miracle cure.  Amazon makes it fiendishly easy to obsess over dozens and dozens of teething aides in all sizes and shapes—redesigned pacifers, silicone chew toys, plastic freezer beads, sleek Bauhausian rings that teach how to distinguish shapes and colors, etc. most too cute and reasonably priced to resist the temptation of a little retail therapy.

It was supposed to be simpler once upon a time, but that isn’t really true. In the past, medical professionals believed that teething was an important cause of morbidity because it was supposedly responsible for so many infant ailments.  What remedies were there?  Coral sticks were the rich family’s pacifier.  The more elaborate ones were mounted in silver and  decorated with bells and a whistle, like this splendid one in the Metropolitan Museum of Art to the right.  Surely easy to dent, they look like a gift to be proudly displayed rather like a Tiffany & Co. sterling silver barbell rattle and teether, not sucked by a drooly baby.

Protection from illness or bad luck have been afforded for centuries by amulets of various  materials.  In England, wise women put necklaces of peony roots around the necks of teething children, a practice was well documented in early modern pharmacopias.  White peony roots, necklaces of peony wood beads or seeds are still prescribed for fever, inflammation and pain by practitioners of Chinese traditional medicine.  All these ingredients are available on the web for medicinal purposes, by the way.

In the eighteenth century, the anodyne necklace for babies cutting teeth was one of the most famous (or notorious) of the many branded placebos and quack medicines in a rapidly expanding market.  At 5 shillings, only the well-to-do could afford one. Nevertheless competition was so fierce that consumers were warned away from the counterfeits.  Dr. P. Chamberlen, the supposed inventor without credentials sharing  the same last name a distinguished family of physicians, directed customers to the only authorized retailers, jeweler and goldsmith Basil Burchell and Mrs. Randall.   Do not buy a copy unless it comes with a copy of the 8-page pamphlet, the assurance of authenticity. Pages from Cotsen’s copy are shown at the left.

Children who balked at taking a pill would accept a light-weight, pretty necklace around their neck.  It worked its magic through  “a secret friendly sympathetic quality” similar to amber, jet, glass or agate and cited the eminent natural philosophers Robert Boyle and Dr. Willis as authorities.  A token pierced with a hole could be threaded on the necklace for added efficacy. Queen Caroline and Augusta, Princess of Wales, purchased one necklace per child monthly.   The pamphlet also suggested the time-honored method of rubbing the gums with a finger dusted in pain-easing powder also available where the necklace was sold.

These “toys” sold by the thousands to superstitious mothers, were nothing but frauds, raged the physician-author of The Modern Quacks Detected (1752).  He described the case of a woman who brought her feverish baby to him for an examination.  Two teeth were nearly ready to break through, so his recommendation was to have a surgeon slit the gums to reduce the baby’s suffering.  Instead the fearful mother bought an anodyne necklace a few days later, by which time the teeth had cut.  Her claim that the necklace cured the baby was picked up by one of the agent’s scouts and doctored up as a testimonial to be included in advertisements.  “Hocus pocus,” snarled the author.  She could have hung a stick around his neck instead and claimed it was responsible for the baby’s improvement.

His protest was in vain.  Cotsen recently purchased a bill head dated January 12 1833 for Basil Burchell, son of the original “proprietor & preparer of the ANODYNE NECKLACE” still trading from no. 79 Long-Acre.  And who paid 9 shillings for a necklace?  None other than Her Royal Highness, Duchess of Kent, Victoria Saxe-Coburg-and-Gotha, the mother of the future Queen Victoria.

Before laughing at the Duchess’s credulity, stop for a reality check.  Dentists caution against allowing babies to wear necklaces, bracelets, and anklets without mentioning if they are being worn as amulets against distress during teething.  Amber teething necklaces have their advocates and there must be a fair number of them for a medical blogger address the veracity of  claims made for them.  Plus ca change, plus c’est plus la même chose….