Disabled Veterans of the Napoleonic Wars in Early 19th-Century Children’s Books

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James Gillray, “The Plumb Pudding in Danger.” London, 1805. The British Prime Minister William Pitt the younger and Napoleon carve up the world, represented as an enormous plum pudding, between them. ((GA) 2006.01303)

During the first two decades of the nineteenth century, the picture book came into its own in England.  This period of extraordinary fertility was dubbed “the dawn of levity” by F. J. Harvey Darton, even though it coincided with the Napoleonic Wars (1803-1815).  The protracted war with the French cast its shadow over English children’s books nevertheless.  An overtly militaristic school book like John Evans’ New Geographical Grammar (1811), described preparations supposedly being made in French port towns for the invasion of England.  The Naval Heroes of Great Britain: or, Accounts of the Lives and Actions of the Distinguished Admirals and Commanders who have Contributed to Confer on Great Britain the Empire of the Ocean (1806) contained accounts of martial valor that were supposed to stir up the desire to serve one’s country.

Other children’s books bear out the truth of the Duke of Wellington’s sorrowful observation that the only thing as sad as a battle lost is a battle won.  I can’t remember when I began to notice pictures of disabled veterans in Regency children’s books.  After the Battle of Waterloo, the sight of an old soldier with a cork or wooden leg must have been common in England.  Only  an high-born officer like Henry Paget, second earl of Uxbridge could afford a sophisticated prosthetic device to replace a limb shattered on the battlefield.

Some disabled veterans scraped together a living performing on the streets of London.   Billy Waters, an American-born freed slave, who fought in the British forces during the American War of Independence, became something of a local celebrity.  This is one of three pictures of Billy Waters I have found in Cotsen–the other two are in The Cries of London Drawn from Life (1823) and a book of London cries lacking a title page published ca.1821 by J. Bysh.

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Hodgson’s The Cries of London (London: Hodgson & Co., ca. 1824).

Pictures of amputees may be more common in children’s books issued by the Quaker firm of the Dartons and they may be an indication of  pacifist tendencies.  This one from My Real Friend is unusual for showing quite graphically the daily accidental humiliations to which an amputee had to endure.  The passage the picture accompanies follows.

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The title vignette for My Real Friend: or Incidents in Life, Founded on Truth. 2nd ed. corrected. London: W. Darton, 1812. The old soldier’s peg leg has gotten caught in the style. (Cotsen 459)

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Parlour Amusements. London: Printed for Dean & Munday, [not before 1820]. (Cotsen 4907)

Perhaps the most unusual sighting of a disabled veteran I’ve found so far is the frontispiece by R. Stennett for Parlour Amusements; or A New Book of Games and Forfeits (ca. 1820).  It shows a group of children playing the game of “Old Soldier” which is described inside.   One person is supposed to impersonate the impoverished veteran and notice how the boy has improvised a wooden leg from a pair of bellows.   The verse rules are followed with a model dialog between imaginary players to show how the process of questions and answers ought to play out.

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The game of “Old Soldier,” which also goes by the name of “Here Comes an Old Soldier from Botany Bay,” was played for almost a century in the English-speaking world.  Halliwell-Phillipps included it in Popular Rhymes and Nursery Tales (1849) under the title “The Poor Soldier.”   The second edition of Cassell’s Book of In-door Amusements, Card Games, and Fireside Fun described it as old in 1882, but didn’t speculate as to its probable age.  The 1901 volume of the Pennsylvania School Journal recommended “The Game of the Poor, Old Soldier” as an amusing one for small children in 1901, as did Grace Lee Davidson’s 1916 Games and Parties for Children.

This appearance in Parlour Amusements seems to be the earliest recorded and perhaps it is a relic of the Napoleonic Wars. The larger question is to consider what exactly such a game tells us about attitudes towards the disabled veteran during the nineteenth century. Here he seems to be treated simply as a character type that offers a good opportunity for dress up, rather than as a brave soul whose broken body  deserves respect as a symbol of patriotic service to his country.   Whatever its  meaning, the frontispiece of Parlour Amusements, along with the other illustrations shown here, offers a surprising glimpse into the impact of war on civilians.

Cotsen Research Projects: Fear Neither Hardship nor Death: Stories of Disabled Chinese Children in the Early 1970s

Note: The Friends of the Princeton University Library offer short-term Library Research Grants, awarded via a competitive application process, to promote scholarly use of the research collections. The text and images below were kindly provided by Melissa A. Brzycki, recipient of a 2015 Library Research Grant. She conducted research work with Chinese-language materials at the Cotsen Children’s Library for her dissertation project titled “Inventing the Socialist Child, 1945-1976” in August 2015. This essay reports her investigation of children with disabilities as portrayed in publications for young Chinese readers from the early 1970s, when publishing resumed after a hiatus during the first half of the Great Proletarian Cultural Revolution. Brzycki is currently a doctoral candidate of Modern Chinese History at the University of California, Santa Cruz.

Fear Neither Hardship nor Death: Stories of Disabled Chinese Children in the Early 1970s

by Melissa A. Brzycki

From 1970 to 1972, children’s magazines and storybooks in the People’s Republic of China featured stories about children with disabilities. These documents were products of a time when Chinese citizens experienced a re-establishment of order following the upheaval of the early years of the Cultural Revolution (1966-1976). The first two years of the Cultural Revolution included many student and worker uprisings, and revolutionary fervor in many cases devolved into factional infighting. These struggles brought China closer to a civil war than it had been in the nearly 20 years since the Communists and Nationalists had fought China’s civil war (1947-1949). In the early 1970s, many of the revolutionary policies of the Cultural Revolution were folded into state practices as state control and order was re-established.

Using the Cotsen Children’s Library’s extensive holdings of Little Red Guard (红小兵) magazines and children’s storybooks, I found six stories published from 1970-1972, both nonfiction and fiction, about children with disabilities. In these stories, children found ways to overcome limitations imposed by their disabilities, either through personal struggle or with the help of other children. The stories showcase many of the ideas that structured Maoist thought at the time, including the notion that through the application of Maoism, everything and everyone can advance beyond previously conceived limitations. Furthermore, the revolution depends on every individual, including every child, devoting him or herself to the masses and the revolutionary cause.

The Little Red Guards were a counterpart group to the older Red Guards. Red Guards referred to young people, mostly high school and university students, who took up Mao’s call to renew the revolution and criticize those within the Chinese Communist Party who were straying from the revolutionary path. Red Guards began organizing themselves in 1966, and soon after the state extrapolated from these extra-state (and sometimes anti-state) organizations to create a state-sanctioned junior organization called the “Little” Red Guards. The organization replaced the Youth Pioneers, or “Red Scarves,” which had been the junior organization for the Communist Youth League in the 1950s and 1960s, modeled after the Soviet organizations for children and youth. Little Red Guards were primary school students, generally between the ages of 6 and 14. They were chosen for their good character and revolutionary attitude and deeds. The Little Red Guard magazines that circulated during the Cultural Revolution told stories of Little Red Guards overcoming obstacles and doing good, revolutionary deeds.

Four of the six narratives center on Little Red Guards, and the other two are about “little heroes” (小英雄), children who committed exemplary revolutionary deeds, often risking or resulting in loss of life or limb. All of the stories describe children with physical disabilities. Mental disabilities are rarely mentioned, and only one child, a young girl in “The Three Little Companions,” is described as having mental disabilities in addition to physical ones.

Two essays, “A Disabled Body with a Resolute Will, A Young Person with a Red Heart” and “Making Bricks for the Revolution with a Disabled Body and Resolute Will,” were published only five months apart. “Making Bricks for the Revolution with a Disabled Body and Resolute Will” comes from a Little Red Guard Pictorial published in Tianjin in August 1970. “A Disabled Body with a Resolute Will” was published in January 1970 in the Jiangsu provincial Little Red Guard. Both of these stories are first-person, nonfiction narratives written by children with disabilities who learn to overcome obstacles created by their disabilities through hard work and Maoist thought.

Fifth-grade Little Red Guard Wang Dongfeng wrote a first-person account of her political development in “A Disabled Body with a Resolute Will.” Wang was born with only one arm, so she wrote that for a long time she envied other people who had two arms, and she did not think she could do the things that they could do. Eventually her parents and teachers helped her study Maoism and the examples of Communist heroes, including a Liberation Army soldier who continued all his revolutionary work despite losing one arm in battle. Wang realized her own potential to contribute to the revolution, and she began participating in the same work that others did, as well as volunteering for difficult tasks like cleaning the toilets at school. The illustration for Wang’s story shows her carrying rice plants on her back, with one arm stabilizing the bundle.

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Little Red Guard, “A Disabled Body with a Resolute Will, A Young Person with a Red Heart” [身残志要坚,人小心要红]. Nanjing, Jan. 1970. (Cotsen 46581)

In “Making Bricks for the Revolution with a Disabled Body and Resolute Will,” Li Ruilin also narrates his own story. Li was a Little Red Guard from Dingjiaqiao Primary School. He was paralyzed since birth, so his classmates used a little cart to help him get to school everyday. When Mao called everyone to “prepare for struggle, prepare for famine, for the people,” Li and his classmates decided to contribute by making bricks. As his classmates struggled to carry enough clay back and forth, Li realized that his cart would make the process much easier and more efficient. He hesitated to offer his cart, however, since it was the only way he could get to school everyday. After he thought through the problem with Mao’s teaching on combining learning with practice and not fearing hardship, he offered his cart for his classmates to use. Li himself molded the bricks, despite getting covered in mud and cut by stray shards of glass. In the end, he was satisfied with his decision and the discovery that he “[could] use [his] own energy to fight a struggle and make bricks” (Little Red Guard Pictorial, Tianjin: Jan. 1971.)

In two other stories, “Under the Sunlight,” from a Tianjin Little Red Guard Pictorial and “The Three Little Companions,” from a Shandong Little Red Guard, groups of Little Red Guards helped classmates with disabilities get to school. In both stories, all the primary characters are girls. In the former story, a girl named Xiaohong realized that one of her neighbors, Chen Xiaoyan, could not use her legs, so she had not been going to school. Xiaohong and her fellow Little Red Guards discussed the problem and came up with a solution: using a cart to bring Chen to school. They brought her to school everyday, as well as occasional visits to the local hospital, where – through the use of acupuncture treatments – Chen recovered use of her legs and became not only a Little Red Guard, but also a skilled performer with the Little Red Guard Literature and Art Propaganda Group.

In the latter story, three girls, all Little Red Guards, became close friends as two of them helped the third, Ji Haiyan, to school everyday. Ji had a spinal cord problem that affected her legs, so she could not walk on her own. She also had mental disabilities resulting from her condition, so her friends not only helped her get to school, but also tutored her. They are depicted as close friends, all proudly wearing red scarves.

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Little Red Guard, “The Three Little Companions” [三个小伙伴]. Shandong, Dec. 1971. (Cotsen 63947)

Children’s storybooks were also full of stories of real-life child heroes, including those who acquired a disability as a result of their good deeds. Dai Birong (戴碧蓉) is one of the more famous examples of a child hero who was disabled as a result of her heroic actions. The storybook Little Hero Dai Birong, published in Shanghai in 1971, tells her story. The book also contains other stories of child heroes, but Dai receives the most attention for her sacrifice. In 1968, when she was 12 years old, she spotted three small children playing on the train tracks as a train approached. Heeding Mao’s call to fear neither hardship nor death, she managed to save all three children but lost an arm and a leg in the process.

Two sisters from Inner Mongolia were also praised for heeding Mao’s call to fear neither hardship nor death. A 1971 version of their story, The Heroic Grasslands Sisters, explains that in 1964 11-year-old Longmei and 9 year-old Yurong risked their lives saving the commune’s sheep during a surprise winter storm. At one point, Yurong lost a boot while trying to catch an errant sheep, and was so focused on the herd that she did not notice her own boot was gone. Her foot quickly froze, and she had to crawl. The illustration of this scene is a still shot from the 1965 movie. In it, Yurong looks ahead with determination as she crawls in the snow.

Yurong raised her head, stubbornly pushing her body forward in a crawl. "I must protect the herd. I have to catch up [with them], I must catch up." She recalled the teachings of Chairman Mao, phrase by phrase: "Make a firm resolution, and don't fear sacrifice. Conquer every difficulty, as you go strive for victory." She encouraged herself to move forward.

The Heroic Grasslands Sisters [草原英雄小姐妹]. Shanghai, 1970. (Cotsen 32669)

Caption: Yurong raised her head, stubbornly pushing her body forward in a crawl. “I must protect the herd. I have to catch up [with them], I must catch up.” She recalled the teachings of Chairman Mao, phrase by phrase: “Make a firm resolution, and don’t fear sacrifice. Conquer every difficulty, as you go strive for victory.” She encouraged herself to move forward.

When her older sister Longmei found her, she wrapped up Yurong’s foot, and carried her the rest of the way. Eventually both were saved after a day and a night in the blizzard. Both sisters had sustained extreme frostbite, which necessitated amputations. Longmei lost a toe, and Yurong lost both her feet.1 Though both sisters were permanently disabled, the ending of the storybook emphasizes that they emerged from the storm healthy, rather than disabled. Just as the other stories emphasized the ability of disabled children to participate fully in educational and revolutionary activities, so do the endings of these stories emphasize the abilities of the sisters. While it is true that neither sister lost the ability to walk, Yurong needed prosthetics and could not engage in physical activities in the same way she could before losing her feet.

Immobilized Yurong, stubbornly and heroically crawling forward, much like the disabled children featured in other articles and stories, demonstrates the ideal revolutionary hero, who struggles for the revolution and the masses, fearing neither injury nor death. In these stories, children are raised up as revolutionary models, showing that children, just like adults, were important social and political actors.

You might also like to read the post on the portrayal of the disabled in recent Chinese picture book or another on soldiers who lost limbs in the Napoleonic wars.

Note

[1]. 崔玉娟, “玉荣: 有些事留给时间去验证,” 中国青年报, (Jan. 13, 2015): 7, http://zqb.cyol.com/html/2015-01/13/nw.D110000zgqnb_20150113_2-07.htm