Making Sculpture with Matches: A Cure for the Summertime Blues

The Cotsen Curatorial Blog is going on vacation until August 7th, but a golden oldies will be run once week to help keep away the summertime blues…   The first in the series offers ideas for some safe and sane projects that can be made with safety matches.

Dog days are here. It’s so hot and humid that all kinds of mushrooms are popping up in the grass, but that’s no reason for being bored and out of sorts waiting for school to start! There are zillions of great crafty ideas in the collection of activity books in the Cotsen Children’s Library.

paulinchenSome people can’t resist playing with matches, like Heinrich Hoffmann’s Paulinchen, shown at the left. If she had lived to adulthood, perhaps she would have discovered the creative potential of the match as a building material. Constructing things with matches is a much safer way to have fun with them, although it is possible to dream up projects that require considerable outlays of time and money, plus studio space. All the replicas of famous buildings below were made entirely of matches by retired British carpenter Brian Wherry.

article-0-14D81796000005DC-125_634x409Twentieth-century activity books for children feature many doable projects creating little sculptures from matches and found objects. Three of my favorites are beautifully illustrated books from Denmark and the Soviet Union published during the early 1930s. This Soviet pamphlet by Eleonora Kondiain offers wordless pictures for making things out of acorns and matchsticks. About all that is needed is a table top and a jack safeknife.

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Getting started. Eleanora Kondiain, Zheludi I spichki [Acorns and Matches] Leningrad: GIZ, 1930, p. 3 (cotsen 18308)

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Acorn and matchstick piggies from Eleanora Kondiain, Zheludi I spichki, p. 5. Cotsen also has Kondiain’s little book with instructions for making a doll from straw and for whittling a stag from a twig.

Matches can be stuck in potatoes for the same purpose too, although it raises the question whether perfectly good food should be used this way… Kuznetsov’s illustrations of the match-potato sculptures make it look as if anything done to the potato is completely reversible before peeling, cutting up, and popping into a pot of boiling water. Would anyone care if the vegetables had been part of a cat or equestrian figure a little while before dinner was put on the table?

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A sculpture of potatoes, matches, string, etc. I. P. Meksin, Kartoshka [Potato] illustrated by K. V. Kuznetsov. Leningrad: GIZ, 1930, p. 7 (Cotsen 21419). Opinion in the office was divided as to whether the animal being ridden is a bull, a reindeer or a donkey. Or none of the above…

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This is clearly a cat. Meksin, Kartoshka (1930), p. 4.

The really ambitious crafter can build backdrops so the figures can be arranged in tableaux. For inspiration, look at the scenes E. Fetnam created and Kay W. Jensen captured on film in Nodder and Propper [Nuts and Corks]. The cover design makes delightful use of matches and mixed nuts…

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A kangaroo family conversing in E. Fetnam’s Nodder og Propper. Copenhagen: Wilhelm Hansen, c.1933, p. 29 (Cotsen 95045).

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Now can you make this friendly ladybug without instructions?

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To see more activity books in the collection, check out Cotsen’s virtual exhibition about the Pere Castor books

Remembering Henry Martin, ’48, the Genial Humorist, 1925-2020

Yesterday we received the sad news that Henry Martin, ’48, New Yorker cartoonist, had passed away just a few weeks shy of his ninety-fifth birthday.  My colleague Julie Mellby posted this lovely tribute to Henry, who was a generous donor to Graphic Arts.  He was also one of the first to make a gift to Cotsen after it opened its doors in Firestone Library.  He was cleaning house and asked with his characteristic tact and wide smile if Cotsen would be interested in having the artwork for a Golden Book that he’d collaborated on with his daughter Ann.  I’d grown up chuckling over his New Yorker cartoons, but had no idea he’d ever created a picture book, much less one about moving, a subject that gives librarians the shakes.   It was altogether appropriate that Henry’s gift was honored at the close of the collections move during the Firestone Renovation.  Today we’re rerunning Ian Dooley’s 2015 post in memory of Henry, whose work was a reminder that humor need not always sting deeply to make us laugh and learn.

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Front wrapper, in process item 6540798

To celebrate the very early end of our recent department-wide collections move, we thought it would be fun to post about an item from the collection that’s all about moving.

Moving Day in Feather Town (1989) is a heart-warming picture book written by Ann M. Martin and illustrated by her father Henry Martin about two chickens, Fran and Emma, who decide to switch houses.

Ann’s name might sound familiar because she’s the author of the first 35 novels of the beloved “Baby-Sitters Club” series and the 2003 Newbery Medal award winner, A Corner of the Universe. Henry Martin is one of the famous New Yorker cartoonists and creator of a long running comic strip “Good News/Bad News,” among other things. Perhaps less known is that Ann happens to be a Princeton native and Henry a member of the Princeton University class of ’48 and donor to the Graphic Arts collection in Special Collections.

The Princeton connection explains why the Illustrator very kindly gifted his original artwork for the book to the Cotsen collection. So today I can not only show you some of the highlights of this story, I can showcase aspects of the production of the work as well.

Original artwork for the front wrapper

Original artwork for the front wrapper, Item 6540798, (notice the addition of a blue background to the published work)

The story Begins with a frustrated Fran and Emma waking up in their respective homes:

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Page spread of [1] and [2]

They’re both so envious of the other’s house and just sick of their boring old places!So they have they a great idea: swap houses!

And they both get excited and packed up and ready to move. But before long they both get cold feet. Unfortunately, neither has the heart to admit it to their friend. So they both decide to go through with it instead, on the day of the big parade no less:

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And with heavy hearts, and all the items in the house packed away, each prepares her respective final act in the home:

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Page [12]

But much to their mutual excitement, the two moving chicken friends get caught in the very parade they thought they’d miss. They even run into each other during the festivities:

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Page spread of [18] and [19]

Page spread of [18] and [19] galley (Notice how the original boarders have been clipped during production)

Page spread of [18] and [19] original artwork (Notice the absence of text and how the original boarders have been clipped during production)

Unfortunately they run into each other a little too literally and disaster strikes:

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Page [19] original artwork

Page [20] original artwork

After all the commotion and confusion the pair are distraught and fear that they will never be allowed to join the parade again. Emma finally admits that she doesn’t want to move, and Fran is relieved at feeling the same. The friends part in happiness and return to their original houses:

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Well so much for Fran and Emma’s move . . . but it all worked out in the end!

Our move to new vault space in Firestone Library, on the other hand, was much more necessary and much more efficiently handled. Not one crash!

***We’d like to thank the hard work and dedication of the CDTF team (you know who you are) and the Clancy-Cullen movers for doing such a great job.