Good Job! Reward of Merit Bookplates and Labels to School Children

If you know your Tom Sawyer, you probably remember the chapter where the hero swops the detritus in his pockets for any reward of merit tickets his mates have in theirs.  Tom reports to Sunday School, where he proudly presents his stash of tickets–nine yellow, nine red, and ten blue for a total of ten–to Mr. Walters and claims his prize, a Bible illustrated by Gustave Dore.

Did the Dore Bible also have a reward of merit bookplate pasted inside with a neat inscription noting that it was presented to Thomas Sawyer on the occasion of his having “warehoused two thousand sheaves of Scriptural wisdom?”  That detail isn’t mentioned by Twain, unfortunately.  Imagine the price that copy would sell for at auction!

No famous children owned any of Cotsen’s nineteenth-century British books with reward of merit plates . The British labels I’ll highlight here are not as heavily illustrated or color-printed like the better known American reward of merit tickets and bookplates.  The examples in Cotsen may be more modest, but are interesting as relics from particular schools.

A master at Mr. Clarke’s Academy at Enfield for dissenters presented one of Mrs. Wakefield’s tours to different parts of the globe to a pupil.  The names of the recipient and the teacher are written on the blue engraved label, but they are now so faded as to be very difficult to make out.  The signature at the head of the title page may be that of another owner.   Incidentally the poet John Keats was a schoolboy at Clarke’s Academy.

The Traveller in Africa. London: Darton, Harvey, and Darton, 1814. (Cotsen 52847)

(Cotsen 52847)

This neat little abridgment of Defoe’s Robinson Crusoe was given to a Master Trafford for excellent marks on his final Greek exam by his two clergyman teachers, who may have been private tutors like Fielding’s Thwackum and Square. The little manuscript plate has been carefully designed and elegantly calligraphed, perhaps in imitation of the engraved ones.

The Adventures of Robinson Crusoe. London: Printed for J. Harris, 1818. (Cotsen 20588)

(Cotsen 20588)

A full-length biography of Dick Whittington for young readers was thought suitable for presentation to Master Wilkinson of J. H. Abraham’s Milk Street Academy in Sheffield  late June 1816.  Milk Street was another dissenting academy with a good reputation. The master J. H. Abraham (1777-1846) was a Quaker. A member of Sheffield’s scientific community, he was among the first teachers in England to integrate modern science instruction into the curriculum.

The Life of Sir Richard Whittington… Harlow, Printed by B. Flower for M. Jones, 1811. (Cotsen 87156)

School masters might paste printed or engraved labels in the books they presented to good students, but some teachers personally inscribed copies.  A teacher noted that Miss Caroline Weston was receiving The Picture Gallery Explored, with the awe-inspiring frontispiece of a father and his three daughters taking in the canvases hung floor to ceiling, for “good behavior and attention to her studies in school.”   There’s not enough evidence in the book to even hazard a guess as to the location of the school, there having been several schools named “Albion House” in Victorian England later in the century.

The Picture Gallery Explored… London: Harvey and Darton, 1825. (Cotsen 83475)

(Cotsen 83475)

A recently acquired prize book from the 1890s bound in red calf stamped with the school’s arms shows that the practice of giving books to outstanding students had been reduced to a fine art.  The large printed reward plate states that Annie Rawbone of the upper third form received this adaptation of Josephus for getting first place in arithmetic with a mark of  93.  Annie’s school, which was founded in 1873, still exists today in a different location.

The Story of the Last Days of Jerusalem, from Josephus. London, Seeley, 1892. (Cotsen N-002512)

You can see more examples of rewards of merit in a post by my colleague Julie Mellby on her Graphic Arts blog!

Watch the Falsehood of External Appearances Revealed by an 18th Century Harlequinade

The Falsehood of External Appearances. [England?, 1775?]. (Cotsen 14167)

The irony of a harlequinade with such a title housed in a slip case covered with beautiful marbled paper isn’t lost on us. But that doesn’t make the actual content of the case any less externally impressive either! Probably published in England around 1775 by an unknown publisher, The Falsehood of External Appearances is that shows how the naked eye can not always discern the true state of people’s inner virtue and heavenly merit (or moral turpitude) from their appearance.  It’s a descendant of the Beginning, Progress, and End of Man first published in the mid-seventeenth century.

A harlequinade, so named because examples from the 1770s featured Harlequin, the comic stage  character, is created by pasting together two copper-plate engraved sheets, each with four illustrations. What distinguishes the harlequinade from other moveable books is that the top sheet is cut into eight separate sections which reveal the image on the sheet below when the  flaps of each section are lifted up (the harlequinade is also called a metamorphic, flap-, or turn-up book)Each subject is accompanied by a four-line verse caption, which usually end with instructions to turn the flaps and see the image below transformed.  Here the reader can see true natures of a rake, a wood cutter, a humble cottage, and a milkmaid revealed.

This very rare moral harlequinade doesn’t feature Harlequin in a contemporary stage production, but is nevertheless a finely preserved example both in form and content. A fitting medium for revealing the falsehoods of external appearances, click on the video below to see the true state of the characters shown above:

The hidden last verse of each panel cannot be easily viewed (the top flap is pasted very close to the text). So I’ve transcribed the final verse of each panel below:

Panel 1:

He’s chaind secure until a Shameful Death,/ Shall put a Period to the Villains breath,/ When all his knavery will be unfurld,/ And a vile monster quit an injur’d world.

Panel 2:

Complete & perfect is his peace of mind,/ And all his troubles leave no sting behind,/ Such ever will be honest Virtues fate,/ And such it’s sure reward be soon or late.

Panel 3:

Pure earthly Pleasures of each fort and kind,/ You at the mansion of the Just will find,/ Plenty smiles round them & their doors enfold,/ Treasures more precious far than Ophir’s gold.

Panel 4:

Thus merit shall to high distinction rise,/ And claim the highest blessings of the Skies,/ Respect shall on its footsteps still attend,/ And every worthy mortal be its Friend.