Happy Valentine’s Day, Beatrix Potter!

Cotsen 33205

From the collection of Doris Frohnsdorff. Cotsen 33205

Contained within the unassuming binding above lies a secret treasure trove of Victorian ephemera. Compiled between 1872 and 1878 by none other than Helen Leech Potter, Beatrix Potter’s mother, this quarto volume is an album of cards for Valentine’s Day and Christmas given to young Beatrix, beginning when she was six years old.  The cards are mostly from family (especially “Mama” and “Papa” and “Grandmama Leech”) and family friends like the Gaskells, Nurse MacKenzie, Dora Hollins, and a certain Mr Goul. Perhaps few artifacts remain that can rival the perfection with which this album documents the ornate and frilly taste of the late 19th century English middle class.

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Located at the head of the front free endpaper, this inscription indicates that the album itself was an 1872 Valentine’s gift for Beatrix (full name Helen Beatrix Potter) from her affectionate mother.

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Card at top of leaf [3]

Interestingly, the cards contain no hand written messages or signatures. Either notes accompanying the cards were discarded when the cards were pasted into the album or the sentiments printed on the cards themselves (which as you will see, can sometimes be quite lengthy) were deemed sufficient. Helen Potter diligently recorded the name of the gifter and the year the card was given, either inside the card or immediately below it.

Helen Potter's inscription inside the card shown above.

“From MacKenzie 1872”, Helen Potter’s inscription inside the card shown above. “Mackenzie” was Beatrix’s nurse.

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Card at bottom of leaf [3], “From Mama 1872”

Leaf [4], "Grandmama Leech 1872", perhaps the biggest fan of paper lace.

Card on leaf [4], “Grandmama Leech 1872,” perhaps the biggest fan of embossed paper lace.

Inside of the card on leaf [4], perhaps a later original drawing by Beatrix Potter?

Inside of the card on leaf [4].

Leaf [6]. This leaf is one of many with sections or cards cut away, perhaps by Beatrix for a later project.

Leaf [6]. This leaf is one of many with sections or cards cut away, perhaps by Beatrix for a later project.

Card at top of leaf [6], unfortunately, we might never know "What makes a husband like a little dog".

Card at top of leaf [6] from “Aunt Mary 1873.”. Unfortunately, we won’t ever know “Why is a husband like a little dog?”

Leaf [7], "Mama 1873" at top and "MacKenzie 1873" at bottom

Leaf [7], “Mama 1873” at top and “MacKenzie 1873” at bottom.

The cards were printed by various English, German, and French sources, many unidentified. The majority, however, bear the recognizable imprint of the publisher Marcus Ward, a British company known for publishing illustrated books and mass producing greeting cards since the 1860’s. Marcus Ward’s Art Director, Thomas Crane, employed popular artists like Kate Greenaway and his son Walter Crane to design and illustrate the company’s greeting cards.

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Card on leaf [8], unattributed.

Card on Leaf [11], "Grandmama Leech 1874", perhaps in a bid to win Beatrix's affections. . .

Card on leaf [11], “Grandmama Leech 1874,” perhaps in a bid to win Beatrix’s affections? This is by far the largest card. . .

Card at top of leaf [13]

Card at top of leaf [13], “Papa 1874”.

Card at bottom of leaf [13], "Mr. Goul 1874".

Card at bottom of leaf [13], “Mr. Goul 1874”.

Card on leaf [14], "MacKenzie 1874", including a

Card on leaf [14], “MacKenzie 1874”, includes altered lines from William Wordsworth’s To the Daisy (1807) reading: “When smitten by the morning ray,/ I see thee rise, alert and gay;/ Then, cheerful flower, my spirits play/ With kindred gladness.”

Card on leaf [26], "Mr. McLaren 1876"

Card on leaf [26], “Mr. McLaren 1876”.

Card at top of leaf [28], "Dora Hollins 1878".

Card at top of leaf [28], “Dora Hollins 1878.”

Card at bottom of leaf [28], "Papa 1878"

Card at bottom of leaf [28], “Papa 1878”.

Card at top of leaf [29], "Bertram 1878", Walter Bertram Potter's first card to his older sister Beatrix., when he was 4 years old.

Card at top of leaf [29], “Bertram 1878”, Walter Bertram Potter’s first card to his older sister Beatrix, when he was 4 years old.

Card at bottom of leaf [29], "Papa".

Card at bottom of leaf [29], “Papa”.

Card on leaf [30], "From Mama 1878".

Card on leaf [30], “From Mama 1878”.

The last Valentine’s Day card in the album is the real coup de grâce. This unattributed card has it all: bright colors, frills, real lace ties, printed flowers, an intricate daisy border, and inside, a sickeningly sentimental segment of poetry taken from Thomas Hood’s I love Thee! (also unattributed):

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Card at top of leaf [40]

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Though Valentine’s Day cards have changed a lot in style since the Victorians shared them with friends and family, we have them to thank for the perfecting the mass production of cards and promoting their distribution.

If you still haven’t gotten a card for your sweetie, I hope you can draw some inspiration here for a last-minute tribute.

Happy Valentine’s Day from Cotsen and Beatrix Potter!

 

Made for Friends: A Manuscript Deck of Cards Featuring Potter’s Hunca Munca and Princess Margaret

Some children are lucky enough to know an adult with the skills to make them special toys and games.  Sometimes those objects survive against the odds are offered to lucky curators. This little set of Schwarzer Peter cards (a Continental variation on Old Maid)  is just one such find.    It has twenty-seven instead of the usual fifty-two cards, but it seems to be complete because it fits perfectly in the blue box.  The lid has an illustrated title label in German that reads in English: “This game of Black Peter was painted for her dear friends Ernst and Anneliese Grossenbacher in St. Gall.”  It is signed Gertrud Lendorff, who just might be the Swiss art historian from Basel (1900-1981).

The cards cannot be earlier than the 1930s: one of the pair with the Union Jack in the upper left hand corners shows “Margaret Rose aus England.”  Margaret Rose, a little girl in a blue coat and hat with a green scarf, must be the late Princess Margaret (1930-2002), Queen Elizabeth II’s sister.

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A famous character from children’s books also makes an appearance here: Beatrix Potter’s Hunca Munca from The Tale of Two Bad Mice, identified only as “nach einem Englischen Kinderbuch,” that is, “from an English children’s book.”  It’s amusing that the illustrations of Hunca Munca  were redrawn from ones where this bad little mouse was behaving well relatively well.  My guess is that  little Grossenbachers for whom Lendorff made the cards might have been reading The Tale of Two Bad Mice in German translation.  But perhaps Lendorff was introducing them to a childhood favorite of her own. The cards don’t provide any clues about the circumstances in which they were made or how they were received, but they are testimony to Potter’s appeal outside her homeland.

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Most of the cards illustrate toys made of porcelain, clay, celluloid, and wood, such as Hansli and the matryoshka doll Tatyiana and her five daughters below.

swiss_cards_babtanddollsOne thing we find unacceptable today is Lendorff’s inclusion of toys that perpetuate offensive stereotypes.  The title label depicts a black baby doll and Lendorff’s model might have been a Heubach bisque character doll.  She redrew the same doll on the card with the caption “Der Schwarze Peterli! Nicht der Schwarze Peter!” [The little Black Peter! Not the Black Peter!].  It is an opprobrious caricature with unnaturally bright red lips.  But unlike some Heubach black baby dolls, it wears what looks like a knitted onesie instead of some spurious form of “native dress.”

covertitle The “Schwarzer Peter”—that is, “Black Peter”–mentioned on the title label is the name that the Old Maid card goes by in German, Danish, Swedish, Hungarian, and Finnish.  The card with Black Peter is the hot potato that all the players try to get rid of as quickly as possible so it won’t be in their hands at the end of the game.  In this particular set, the Black Peter is depicted offensively as a black rag doll (possibly inspired by Florence Upton’s famous character, the Golliwog) instead of the more usual chimney sweep.

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The Black Peter card in the manuscript Schwarzer Peter deck. Cotsen in process item 6541473

In spite of the unpleasant images, this card set is a fascinating addition to Cotsen’s collection of manuscripts made for children over the last three hundred years..

See more Beatrix Potter at the Cotsen virtual exhibitions page