This week when I was paging some manuscripts, I got distracted and made a discovery. I didn’t remember ever having looked at the materials on the shelf where the one manuscript to lives and stopped to peek into a few of the archive boxes on either side of it..
One of them was a eighteenth-century copybook that had been filled in between January and August 1733 by Jan Haverman, who lived in Amersfoort, a Dutch city on the river Een in Utrecht.
Jan Haverman’s signature on the leaf pasted down on the front marbled paper cover. [Copybook]. Amersfoort (Netherlands), 1733. (Cotsen 91631)
The woman with a cap and curls down her back on leaf 1. (Cotsen 91631)
Jan Haverman signed the bottom of every page he copied out, but did he have the control of the pen to have drawn the figures in the margins as well?
The man in the feathered hat on page 3. (Cotsen 91631)
The hissing snake on page 5. (Cotsen 91631)
The dancing dog on page 19. (Cotsen 91631)
The sly fox on page 21. (Cotsen 91631)
The clever ape on page 67. (Cotsen 91631)
The bird eating cherries on page 35. (Cotsen 91631)
Could Jan’s writing master been the creator of the fantastic people and creatures? Scholars who study the history of writing instruction often distinguish the parts in an exercise executed by the student and those the instructor corrected. But why would the master have done the drawings in the margins? Or is the hand that drew the illustrations that of Jan?
A sprig of flowers on page 27. (Cotsen 91631)
There ARE some blots, misformed letters, and wobbly lines on this page, so perhaps the figure in the margin here was intended as an incentive to do better next time!
