Here’s a Ball for Baby

Cleaning house during the Firestone Renovation led to the discovery of treasures like this one.   To be truthful, Ian and I didn’t know what it was.  But it couldn’t be described more fully until we figured it out, taking advantage of the opportunities presented by internet searching to follow leads and make connections.

Cotsen 31857

Cotsen 31857

I’ve been working on processing collections material that needs to be moved out of a space that will be demolished during the renovation. Much of this material is unprocessed, otherwise under-described, or not accessioned. It’s been tedious work, but I’ve managed to blow the dust off some great items and uncover some diamonds in the rough.

One such surprisingly delightful item has been Baby’s Ball (pictured above), which I came across the other day. It’s a stuffed textile ball which includes a nursery rhyme accompanying 6 lithographed illustrations. The initial record for the item didn’t have much information. But after some careful sleuthing, Andrea and I were able to discover a lot about this Victorian baby toy.

Each illustration is accompanied by 2 descriptive lines of verse, one above and one below the image. We started our investigation when Andrea noticed that this nursery rhyme was vaguely familiar:

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“Here’s a ball for baby, nice and soft and round / here’s the baby’s hammer, hear the baby pound / here’s the baby’s soldiers, standing in a row / here’s the baby’s trumpet, hear the baby blow / don’t take the ball away, to make baby cry / here’s the baby’s cradle, to rock baby by”

At first, we found several versions of the rhyme on the web, but no attribution or history. It was most commonly referenced as a finger play, a nursery rhyme or other simple song that one also performs with hand motions. Itsy Bitsy Spider is probably the most familiar example. Frustratingly, though the song appears so well known, we couldn’t locate it in any of our reference books on early nursery rhymes.

But then we finally hit pay dirt! Andrea found that the original version of the nursery rhyme is attributed to Emilie Poulsson in her book, Finger plays for nursery and kindergarten (Boston : Lothrop Publishing Company, c1893) under the title “All For Baby”. This book, it just so happens, is in the Cotsen collection:

finger plays cover

Front cover, 86551


page 38


Page 39


Page 40

Though we were able to learn more about the ball’s verse by locating a related item from Cotsen’s own collection; this didn’t help use discover any information about the toy’s manufacture. That information came from a much less likely source: eBay.

While looking for information on our Baby’s Ball, I stumbled across an auction listing for: Antique Dated 1900 Art Fabric Mills Cloth Rag Doll BABY’S BALL Rare Uncut NR yqz. At first it didn’t look pertinent. But after scrolling down the page I realized that the item for sale was an original uncut cloth pattern sheet for the very same ball now in our collection. From this eBay listing, we were not only able to learn about the manufacturer and dates of the item, but that it was probably stitched together and stuffed at home, after the purchase of the uncut sheet.

Below, I’ve Included 2 pictures from that eBay listing for reference. But you can click on the link above to see the original listing which includes more pictures of the uncut sheet.

Uncut sheet for Baby's Ball

Uncut sheet for Baby’s Ball

Patent and manufacturer

Patent and manufacturer

We started with no information on a cute Victorian cloth ball and a vaguely familiar nursery rhyme. We ended up with a fully described Baby’s Ball (New York : Art Fabric Mills, 1900) which borrows (liberally) from a well-known finger play originally written by Emilie Poulsson in her book Finger plays for nursery and kindergarten, just 7 years before the pattern for the ball was patented. In short, it was a fun day at Cotsen doing research on collections material.

Purely for your edification, I’ve embedded a video performance of the finger play as well:

This video comes from the YouTube channel WCCLS Birth2Six, where a few more finger plays have also been acted out.


Schoolgirl Art from the Textile Collection

Cotsen 23630

There are not many samplers in Cotsen’s textile collection, but these three give you some idea of the variety there. This Scottish “butcloath” was made by Elizabeth McLallen in 1813.  She stitched the names of William and Katren Wodderspoon  just below the multiplication table 1-12 and filled up the space below with an urn, a stylized flower arrangement, a tree, and a symbol I don’t recognize in the lower the hand corner.  The border design seems to include a tea pot!

Cotsen 40689

American samplers have distinct regional styles and many examples that can be assigned to schools in particular towns by an expert.  There is no clue as to where the maker, fifteen-year-old Martha Andrew Arthur, might have lived or what school she may have attended.  She does date it to July 1833.  The upper third of the sheet has been filled with figures of angels, Jesus, and two girls presenting him with gifts of books or needlework.  Could they be Martha and her sister?  In the middle appears a poem “On this fair sampler does my needle write,” a favorite text for stitchery, addressed to her parents.  Below that are urns, exploding with flowers and at the bottom a field where a shepherd tends his sheep, while angels watch.  A border of flowers encloses all the figures.

Cotsen 27044, a colorful example of Berlin work, was made in Toluca, Mexico by Conception Castillo in 1856.  It reflects a shift in taste around the middle of the nineteenth century, from a naïve, figurative style of needlework, to bold, geometric patterns.  Apparently it the fashion didn’t take long to cross the Atlantic into the New World.

I’d be grateful for any information on these lovely examples of young ladies’ artistic expression!