Puss in Boots and Friends on the Cat Walk

Charles Perrault, Contes de Perrault: Edition du Tricentenaire. Head piece by Joseph Hecht. Paris: Rene Hilsum & Cie, 1928. (Cotsen 60396)

What cat in children’s literature approaches the style of Dore’s Puss in Boots?  The turn-out of the extravagantly booted paws, the plumed hat, the tail floating in the air like a dancer’s arm all contribute to the air of effortless grace.

Charles Perrault, Les Contes de Perrault. Illustrated by Gustav Dore. Paris: J. Hetzel, 1862. (Cotsen 32595)

The equally fine ensemble by Harrison Weir for Puss is set off by a confident feline bearing.  No wonder the ladies find him irresistible.

“The History of Puss in Boots. With twenty-two pictures by Harrison Weir” in The Child’s Wonder Picture Book of Favorite Stories. London: Ward, Lock and Co., not after 1885. (Cotsen 95124)

The doe has eyes only for the noble lion, splendid in lace and velvet.  The pig in the admiral’s costume knows that he hasn’t got a chance.

Eduard Ille, “Der Maskenball der Thiere” in Munchener Bilderbucher nr. 36. Munchen: Braun & Schneider, ca. 1878. From the collection of Kurt Szafranski. (Cotsen 44329)

Tabbies are as alluring as the toms with the right hat and accessories.

My Grandmother’s Cat, or Puss in Boots. London: W. Darton jun., 1811. (Cotsen 20048)

“Tittums and Fido” in The Poll-Parrot Picture Book … with twenty-four pages of illustrations printed in colour by Kronheim. London: George Routledge and Sons, ca. 1878. (Cotsen 153481)

Of course, cats don’t need clothes to bring out their natural elegance (or ferocity), but illustrators love to dress them up anyway.

Nora Chesson, With Louis Wain to Fairyland. Illustrated by Louis Wain. London, Paris, New York: Raphael Tuck & Sons, not after 1905. (Cotsen 28339)

Good grooming is serious business for cats.

“The Cats’ Tea-Party,” illustrated by Harrison Weir in The Poll-Parrot Picture Book. (Cotsen 153481)

Or ought to be…

Cover design by Harry B. Neilson for The Jolly Fisher. John F. Shaw & Co. Ltd, not after 1913. (Cotsen N-002585)

For an awesome gallery of tigers, visit our virtual exhibition…  If you think dogs rule, we’ve got a post for you…

Pitching Pennies: Master Michel Angelo’s Juvenile Sports and Pastimes

Children pitching pennies against a wall in the school yard.

If you enjoyed “Cure for the Summer Time Blues” and “Stitching a Soviet Monkey,”  here is a third post featuring a children’s book with instructions for making playthings.   Master Michel Angelo’s  Juvenile Sports and Pastimes (London: T. Carnan, 1776) describes an eighteenth-century variation of pitching pennies, called “pitch in the hole” or “dumps.”   Like so many pastimes of this period, it involved gambling and part of its appeal was vying for the other players’ pocket money.

The game did not have to be played with loose change–dumps could be substituted for small coins.  So what exactly is a dump?   Merriam-Webster has only definitions for “dump” as a verb; for its meanings as a noun, other sources have to be checked.  According to the Oxford English Dictionary, a dump is “a roughly-cast leaden counter, used by boys in some games.”   A  little more detail is provided by Francis Grose’s Classical Dictionary of the Vulgar Tongue (1785): “Dumps are also small pieces of lead, cast by schoolboys in the shape of money.”

Chapter V of Juvenile Sports and Pastimes explains how to make these playing pieces needed for a rousing game of pitch in the hole.  First, the mold must be made.  Master Michel Angelo was very particular about the material: he prefered for a nice piece of limestone chalk, which was not as soft as clay or as hard as freestone.  For the inside of the mold, take a piece of chalk about the size of a penny, saw it in half the long way, and  polish the two sides.  The outside mold required a second piece of chalk three to four inches long.   The sides had to be smoothed with a stone moistened with water, then set aside to dry for two days.  When the mold pieces were dry, the dies for the dumps could be drawn the size of a farthing or half penny with a compass circles, and then the circles hollowed out with a flat-pointed knife.  The last step of making the mold was to cut the channels for the molten lead to pass through the dies.    The insider of the mold was supposed to look like this, with A being the opening into the chamber and B, C, and E being the dumps.

Juvenile Sports and Pastimes. 2nd ed. London: T. Carnan, 1776. (Cotsen 5356)

Master Michel Angelo encourages his readers to decorate the dyes with designs more ambitious than roughly drawn crosses.   He illustrates two of his own making, which featured portraits of his parents.  A dump this detailed may take a day to carve, but he assured his readers, the workmanship will be so admired, that people will be willing to pay as much as a basket of fruit or several books for a single one.  He boasted of having sold many.

Now to cast the dumps.  While the pewter is melting over a fire, place the two molds together and wrap them tightly with a wet cloth (the wet cloth was to minimize burns from handling the hold mold).  Grasp the molds in the left hand, hold them at an angle some distance from your body, and pour the molten lead into the mold with a ladle.  It looks to me as if Master Michel Angelo is not following his own instructions to the letter…

When the molds have cooled down, carefully remove the dumps with  the fingers, taking care not to scorch them.  Trim away any loose bits and smooth the edges with a file.  Te The boy in the illustration below from  Richard Johnson’s The Misfortunes of Tommy Careless, or the Misfortunes of a Week (London: E. Newbery, 1793) seems to be mass producing dumps on the kitchen table.

To conclude the chapter, Master Michel Angelo described the lottery, a new game of dumps he invented suitable for playing in wet weather when confined to quarters.  Unlike pitch in the hole, it is not supposed to be played for money.   He recommended playing it on a paved surface, which made it easier to draw the following diagram of the game board.

A knife is inserted in a crevice between one of the stones.  Each player has one turn to toss his dumps at the knife.  As the rules are complicated, I  will let Master Michel Angelo explain them in his own words: “If it happens to fall in any of the outer squares, the master returns him his own dump, and gives him another besides; it if settles in any of the next smaller squares, he then receives two; and if in the third smaller class of squares, he then receives three, exclusive of that which he chucked: but in either of these cases, if his dump touches any part of the lines which divide one square from another, he forfeits his dump; and if it touches the black square which surrounded the center square, he forfeits two others.  If he is so fortunate as to lodge his dump in the center square, he then receives his own and six others; but if his dump happens ever so little to touch the black square, while the greater half o his dump remain in the center, he not only loses his own, but forfeits six others.”

Ready? Steady, go!