Bestsellers: Picture Books for Potty Training

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Find the baby on the close stool! From the manuscript by A. B., “The Life of a Baby.” [England], ca. 1839. (Cotsen 46434).

In theory and practice, the non-fiction picture book can play an important teaching skills and competencies in a concrete way.   Picture books have been drafted into the late twentieth-century campaign to make the critical transition from messy blithe incontinence to conscious, hygienic elimination trauma-free. While it no longer seems desirable to motivate  gaining control over bodily functions by associating it with shame or guilt, the attempt to be upbeat about a semi-taboo subject can be interesting.

Japanese author-illustrator Taro Gomi took a strictly factual approach: every living thing eats, so we’re one big happy family when it comes to getting rid of the by-products.  First published as part of the “Masterpieces of the Friends of Science” series in 1977, the English-language translation rights to Minna uchi were acquired by Kane/Miller in 1993.  Gomi’s  truthful but slyly humorous approach caused a stir when Everyone Poops came out in the United States, but once the initial shock wore off, it become something of a cult classic.  Cotsen has the English- and Chinese-language translations, but not the Japanese original.

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Double-page spread from Taro Gomi, Everyone Poops. Translated by Amanda Mayer Stinchecum, Brooklyn, NY: Kane/Miller, 18th printing, c1993. (Cotsen 24016)

When Israeli writer Alonah Frankel was a young mother with a son, she wrote a book to help other parents toilet-train their boys.  The first of her many children’s books in Hebrew, “Sir ha- Sirim” [The Potty of Potties] became an instant best-seller in Israel when published in 1975.   It was issued in 1980 under the title Once Upon a Potty in the United States and after that went on to find an international audience.  In the 1990s, the version for girls, audible, audio-tape, and cartoon versions have bolstered sales in the US. Written from the point of view of the mother, who has to do the dirty work, she nicely but firmly demonstrates all the steps in the process.

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What’s going to happen next? Alonah Frankel, Sir ha-Sirim [The Potty of Potties]. Tel Aviv: Masadah, 1984, 18th printing. (Cotsen 7519)

 A friend gave Mr. Cotsen a copy of the original Hebrew-language book and his note explains something important that was lost in English translation.

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Note to Mr. Cotsen laid into Cotsen 7519.

But Gomi and Frankel aren’t to everyone’s taste.  Some people are more comfortable with a less clinical approach, and lots of authors and illustrators have risen to the occasion.  The most obvious ploy is to let a cute baby animal stand in for the nah-saying toddler.   Little bear Bartholomew feels pangs of distress after running out to play without going first like his George daddy bear suggested.  I refuse to believe that the choice of a bear cub alludes to the well-known and slightly rude rhetorical question meaning, “It sure do!” to cheer on discouraged parents.

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From the board book version of On Your Potty! by Virginia Miller. Cambridge, Mass.: Candlewick Press, 2000. (Cotsen 87638)

What if a writer tries to convince the unwilling party that a toilet is a perfectly designed object for the use of human beings by showing why no other animal could find it convenient?

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Andrea Wayne von Konigslow, Toilet Tales. Willowdale, Ontario: Annick Press, c.1987, 5th edition 1990. Gift of Jeffrey P. Barton. (Cotsen 7665968)

I happen to think this is pretty funny, but it’s easy to imagine von Konigslow’s whimsical strategy backfiring with a child who believes there are monsters under his bed.  After looking at this opening, the suggestible pre-schooler might come to the sensible conclusion that there are really nasty things in the plumbing that might  surface in the toilet at any time hunting for something tender to nibble.   So why would you sit on it ever?

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Alternative uses for the spurned potty chair.

One of the best-known euphemisms for the toilet seems to have inspired Tony Ross to create a toilet-training picture book that is much more imaginative than practical.  A toddler princess (crown, but no frilly dress)  who wants to get rid of her nappies puts up quite a fuss when the Queen Mummy tells her “The potty’s the place.”  But the gist of the story is how the princess’s request for her plastic throne throws the court into hysterics…

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Tony Ross, I Want My Potty. London: Andersen Press, c.1986 (Cotsen 86775). I assume the “L” stands for “loo.”

Some authors would rather bring to life the comic dimensions of the battle between generations during toilet training instead of offering tips.   Littlesaurus leaves piles of poop everywhere in defiance of  his elders’ efforts to civilize him, singing an obnoxious ditty to celebrate his independence.  Finally his exasperated Daddysaurus yells he doesn’t care if Littlesaurus ever uses the potty, so the contrarian dino decides to give it a try, only to be caught in the act and given a taste of his own medicine by his beloved family…

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Revenge is sweet… Colin MacNaughton, Potty Poo-Poo Wee-Wee! Cambridge, MA: Candlewick Press, 2005 (Cotsen). Would a publisher have touched this manuscript if the characters had been human beings?

In researching this post, I’ve come to the conclusion that the collection needs more specimens of this underappreciated genre of picture book to more fully document a) modern anxieties about toilet-training and b) portable potty design.

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A tasteful tailpiece.

 

Empty Calories, Sugar, and Junk Food in Picture Books

Meg Rosoff, Wild Boars Cook! Illustrated by Sophie Blackall. New York: Henry Holt, 2008. (Cotsen Q-001929)

Today we pay tribute to those artists who elevate calories from  salt, fat, refined white sugar, bleached flour, and preservatives to the empyrean.  The post does not recommend the consumption of over processed food full of empty calories (also known as “cheat food”), nor will it show children eating disgusting quantities of unhealthy things out of the box with their fingers.  There will be, however, graphic depictions of artworks whose raw materials are candy, snack food, and their packaging– plus some picture books in which they figure prominently. If you have high nutritional principles or no will power whatsoever, do not read any farther.

Why wouldn’t sugar be a powerful source of inspiration for artists?   It is packed with cultural significance, it can be molded and spun, and it takes color beautifully.

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A candy wrapper collage by Laura Benjamin.

As much as we admire how visual artists have exploited the tactile and sculptural qualities of junk food, it is the picture book illustrators who have realized its narrative potential.  When the hero’s father is laid off in Richard Egielski’s Jazper, he takes a three-week job house-sitting for five evil moths.  In the evenings, he passes the lonely hours reading magic books in the library.

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Richard Egielski, Jazper, p. 14. New York: Laura Geringer Books, 1998. (Cotsen Q-001945)

By the time the moths come home, Jazper has mastered the art of transformation and decides to hit the boards to supplement the family income.  When the moths read the great newspaper write-up of the Amazing Jazper’s act, in which he changes into anything from a pickle to a cheese doodle, they vow to take revenge for having allowed him access to the library.

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Jazper the stupendous cheese doodle. Richard Egielski, Jazper (1998), p. 17. (Cotsen Q-001945)

Or there’s Dennis Nolan’s Hunters of the Great Forest.  The reader has no idea what they might be seeking when they set out one warm night over the mountains and through the forest, braving dragonflies, toads, blue jays and irascible chipmunks.

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It’s in the lower right hand corner. Dennis Nolan, Hunters of the Great Forest, p. 32. New York: Roaring Brook Press, 2014. (Cotsen Q-001906)

It takes all their strength and cunning to bring the prize home to the village.

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Dennis Nolan, Hunters of the Great Forest (2014), p. 34. (Cotsen Q-001906)

Toasted on sticks in front of a roaring fire, one marshmallow is enough to sustain the entire Lilliputian community.

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Dennis Nolan, Hunters of the Great Forest (2014), p. 37. (Cotsen Q-001906)

 It’s space aliens against a cat in David Wiesner’s Mr. Wuffles!

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This doesn’t look good for our space travelers. David Wiesner, Mr. Wuffles!, p. 8. New York: Clarion Books, Houghton Mifflin Harcourt, 2013. (Cotsen Q-001903)

There’s no choice except to abandon ship and take refuge under the radiator, where their Brobdingnagian enemy can’t reach.  But he can sit in front of their hiding place and wait.  And wait.  And wait.

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Cheese it! David Wiesner, Mr. Wuffles! (2013), p. 15. (Cotsen Q-001903)

They take heart when the ladybug finds rations…  Not bad at all!

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Don’t despair lads, we’ll outlast it… David Wiesner, Mr. Wuffles! (2013), p. 19. (Cotsen Q-001903)

Fortified by empty calories, our space aliens find the strength to confound the brute, make their way back to their space ship, and blast off towards the safety of their own galaxy somewhere far far away…

Who would have ever guessed that stories of perseverance, courage, and derring-do could hinge on  sugar and…

ENRICHED FLOUR (WHEAT FLOUR, NIACIN, REDUCED IRON, THIAMIN MONONITRATE [VITAMIN B1], RIBOFLAVIN [VITAMIN B2], FOLIC ACID), SOYBEAN AND PALM OIL WITH TBHQ FOR FRESHNESS, WHOLE WHEAT FLOUR, SKIM MILK CHEESE (SKIM MILK, WHEY PROTEIN, CHEESE CULTURES, SALT, ENZYMES, ANNATTO EXTRACT FOR COLOR), CONTAINS TWO PERCENT OR LESS …

If sugary and starchy installations prove impossible to conserve, representations of junk food in the picture book will live on, if properly annotated.   Now pass the doughnuts.