Catalogue of the Cotsen Children’s Library: The Nineteenth Century Published!

From A, Apple Pie to Werkstätten von Handwerkern, with almost 6370 titles in between…

The History of the Apple Pie: Illustrative example for the letter X.   Before X-rays came along, the letter X often posed challenges for illustrated alphabet examples. Ever hear of a Xiphias?

Remember the old children’s riddle: “What’s black and white and read all over?”

The answer, of course, is “a newspaper,” and the riddle is based on the possible confusion between between the homophones, “read” and “red” when spoken, an ambiguity that’s completely lost in print (or online).

Children love riddles, and traditional oral culture is full of riddles and verbal puzzles.  That’s one reason why any number of Cotsen Library children’s books contain riddles, along with other word-games and puzzles.  A quick keyword search of Princeton’s library catalog for “riddle” and “Cotsen” turns up over 400 matches: from the 1690 Whetstone for Dull Wits: or, a New Collection of Riddles, for the Entertainment of Youth (Cotsen #35473), to the 1756 Food for the Mind, or, A New Riddle-book: Compiled for the Use of the Great and the Little Good Boys and Girls in England, Scotland, and Ireland (Cotsen #5374), to the 1955 Cai Mi Yu (Solving Riddles). (Cotsen #70304), with many other titles, from various eras, issued in a wide variety of countries.

The two-volume Catalogue of the Cotsen Children’s Library: The Nineteenth Century (Princeton, 2019), with its lavender, gilt-stamped cloth covers.

In the spirit of riddling, I’d like to pose one to you, the reader.

What published title lists and describes 6,370 nineteenth-century children’s book titles, comprises 1175 pages in two large, folio-sized volumes, and features over 270 brightly color-printed illustrations?  (Hint: it’s pictured at the right…)

The answer?  The recently published (January, 2019) two-volume: Catalogue of the Cotsen Children’s Library: The Nineteenth Century.  The books selected for inclusion in this descriptive catalog and the illustrations accompanying them seek to highlight nineteenth-century children’s books that have particularly-striking illustrations, books featuring work by especially renowned illustrators or engravers (John Tenniel, Kate Greenaway, Walter Crane, Randolph Caldicott, or Edmund Evans, to name but a few), or books exemplifying the range of illustration processes in this important period in terms of both graphical style and technological developments (from hand-colored woodblocks or engravings to chromolithography).

Page 1 of the Catalogue: A a B c d e f ff g, A Apple Pie, and off we go…

Arranged both topically and alphabetically, titles in the two catalog volumes run from, A, Apple Pie to 30 Werkstätten von Handwerkern: nebst ihren hauptsächlichsten werkzeugen und fabrikaten; mit erklärendem texte, with more than 6300 entries in between, each described in considerable bibliographic detail, using the catalog records in Princeton’s online library catalog as the basis.

With the publication of two Nineteenth Century volumes (A-K and L-Z), these volumes join the two previously-published Twentieth Century volumes (2000 and 2003) and the printed Cotsen Catalogue now provides coverage of publications held by the Library from both the 19th and 20th centuries.  A final, two-volume printed catalog of Cotsen’s holdings from the incunable era through 1799 is now in the works.

For more information about the printed Cotsen Catalog volumes, including information on how to order these magnificent books, please visit the Oak Knoll Books website.

Endpapers from the 19th Century Catalogue, designed by Mark Argetsinger using illustrative examples in Cotsen ABC books.

 

Straight Line Designs Makes Cotsen a Flying Monkey

With the polar vortex fast approaching, time for something heartwarming!  There is something new in Bookscape to look for when you next visit.

Here’s the story.   There was a small disaster shortly after we moved back into Cotsen this April.  Without any warning, the mast and sails of the pirate ship sailing across the Kite Wall collapsed and fell to the floor.  No one was hurt, thank heavens… The bad news was that our Jolly Roger was past repair.  The good news was that we would have to work with our good friends at Straight Line Designs in Vancouver, Washington to create a new figure.

It would be a monkey flying on a magic book.   We talked and Judson sketched. The wind-blown hair was Minjie’s inspired idea.  Dana’s suggestion that the monkey would  ride cross-legged so he wouldn’t fall off taking sharp turns in mid-air was adopted as work progressed.

Pattern pieces for all the parts…

Danielle hard at work carving the monkey out of a special kind of Styrofoam that is light but strong and can be painted.Several color schemes for us to consider, none of which seemed quite right.

 Danielle convinced us that the monkey really wanted to be purple.  Andrea talked her into a rosy pink for the fly book’s boards.

A special crate was built to ship the monkey to Princeton and he arrived safe and sound exactly twenty-four hours behind schedule.  But It takes more than that to stop Judson and Danielle from installing a purple monkey on time.  Danielle got on her hands and knees to make a tracing so that monkey would be placed perfectly on the wall, right where the pirate ship had been.

Attaching him to the wall wasn’t as easy as Danielle is making it look here. This was taken before she discovered that it was going to be necessary to drill through metal to secure the figure so it wouldn’t fall down. 

Here he is, floating between the dragon and the fox.