The Book of the Nineteenth Century • The Story of Labor

Recently acquired: Promotional poster (36 x 24 inches) for John Cameron Simonds,The Story of Manual Labor in All Lands and Ages. Chicago: R. S. Peale & Co., 1887, (‘C SOLD ONLY BY SUBSCRIPTION’), together with a copy of the book itself and a four-color advertising brochure.[Call numbers: poster (Ex Item 5875923), book (Ex Item 5876150), brochure (Ex Item 5876134)]

From the Preface:

“Of late, a change has overtaken the Muse of history. Interest has been awakened, not in the general, but in the soldier; not in the king, but in the subject; not in the noble, but in the peasant. Thoughtful men are now asking: What of the artisan ? What of the mechanic? What of the farmer?

… The minds of men are no longer bewitched by the genius of Napoleon Bonaparte; all eyes are now turned to the Third Estate, and that proletariat that shattered one of the most hoary and brilliant monarchies of Europe, and shook the political foundations of the Old World to the very center.

Our book is a response to this change in public opinion. But in this age of innumerable books, it may be reasonably asked: Why should this book be written? We answer: Because a similar book has not been written. It is the story of manual labor in all lands and ages. So far as known to the authors, there is not a similar book in the English language, and it may be said, indeed, in any language.”

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For three other pairings of subscription book promotional poster together with the book itself see:

‘So striking that it sells on sight’ • ‘The only non-sectional historical war adventure book’
[Book and poster for Deeds of Daring by Blue and Gray (1886)]

Life in Utah; or, The mysteries and crimes of Mormonism(ca. 1870) (WA) BX8645 .B3 1871 (book) and (WA) BX8645 .xL5e (poster)

History of the Donner Party: a tragedy of the Sierras (1879) (WA) Rollins 1636 (book) and (WA) Item 5868704 (poster)

Illustrated Guide • The Sights of London • For the Year of the Great Exhibition, 1851

Click here for a full PDF of this 4 page illustrated newspaper (page size 62 cm x 47 cm).


Recently discovered in an uncatalogued remnant acquired years ago by a now retired curator was this splendid

Illustrated Guide to the Sights of London … chiefly published to enable foreigners and country visitors to the metropolis to examine its general promenades — its national establishments — its places of popular resort and amusement— its public edifices and its historical curiosities in the short space of one week. It presents to the eye at a glance, and on a single sheet, a vivid panorama of all that is worth seeing. Strangers are recommended to make their starting point on the First Day from St. Paul’s Cathedral.”

Profusely illustrated with one large and 107 small wood engravings, this vade-mecum presents seven single-day walking tours. Clearly, what a vade-mecum sells is the perception of a system collected out of the old and new, the religious and the secular, the mythological and the monumental. It sells the means to an experience that the purchaser would not efficiently have otherwise. It was an ingenious invention, and in the hands of such publishers as John Murray and Karl Baedeker, it provided a steady-selling genre that defined contemporary publishing.

Lastly, observe at end of page 4: “Notice to Advertisers — All Illustrated Advertisements intended for the second and enlarged Edition of the ‘Guide to the Sights of London’ must be immediately
forwarded to the office, 49, Watling street; and as the number inserted will be very limited, the cuts or wood engravings should be confined to the average size.

London— Printed by John Such, of 29, Budge Row, Wailing Street and published by him and William Fitch, of 49, Watling Street, — by either of whom orders and Advertisements will be received.”

Call number: (Ex) ) Item 5833715 • Evidently unique in North America. One other copy known; it is held by the Guildhall Library, London.

A Look at Belle da Costa Greene

“Fifty Thousand Dollars for that Book!” Color-printed illustration by Alexander Popini published on page one of The World Magazine (New York), May 21, 1911.

Belle da Costa Greene, librarian of the Pierpont Morgan Library between ca. 1906 and 1948, began her library career at the Princeton University Library.

She started in either 1901 or 1902, depending on the source consulted. Received tradition is that she was the protegé of Junius Spencer Morgan, associate librarian from 1897 to 1909, who, in turn, arranged for her employment by his uncle, financier J. Pierpont Morgan. She began work for JPM in January 1906 and by 1907-8 she was referring to herself as ‘librarian’ (cf. Pierpont Morgan Library Archives, Morgan Collections Correspondence, 1887-1948, Call Number: ARC 1310, G. Gruel, L.).

Little documentary evidence of her work at Princeton remains, however, in the files of collector Morris Parrish (1867-1944) is the following 1934 letter from bookseller E.V. Maun to Parrish. Belle Greene’s unexpected physical characteristics were a source of curious questions from the white alpha males of the rare book world in which she worked. Even though the following is cited by scholar Heidi Ardizzone in her amply detailed biography of Belle Greene’s passage as a woman of color from “prejudice to privilege,” the letter is worth reading in full.


March 27, 1934
Dear Mr. Parrish:
At 11:30 this morning, I delivered the books to Miss Bella da Costa Greene and attach herewith a receipt for them, given at her instance and by her hand because she had visions of being snipped off by a taxicab when she went to lunch.
Miss Bella da Costa Greene is fortyish with brown hair and wears horn-rimmed spectacles. My first impression of her was that she looked bloated as if she had a touch of dropsy or perhaps drank too much, although she is not overly heavy and still not thin. She has a bulbous nose (perhaps caught from the numerous photographs of her patron, many of which hang, stand and lie about her office) and her skin must be very swarthy, for, she wore white powder which made her look kind of speckled gray, like the negro you see pouring dusty cement into the mixers on building construction jobs. She was dressed in a sort of classic garment of black velvet relieved here and there by bits of chartreuse lace. She has short, stubby fingers and chews her nails—to the quick.
Miss Bella da Costa Greene was very gracious and made an appointment to see me at 11:30. I was exceedingly flattered at my distinction when I heard her tell the operator upon several occasions that she was in conference with scholars and could take no calls. She brought out the Dickens that had been offered and pronounced an anathema upon all collectors.
They decided one day that the 1884 book was the first and then decided that the 1883 was the first and why should she bother her head about all of this business anyway. She did give you the distinction, however, of labelling [sic[ your books the best she had ever seen and they certainly were infinitely better than the ones she had. Hers were badly faded and the bindings were somewhat battered. Her 1883 copy was inscribed by Dickens on Dec. 17, 1893 and hence she could see no reason why anyone could see the 1884 book as a first and she was decidedly annoyed that any particular value was placed upon the Stave I—for such a little difference was of no specific import.
Miss Greene told me that she would like to see your library but that she could scarcely afford the time because she had to spend so much of her time with scholars. She hesitated a long time before writing to you, because she felt it was somewhat presumptious [sic] but finally bolstered up the requisite nerve.
She detailed a man to show me through the library and I spent considerable time in the manuscript vault, looking over the Dickens, Collins, Byron, Browning, et al.
I stopped in yesterday to see the dealer, Edward L. Dean and looked over what he had. His prices seemed quite fabulous and I doubt that there is much that would interest you. It is well that you keep him at postage distance or he will talk an ear off you. I went through his safe with him, heard all about his children’s croup and spent no more than 15 minutes there. He professes to be a close friend of A. Edward Newton and accuses his friend of creating artificial values for books by the media of his writings in magazines, etc. Dean also collected for Jerome Kern and says that Harry Smith has been taken to Arizona for his health.
I forgot to tell you that Miss Greene disapproves of your book covers and continued to protest about them even when I told her that they were used only to protect the books while I was transporting them. She would also like to meet Mrs. Maun and have her see the library some time.
I hope that this report of your New York agent is adequate and withal, comprehensive.
And I do thank you for the perfect week-end.
Very truly yours,
Ernest V. Maun

Source: C0171, Series 4: Parrish correspondence, box 22, folder 1

News briefs about related collections on campus


• Art librarian Sandy Brooke and art bibliographer Nicky Shilliam actively acquire rare books for the Marquand Library of Art and Archaeology. Each year they report news of their successes in the annual newsletter of the Department of Art and Archaeology. Their acquisitions build on more than 100 years of collecting, thanks to the generosity of many, but in particular Alan Marquand who provided the core collection and to a substantial endowment established under the family name. See their reports in

2010 Newsletter (pdf, 14mb)

2009 Newsletter (pdf, 15mb)

2008 Newsletter (pdf, 27mb)

2007 Newsletter (pdf, 12mb)

• Staff associated with the Manuscript Division have recently published Greek Manuscripts at Princeton, Sixth to Nineteenth Century: A Descriptive Catalogue, after years of preparation. It is a most substantial work with 250 illustrations, the majority in color. Copies are available from the Princeton University Press.

• Helene van Rossum has posted the first entry in a new blog on campus The Reel Mudd
Films and other audiovisual materials from the Mudd Manuscript Library

Exhibition catalogue Liberty & The American Revolution wins Leab Award




Liberty & The American Revolution: Selections from the Collection of Sid Lapidus ‘59
won the Katharine Kyes Leab and Daniel J. Leab “American Book Prices Current” Exhibition Award from the Rare Books and Manuscripts Section (RBMS), of the Association of College and Research Libraries, a division of the American Library Association. The catalogue took the honors for division one of the award competition’s five divisional groupings. Exhibition organizer and catalogue editor, Stephen Ferguson, received the award certificate on Sunday June 27, during the annual meeting of the American Library Association in Washington, D.C. The awards recognize outstanding exhibition catalogues issued by American or Canadian institutions in conjunction with library exhibitions, as well as electronic exhibition catalogues of outstanding merit.

Richard Noble, chair of the RBMS Exhibition Awards committee and rare books cataloger at Brown University, said of the catalogue: “The purpose of this catalog is succinctly put in [curator] Stephen Ferguson’s preface: ‘How does one gain … a sense of the past? Not only by experiencing books as physical objects, seeing them as readers of that day saw, felt, and handled them, but—through the extensive quotations from the books themselves found in this catalogue—by making them speak as well.’ This is, in essence, a catalogue of books and a book of quotations that trace the evolution, in a multiplicity of spheres, of the concept of ‘liberty’—a concept which it is all too easy to interpret ad lib. Whatever else the many books presented in this catalog may be about, the organization of the entries and passages quoted all address the question posed in the introduction by Sean Wilentz: ‘What are the boundaries of American liberty?’ The texture of these texts is itself a pedagogical device, a taste of the books. Pick it up and read it aloud to yourself and you realize that this is also a catalog of voices.”

For more on the awards, plus details of the division two Leab Award going to another Princeton University Library catalogue, Beauty & Bravado, see: http://www.americanlibrariesmagazine.org/news/ala/2010-rbms-leab-exhibition-award-winners

Teach Yourself Arabic — In Yiddish!

Author: Selikovitch, George, 1863-1926.
Title: Arabish-Idisher lehrer : ṿeg ṿayzer far di Idishe legyoneren in Tsiyon = Turjumān ʻArabi wa-Yahūdī / fun G. Zeliḳoṿits.
Edition: 3. oyflage.
Published/Created: Nyu Yorḳ : Sh. Druḳerman, 1918.
Physical description: 31 p. : ill. ; 23 cm.
Location: Rare Books: Oversize (Exov)
Call number: PJ6309 .Z444 1918

Rachel Simon, Senior Librarian and specialist for Middle Eastern languages in the Library, has just published “Teach Yourself Arabic — In Yiddish!” in the most recent MELA Notes: The Journal of the Middle Eastern Librarians Association. [For full text of the illustrated article see: sitemaker.umich.edu/melanotes/files/melanotes82complete1.pdf.] She details the fascinating story of Getzl (George) Zelikovitz (1863-1926), a linguistic prodigy born in Lithuania, educated at the Sorbonne, and served as an interpreter under Lord Kitchener in the Sudan. He settled in the United States in 1887. He remained in the US until his death, working chiefly as a journalist for the Yiddish press in New York and prolifically publishing fiction, poetry and works of scholarship. In 1918, he separately published in Yiddish an instruction book for learning Arabic — certainly a first of its kind and surely the sort of publication that could only come out of melting pot America.

According to Dr. Simon, “The introduction [of Arabish-Idisher Lehrer] explains the purpose and method of the book. Its goal is to teach colloquial Palestinian Arabic—namely, not literary Arabic—to Jewish Legionaries, settlers [kolonisten], merchants, tourists, learned people [maskilim], laborers in Palestine, and maybe even Hebrew teachers abroad. This aim and the target population dictated the method, structure, and style of the book: a practical teaching aid in Yiddish, so that following a short study period the student would be able to talk with Arabs.” (p. 4-5)

She concludes: “The book does make the student somewhat aware of Arab customs, but it reflects more Jewish and Western views and issues. Although it was intended to serve as a guide for Jews as to how to reach out to Arabs, it is more reflective of Western Jews, their beliefs, customs, and modes of expression.” (p. 14-15)

The Artists’ Fund Society of the City of New York: a recently acquired set of their sale catalogues, 1860-1889


Part of the story of the rising professional self-consciousness among American artists during the nineteenth century is the creation of art academies and associations. Following a model first set up in Philadelphia, artists in New York in 1859 set up “The Artists’ Fund Society.”

“The name of this association shall be ” The Artists’ Fund Society.” Its location, the city of New York. Its objects, the accumulation of a fund for the aid of its members in disablement, in sickness and distress, and the assistance of the widows, children, and families of deceased members.” —Extract from the Consitution, Article 1, Name.

Funds were raised chiefly by an annual auction of member’s paintings. More than twenty seven auctions were held between 1860 and 1889. The Library now has an extensive set of the catalogues for these sales. [Call number: (Ex) Item 5732011. At right is a clipping about the 1875 sale, laid into the catalogue for that year.] Many are priced by member David Johnson (1827-1908). Some has his comments. Such priced catalogues are a unique source for tracking changing art values, shifts in taste, as well as supplying raw data for establishing an artist’s oeuvre.

A brief history of the fund is given in the catalogue for the 26th sale (1886):

“After the death of Mr. Ranney, which occurred twenty-six years ago, his pictures were sold at auction, for the benefit Of his widow and children. A specific sum of money being required to relieve a mortgage on the house in which his widow lived, his brother artists determined each to contribute a picture to be sold with, the Ranney collection. To accomplish this end the business required an organization, and the necessary officers were duly appointed.

At the close of this generous act on the part of the artists-the pecuniary results being much larger than they had hoped. for-it was resolved to Continue the organization, in order to be prepared to meet any similar emergency in the future. Several plans by which the object might be effected were brought forward and discussed arid finally the one by which the ‘Artists’ Fund Society’ is now governed was unanimously adopted and in 1861 its charter was obtained from the State.

For twenty-six years the Society has been enabled-from the funds accruing from its annual sales-to afford relief in time cases of misfortune common to all classes of professional men. Since its commencement it has paid thousands of dollars to widows and orphans of deceased members, besides relieving many cases of actual need among the living.

The Society has three funds; the First for the widows and orphans of deceased members; the Second for the relief of members; and the Third a Benevolent Fund which is used to meet the wants of artists not members of the Society.

The first two funds are kept supplied by the annual sales of works contributed by the members. The third fund is made up by donations in pictures or money, from those interested in artists who have been unfortunate through sickness and other causes.

Mrs. A. T. Stewart, some years ago, donated to the Society $2,000 and Mrs. Edwin White, $1,000, which sums were placed to the credit of this fund, invested in U. S. Government bonds, yielding a small but sure revenue, which is judiciously administered by the Board of Control after favorable report by a regular ‘Visiting Committee.’ This Benevolent Fund is inadequate to meet the demands which are constant and increasing.”

Looking closely at 3½ inches of Thomas Jefferson’s Library



Three books from the Retirement Library of Thomas Jefferson are now held in Firestone: one came as a gift in the 1870s, another was presented in 1905, and the third gift arrived in 1944. Their journey toward Princeton began in Washington in 1829 when Nathaniel P. Poor auctioned the library formed by Jefferson during the latter years of his life.

At Monticello each book had a particular place in Jefferson’s bibliothecal scheme. Central to the scheme was his positing a continuum between book in hand and thought in mind. For Jefferson, mind entailed memory, reason, and imagination. These three faculties were, in turn, mirrored by human endeavors in history, philosophy, and the fine arts. Considered as an outcome of one of these endeavors, any book could be placed within one of these three classes or its sub-divisions. So placing it situated the book both in mind and on the shelf.

Now held at Princeton are auction lot numbers 236, 716, and 753. It’s extraordinary that these three gifts — each received decades apart — today form a pattern: the Library now has one book each from Jefferson’s three major classes.

• Memory / History is represented by


• Reason / Philosophy is represented by

• Imagination / Fine Arts is represented by


[Jefferson’s own handwritten entries in his 124 page library catalogue, now available digitally at the Library of Congress.]



Auction lot number in red crayon on front paste-down.



(Ex) 9825.380 • Inscribed by Professor Charles A. Young in 1860, who gave it to the Library in 1905.


Lot number in pencil; Bigelow’s inscription in ink.



(Ex) HB871.E93 • Purchased by Andrew Bigelow and sold at his sale in 1877 to a member of the Green Family of Trenton, NJ , who, in turn gave it to the Library in the 1870s.




(Ex)2767.1665 • Pencil note in back of volume 1 details sale of book in 1831. There are two slips of ms. notes initialed ‘V.S.’ and dated ‘Febr 12 [18]32’ mounted on two leaves in companion portfolio. Gift of Henry N. Paul in 1944.

Newly acquired: Cedid Atlas Tercümesi (Istanbul, 1803)


(Right) Curator John Delaney, holding front cover, remarks on the Atlas
to colleagues associated with the Near Eastern Studies Program: James Weinberger, Michael Cook, Sükrü Hanioglu, Michael Laffan, Svat Soucek.
[Photograph courtesy of William Blair]

(Above) Title page of the Atlas. [Call number: Historic Maps, item 5745136]

(Below) Detail of east coast in the map of North America.

Princeton University Library’s Department of Rare Books and Special Collections announces the acquisition of a rare Ottoman imprint, Cedid Atlas Tercümesi (New Atlas Translation). Printed in Istanbul in 1803 in an edition of just fifty copies, the Atlas is the first Muslim-published world atlas based upon European geographic knowledge and cartographic methods. The Library of Congress reports just seven extant copies in Istanbul, and it appears that there are only three others in the U.S.: Library of Congress [see LC’s announcement], the Newberry Library, and the John Carter Brown Library [see JCB’s note(item 30)]. These are the only known complete copies outside of Turkey.

The Atlas is based upon the General Atlas of the Four Grand Quarters of the World of William Faden, a copy of which was acquired by Mahmud Raif Efendi when he was a private secretary at the Ottoman embassy in London. While still in London, Mahmud Raif Efendi wrote a geographic work, İcalet (or Ucalet) ül-Coğrafya, in French. This 80-page geographical study was translated into Turkish, printed in 1804, and bound with the Cedid Atlas Tercümesi. This modernizing bureaucrat is also the author of Tableau des Nouveaux Reglemens de l’Empire Ottoman, a work describing military reforms undertaken in the empire. Princeton also owns a copy of this important work.

The purchase of Cedid Atlas Tercümesi was made possible by funds from two sources: the Rare Books Division and the Friends of the Princeton University Library. For more information, contact John Delaney (delaney@princeton.edu), curator of Historic Maps.

Book Trade Archive Deemed Dispersible: G. & C. Merriam Co., Springfield, Mass., 1830s-1860s

About two years ago, 19th century American book trade circulars, announcements, advertisements and such like ephemera started appearing on the antiquarian market. They all had one thing in common — they were originally once part of the 19th century business records and working papers of the successful American dictionary publisher G. & C. Merriam Co., Springfield, Mass. How and why did this happen?

The short answer, I am told, is that a branch of the Merriam family put them into the hands of a bookseller in Tolland, CT., the firm Eclectibles. Even though substantial, important parts of the company archives were already preserved in two major research libraries (Yale [GEN MSS 370] and the American Antiquarian Society[Mss. Dept., Mss. boxes “G”]), this trove was deemed dispersible. And, scatter it did. Here’s a list of booksellers who in turn hived off portions from the Eclectibles tranche: Peter Luke (New Baltimore, NY), Robert Rubin (Brookline, MA), M & S Rare Books (Providence, RI), James Arsenault (Arrowsic, ME), Lawbook Exchange (Clark, NJ), David Lesser (Woodbridge, CT), Between the Covers (Gloucester City, NJ), Bartleby’s Books (Washington, DC), Richard Thorner (Manchester, NH), Bookworm and Silverfish (Rural Retreat, VA), … (and others yet to be identified.)

Curators, historians, private collectors, and library donors have been following this dispersal. While it is not yet fully known where bits and pieces have come to rest, the following table summarizes institutional holdings:

• American Antiquarian Society – Adding Merriam items to its broadside collection, such as two items listed in its recent ‘2010 Adopt a Book’ catalog. See numbers 58 and 65.

• Dartmouth College Library — Richard Thorner, chair of the Friends of the Dartmouth College Library purchased and donated a small collection of Merriam material relating to Dartmouth. These can be discovered in the Library’s catalog by searching the terms “Charles and George Merriam” joined with “Dartmouth College”

• Princeton University Library — About 20 items, dating between 1834 and 1868, recently acquired, such as the 1854 circular pictured above. More items will be added. Holdings can be found by searching for “Merriam Company records” in the Library’s main catalog.

• Yale Law School — More than 30 items: “catalogues, invoices, book orders, prospectuses, and advertisements …[which] demonstrate Merriam’s importance to mid-nineteenth century legal publishing and the nature of the field at that time.” See: http://morris.law.yale.edu/record=b822176~S1

Even though the dispersal has proceeded briskly in the past two years, as of March 18, 2010, Eclectibles (Tolland, CT) had the following (to quote my notes):

“Business records relating to the G & C Merriam wholesale and retail book trade during the 1830s to the 1860s. Total of about 1200 to 1300 items, consisting of the following record groups:

1. Invoices, incoming printed circulars such as stock listings and trade sale announcements, covering letters for shipments, requests for consignments – all from publishers and booksellers from chiefly the major centers (Boston, New York, Philadelphia, Cincinnati) as well as from country locales such as Great Barrington, Mass. About 750 items in this group, distributed into 6 folders and 6 loose leaf binders. Folders and binders cover sub-arrangements such as: incoming records with publishers of children’s books, incoming records with San Francisco publishers such as Bancroft, incoming materials with southwestern US publishers, a notebooks of about 30 printed trade sales announcements chiefly from Bangs (NYC), etc.

2. Freight shipment receipts for payment by Merriam to various RR and steamboat firms. Such are still in docketed bundles. About 500 items.

3. Bills of lading incoming material, ca 75 items.”

Someday, I am hoping to report that this remaining, residual group has been acquired by a research library, thus preserving a remarkable asset for understanding American book history.

UPDATE – October 4, 2010 — Today, Eclectibles (Tolland, CT) reported that the tranche of Merriam material held by them has been acquired by the Beinecke Library at Yale University and is now in Yale’s possession.