Quotable Quotes from Kingsley’s Water-Babies

Front board, Cotsen 15234

Front board of The Water Babies. [London: Hodder and Stoughton for] Boots the Chemists, [1919] (Cotsen 15234), with design of Tom the water baby enjoying aquatic sports.

A revered professor in the UCLA English Department used to say that when a person could rattle on confidently about a book–preferably an uncontested masterpiece like Hamlet or Ulysses–without having ever cracked it open, only then could the degree of  Ph.d be conferred.

Charles Kingsley’s The Water-Babies (1863) is one of those books I expected to fake for the rest of my unnatural life.   When asked to serve on the advisory board of the Grolier 100 Books Famous in Children’s Literature project I did not confess my ignorance, knowing that Brian Alderson would wrangle The Water-Babies entry, having edited the Oxford World Classics edition.   This month I was finally obliged to fetch the book from the basement, where it had been languishing for some time, and read it from cover to cover  without benefit of pictures, either.

Page 17, Cotsen 39124

Page 17, The Water-Babies. London: Philip & Tacey, Ltd., [1955] (Cotsen 39124). Tom was a chimney sweep before being transformed into a water baby. Here he stumbles into a village school, where he sees for the first time children working at their lessons.

I’m happy to say that The Water-Babies lived up to its reputation as one of the most peculiar children’s books ever written and some of the passages about the rearing and educating of children are worth sharing.  All quotations are from the 1995 Oxford University Press paperback edited by Brian Alderson, of course.  If you have a tender stomach, Kingsley’s indelicate sense of humor may not be your cup of tea.

Here is the hideous and not entirely benign fairy Mrs. Be-Done-By-As-You-Did, who visits the water-babies on Fridays. When pleased with them, she gives “them all sorts of nice sea-things–sea-cakes, sea-apples, sea-oranges, sea-bullseyes, sea-toffee; and to the very best of all she gave sea-ices, made out of sea-cows’ cream, which never melt under water.”

[161] Tipped-in plate, Cotsen 15234

[161] Tipped-in plate of Mrs. Be-Done-By-As-You-Did by Jessie Willcox Smith, (Cotsen 15234)

The real business of the day is to “call up all who have ill-used little children, and serve them as they served the children….And first she called up all the doctors who give little children so much physic (they were most of them old ones; for all the young ones have learnt better, all but a few army surgeons, who still fancy that a baby’s inside is much like a Scotch grenadier’s), and she set them in a row; and very rueful they looked, for they knew what was coming.

And first she pulled all their teeth out; and then she bled them all round; and then she dosed them with calomel, and jalap, and salts and senna, and brimstone and treacle; and horrible faces they made; and then she gave them a great emetic of mustard and water, and no basons; and began all over again; and that was the way she spent the morning” (Chapter V, p. 109).

This second excerpt is less savage, unless you happen to be in the children’s book publishing business.  During his journey to the Other-end-of-Nowhere, the hero Tom visits a number of remarkable places.

“And first he went through Waste-paper-land, where all the stupid books lie in heaps, up hill and down dale, like leaves in a winter wood; and there he saw people digging and grubbing among them, to make worse books out of bad ones, and thrashing chaff to save the dust of it; and a very good trade they drove thereby, especially among children” (Chapter VIII, p. 157).

Last but not least is an excerpt from Tom’s sojourn in the Isle of the Tomtoddies:

“And when Tom came near it, he heard such a grumbling and grunting and growling and waiting and weeping and whining that he thought people must be wringing little pigs, or cropping puppies’ ears, or drowning kittens: but when he came nearer still, he began to hear words among the noise, which was the Tomtoddies’ song which they sing morning and evening, and all night too, to their great idol Examination–“I can’t learn my lesson: the examiner’s coming!”  And that was the only song they knew….

Then he looked round for the people of the island: but instead of men, women, and children, he found nothing but turnips and radishes, beet and mangold wurzel, without a single green leaf among them, and half of them burst and decayed with toadstools growing out of them.  Those which were left began crying to Tom, in half a dozen different languages at once, and all of them badly spoken, “I can’t learn my lesson; do come help me!”  And one cried, “Can you show me how to extract this square-root?”  And another, “Can you tell me the distance between Lyra and Camelopardalis?”  And another, “What is the latitude and longitutde of Snooksville, in Noman’s County, Oregon, US?” (Chapter VIII, p. 165)

Page 202, Tomtoddies vignette, Cotsen 34543

Harold Jones’s illustration of the Tomtoddies imploring Tom to stop and help them. Page 202, The Water Babies. London: Victor Gollancz Ltd., 1961 (Cotsen 34543)

This post may squelch most people’s desire to read Kingsley, but perhaps a few will be curious to dip into a story dubbed by its author as “all a fairy tale and only fun and pretense,” that was one of the great children’s best-sellers of all time.  It’s never too late for a Kingsley revival???  For more babies who love the water, take a look at the exhibition https://blogs.princeton.edu/cotsen/tag/water-babies/

Page 15 vignette, Cotsen 15234

Tom talking to his friend the lobster as imagined by Jessie Willcox Smith. Page 15 vignette, (Cotsen 15234)

 

 

 

 

 

 

 

Endpapers from Art Nouveau Picture Books

Mr. Cotsen could never pass by a really good example of an Art Nouveau picture book.  At their best, the illustrations, decorations, bindings, and endpapers come together as a whole and I have always thought that appealed to him as a master packager (the original concept for Neutrogena products was all his).   Here are four examples of German, Swiss, and Viennese picture books with especially striking endpaper designs.

Below is volume 3 of Jugendland (1903), a periodical for boys and girls edited by Heinrich Moser and Ulrich Kohlbrunner that was published by the Swiss firm Künzli.  Its binding design, the endpapers, and title page are all executed by illustrator and caricaturist Arpad Schmidhammer (1857-1921). He got his start contributing to annuals like Jugendland and Knecht Ruprecht, but is perhaps better known for his propagandistic picture books like Lieb Vaterland magst ruhig sein.

Front cover Cotsen 18814

Front cover. Jugendland: ein Buch für die junge Welt und ihre Freunde. Zürich: Gebrüder Künzli, [1901-1903]. (Cotsen 18814)

endpapers Cotsen 18814

Endpapers. (Cotsen 18814)

Titlepage Cotsen 18814

Title page. (Cotsen 18814)

The illustrations for the binding, endpapers and title page of Gartenlaube-Bilderbuch der deutscher Jugend (1902), on the other hand, are more uniform in style and subject than those for Jugendland.  The picture on the front board is by Hermann Kaulbach (1846-1909), a well-known painter famous for idealized pictures of children.  No credits are given for the endpapers or title vignette, but someone made sure that the theme of books and reading was repeated on the title page.

Front cover Cotsen 91566

Front cover. Gartenlaube Bilderbuch. Stuttgart: Union Deutsche Verlagsgesellschaft, [1902]. (Cotsen 19596)

Endpapers Cotsen 91566

Endpapers. (Cotsen 19596)

Title page Cotsen 91566

Title page. (Cotsen 19596)

Except for the goblin’s eyes peeking out of the “O,” the cloth boards of O Hastromanvi [The Goblin] (Prague: B. Koči, 1903) by Jožena Schwaigerová are conventional compared with the patterned endpapers.  Both the binding design and endpapers contrast sharply with the rather severe title page, with the bold type cutting deeply into the thick paper.  Whoever drew the repeat of frogs and pearls is not identified, so perhaps it was also the work of the Bohemian illustrator Hanus Schwaiger (1854-1909) who did the delightfully creepy pictures for the story.

Front cover Cotsen 44194

Front cover. O Hastrmanovi. Praze: B. Kočí, [1903]. (Cotsen 22067)

Endpapers Cotsen 44194

Endpapers. (Cotsen 22067)

Title page Cotsen 44194

Title page. (Cotsen 22067)

There’s a frog prince on the front board of Ernst Dannheiser’s Miaulina: Ein Märchenbuch für kleine Kinder (Cologne: Schaffstein, 1902), but he hasn’t got any pearls on his crown. Illustrator Julius Diez (1870-1953) let his imagination run wild in this collection of fairy tales. In the book, the tales are told to an industrious little girl by the cat Miaulina, who is shown with a satchel over one shoulder. There is the repeat of the pine tree men and red squirrels on the endpapers, an added illustrated title page where Miaulina eyes little mice watering the garden, and title page dominated by the figure of a fantastically dressed Moorish slave boy, who bears Miaulina on a pillow amidst a riot of exotic birds.  And I left out the illustrated vignettes of the poor veteran mouse begging in the cold and the jaunty little fellow riding a rooster, not to mention the frame of mice, beetles and weird rootmen enclosing the table of contents!

Front cover Cotsen 150184

Front cover. Miaulina. Köln a. Rh.: Schafstein & Co., [1902]. (Cotsen 34365)

Endpapers Cotsen 150184

Endpapers. (Cotsen 34365)

Decorative title page Cotsen 150184

Decorative title page. (Cotsen 34365)

Title page Cotsen 150184

Title page. (Cotsen 34365)

These exuberant picture books may be over the top, but their packaging gives contemporary bindings of laminated boards, or sober cloth backstrip and boards covered in a contrasting color, a run for their money…