Iona Opie’s Babies: An Unsentimental Anthology (1990) Illustrated by Bob Graham: Mewling, Puking, and Pooping

 “A baby is God’s opinion that the world should go on.”

Carl Sandburg, Remembrance Rock (1948), chapter 2.

At first the infant, Mewling and puking in his nurse’s arms.”

Shakespeare, As You Like It, (1599),  II. vii.

One of the above didn’t make the  cut in Iona Opie’s anthology of poems, songs, quotable quotes, and anecdotes about the less admissible feelings babies inspire in new parents, siblings, the childless, and anyone who wonders momentarily if it wasn’t all a huge mistake.

It may come as a surprise to those who revere the monumental works of scholarship on the oral culture and lore of childhood Iona Opie co-authored with her husband Peter, that she did not labor under the illusion that normal boys and girls trailed clouds of glory as a matter of course. Much closer to the mark is this wonderfully succinct characterization of young human beings in the  Lore and Language of Children (1959) as “the greatest of savage tribes.”   This volume was not intended for seekers of sticky-sweet, inspirational sayings for baby shower invitations or birth announcements: it is for someone walking the floor with a colicky infant or anyone who has changed one too many diapers in one morning—the people on the front line of childcare day in and day out those first five exhausting years. And, I suppose, those who survived the experience, still love their children, and can laugh about it.

Cotsen recently acquired sixty-eight of the pen-and-ink and wash drawings by Australian illustrator Bob Graham, recipient of the 2000 Smarties and 2002 Kate Greenaway awards and a 2012 nominee for Hans Christian Andersen Award, executed with glee for Iona’s least-known and funniest work about childhood, which is a particular favorite of mine,   An added bonus is a three-ring binder containing Iona’s typescript of an interim version of the manuscript.

Here are some of Graham’s droll drawings and the selections (or excerpts) they accompany.

Paternal disillusionment

Needles and pin, needles, and pins,/ When a man marries his trouble begins;/ Blankets and sheets, blankets and sheets,/ When a man marries he’s bothered wi’ geits [children]

Traditional

Paternal schizophrenia

Thou enviable being!/ No storms, no clouds, in thy blue sky forseeing,/ Play on, play on,/ My elfin John!/ Toss the light ball—bestride the stick–/ (I knew so many cakes would make him sick!) With fancies buoyant as the thistledown,/ Promptin the face grotesque, and antic brisk/ With many a lamblike frisk–/ (He’s got the scisssors, snipping at your gown!)/  Thou pretty opening rose!/ (Go to your mother, child, and wipe your nose!)/ Balmy, and breathing music like the South,’ (He really brings my heart into my mouth!)/ Fresh as the morn, and brilliant as its star–/ (I wish that window had an iron bar!)/ Bold as the hawk, yet gentle as the dove–/ (I tell you what, my love,/ I cannot write, unless he’s sent above!)

Thomas Hood, “Parental Ode to my Son, Aged Three Years and Five Months,” Blackwood’s Magazine, Feb. 1837.

An Old Bachelor’s Meditation

What a lot of nasty little ugly babies in the streets,/ Being wheeled about in those confounded little chairs one meets!/ I mean those Perambulators, pushed by stupid, careless, blind,/ Lazy dawdling, idle, addle-headed servant girls behind./ Litte screaming chits of creatures, little wryfaced roaring brats,/ With their little absurd bows and feathers in their silly hats,/ Foolish little coats and jackets, flimsy little fancy frocks:/ Chubby faces, turned-up noses, and preposterous curly locks! 

“Perambulators and Pedestrians or, Mr. Crosswig’s Annoyance”

Toilet-training: The victim’s view

Who took me from my nice warm cot,/ And sat me on the cold cold pot/ Whether I wanted to or not?/  My Mother.

A parody of the classic19th-century poem on female self-sacrifice by Ann Taylor, “My Mother.”

Learning from mistakes

Once the pixies stole a baby,/ But it’s only fair to say/ That they very soon returned it,/ And on the very self-same day: /Who blames ‘em? 

Anon. Recitations, ed. B. Heitland, 1919.

At least they are adorable some of the time…

Alligators Everywhere in Alphabets

If few people consider cold-blooded beasts cuddly, how can authors and illustrators of children’s books make them more appealing?  Last summer, the blog ran a post to try raising the profile of reptiles with a selection of picture books starring crocodiles and alligators—mostly with their jaws open wide, which may not have helped the cause.  No alphabet books were included for lack of space, so this post will try to remedy the omission and feature with one by the master Maurice Sendak and another by a promising newcomer, Emma Ward, a 2021 graduate of Kendall College of Art and Design in Grand Rapids, Michigan.

Sendak’s Nutshell Library (1962) consists of a cautionary tale (Pierre), a counting book (One Was Johnny), a song about the seasons (Chicken Soup with Rice), and an alphabet (Alligators All Around) in an illustrated slipcase, which retains its charm after all these decades.   Alligators is probably the most rumbustious of the four volumes, although no one gets eaten for being disagreeable.

A family of three properly clothed alligators have so many noisy, silly things to do on land that they never go near  water. The whole family wears wigs and pretends to be lions.  Father and son fool around standing on their heads, riding reindeer and imitating Indians (casual disrespect of Sami and Native American peoples).  The alligator boy juggles jellybeans, draws on the walls, skips naps, and throws tantrums, confirming the sad truth that his parents have spoiled him so rotten that occasionally they have to nurse headaches in bed.   This being written at the very beginning of second wave feminism, dutifully domestic Mother boils a huge pot  of noodles for her little boy and graciously passes the paper bag of peanuts to the lady elephant visiting for tea.

Doris’ Dear Delinquents (2021) is a brood of twenty-six gharial crocodiles, the endangered fish-eating Indian species, fancifully imagined but accurately drawn by Emma Ward with the characteristic long, narrow snouts and spiny teeth. She has carefully dressed the babies in onesies, tee-shirts, dresses, and shorts that can accommodate thick meaty tails. Mother Doris is draped in a decidedly unfashionable maxi-shirtdress with lace collar and cuffs topped with a little hat that ties under the chin.

 Sendak’s mummy alligator gets in on some of the fun, Doris only gets to contain the chaos on shore.  There seems to be no getting around the temptation to fixate on crocodilian maws when inventing mischief they might  get in to.    Eventually Doris delegates the task of wearing them out swimming to Dad, who makes his first appearance wearing a natty bowler in the last opening.  True to life, the little gharials pile up on dad’s head and back to sun themselves.  Somewhat confusingly, Doris is on hand to help, even though the text says she will relax while they all are out.Imaginary reptile families, no matter how uninhibited, seem to be ruled by patriarchal dynamics!