Quotable Quotes from Kingsley’s Water-Babies

Front board, Cotsen 15234

Front board of The Water Babies. [London: Hodder and Stoughton for] Boots the Chemists, [1919] (Cotsen 15234), with design of Tom the water baby enjoying aquatic sports.

A revered professor in the UCLA English Department used to say that when a person could rattle on confidently about a book–preferably an uncontested masterpiece like Hamlet or Ulysses–without having ever cracked it open, only then could the degree of  Ph.d be conferred.

Charles Kingsley’s The Water-Babies (1863) is one of those books I expected to fake for the rest of my unnatural life.   When asked to serve on the advisory board of the Grolier 100 Books Famous in Children’s Literature project I did not confess my ignorance, knowing that Brian Alderson would wrangle The Water-Babies entry, having edited the Oxford World Classics edition.   This month I was finally obliged to fetch the book from the basement, where it had been languishing for some time, and read it from cover to cover  without benefit of pictures, either.

Page 17, Cotsen 39124

Page 17, The Water-Babies. London: Philip & Tacey, Ltd., [1955] (Cotsen 39124). Tom was a chimney sweep before being transformed into a water baby. Here he stumbles into a village school, where he sees for the first time children working at their lessons.

I’m happy to say that The Water-Babies lived up to its reputation as one of the most peculiar children’s books ever written and some of the passages about the rearing and educating of children are worth sharing.  All quotations are from the 1995 Oxford University Press paperback edited by Brian Alderson, of course.  If you have a tender stomach, Kingsley’s indelicate sense of humor may not be your cup of tea.

Here is the hideous and not entirely benign fairy Mrs. Be-Done-By-As-You-Did, who visits the water-babies on Fridays. When pleased with them, she gives “them all sorts of nice sea-things–sea-cakes, sea-apples, sea-oranges, sea-bullseyes, sea-toffee; and to the very best of all she gave sea-ices, made out of sea-cows’ cream, which never melt under water.”

[161] Tipped-in plate, Cotsen 15234

[161] Tipped-in plate of Mrs. Be-Done-By-As-You-Did by Jessie Willcox Smith, (Cotsen 15234)

The real business of the day is to “call up all who have ill-used little children, and serve them as they served the children….And first she called up all the doctors who give little children so much physic (they were most of them old ones; for all the young ones have learnt better, all but a few army surgeons, who still fancy that a baby’s inside is much like a Scotch grenadier’s), and she set them in a row; and very rueful they looked, for they knew what was coming.

And first she pulled all their teeth out; and then she bled them all round; and then she dosed them with calomel, and jalap, and salts and senna, and brimstone and treacle; and horrible faces they made; and then she gave them a great emetic of mustard and water, and no basons; and began all over again; and that was the way she spent the morning” (Chapter V, p. 109).

This second excerpt is less savage, unless you happen to be in the children’s book publishing business.  During his journey to the Other-end-of-Nowhere, the hero Tom visits a number of remarkable places.

“And first he went through Waste-paper-land, where all the stupid books lie in heaps, up hill and down dale, like leaves in a winter wood; and there he saw people digging and grubbing among them, to make worse books out of bad ones, and thrashing chaff to save the dust of it; and a very good trade they drove thereby, especially among children” (Chapter VIII, p. 157).

Last but not least is an excerpt from Tom’s sojourn in the Isle of the Tomtoddies:

“And when Tom came near it, he heard such a grumbling and grunting and growling and waiting and weeping and whining that he thought people must be wringing little pigs, or cropping puppies’ ears, or drowning kittens: but when he came nearer still, he began to hear words among the noise, which was the Tomtoddies’ song which they sing morning and evening, and all night too, to their great idol Examination–“I can’t learn my lesson: the examiner’s coming!”  And that was the only song they knew….

Then he looked round for the people of the island: but instead of men, women, and children, he found nothing but turnips and radishes, beet and mangold wurzel, without a single green leaf among them, and half of them burst and decayed with toadstools growing out of them.  Those which were left began crying to Tom, in half a dozen different languages at once, and all of them badly spoken, “I can’t learn my lesson; do come help me!”  And one cried, “Can you show me how to extract this square-root?”  And another, “Can you tell me the distance between Lyra and Camelopardalis?”  And another, “What is the latitude and longitutde of Snooksville, in Noman’s County, Oregon, US?” (Chapter VIII, p. 165)

Page 202, Tomtoddies vignette, Cotsen 34543

Harold Jones’s illustration of the Tomtoddies imploring Tom to stop and help them. Page 202, The Water Babies. London: Victor Gollancz Ltd., 1961 (Cotsen 34543)

This post may squelch most people’s desire to read Kingsley, but perhaps a few will be curious to dip into a story dubbed by its author as “all a fairy tale and only fun and pretense,” that was one of the great children’s best-sellers of all time.  It’s never too late for a Kingsley revival???  For more babies who love the water, take a look at the exhibition https://blogs.princeton.edu/cotsen/tag/water-babies/

Page 15 vignette, Cotsen 15234

Tom talking to his friend the lobster as imagined by Jessie Willcox Smith. Page 15 vignette, (Cotsen 15234)

 

 

 

 

 

 

 

A Nigerian Thorn Carving of a School Room

Cotsen 36485, 7.3 x 14 x 18.7 cm.

Thorn carving of a classroom in Nigeria. [Nigeria, ca. 1997] (Cotsen 36485), 7.3 x 14 x 18.7 cm.

Above is a classic example of a modern Nigerian thorn carving from the early 1990’s. Made principally by the Yoruba people since the 30’s, these miniature folk art pieces (sometimes more appropriately referred to as “tourist art” depending on their intended market) usually feature scenes and aspects of everyday Nigerian life. This particular carving depicts a classroom scene where diligent pupils are learning their ABC’s.

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The thorns used for these carvings come from 2 varieties of trees: the ata tree and the egungun tree. The thorns grow up to 5 inches in length and their relative suppleness makes for easier carving. They come in three colors: cream, rose, and brown; all three of which are exhibited in our little classroom scene. Though the carving above is mostly composed of recycled wood, the thorn wood provides the color and life of the piece.

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Classroom scenes of all sorts are a collection interest of our benefactor Lloyd E. Cotsen. We find them all over the collection, in all sorts of mediums. For the occasion of Mr. Cotsen’s 75th birthday we published Readers in the Cotsen Children’s Library (Princeton : Cotsen Children’s Library, 2005). This accordion style pamphlet (available here in the gallery) included one such memorable classroom scene from our collection:

page 22, reproduction of Oranges and lemons : a book of pictures and stories for children (Cotsen 22656, page 18)

page 22, reproduction of Oranges and lemons : a book of pictures and stories for children. London: Ernest Nister, [not after 1907] (Cotsen 22656), page 18

If your thirst for classroom-related material is still unsatiated, I’d recommend Jeff Barton’s blog post: School Days in Children’s Books about depictions of school scenes from 18th- and 19th-century children’s books.