Here’s a Ball for Baby

Cotsen 31857

Baby’s Ball. New York: Art Fabric Mills, 1900 (Cotsen 31857)

I’ve been working on processing collections material that needs to be moved out of a space that will be demolished during the renovation. Much of this material is unprocessed, otherwise under-described, or not accessioned. It’s been tedious work, but I’ve managed to blow the dust off some great items and uncover some diamonds in the rough.

One such surprisingly delightful item has been Baby’s Ball (pictured above), which I came across the other day. It’s a stuffed textile ball which includes a nursery rhyme accompanying 6 lithographed illustrations. The initial record for the item didn’t have much information. But after some careful sleuthing, Andrea and I were able to discover a lot about this Victorian baby toy.

Each illustration is accompanied by 2 descriptive lines of verse, one above and one below the image. We started our investigation when Andrea noticed that this nursery rhyme was vaguely familiar:

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“Here’s a ball for baby, nice and soft and round / here’s the baby’s hammer, hear the baby pound / here’s the baby’s soldiers, standing in a row / here’s the baby’s trumpet, hear the baby blow / don’t take the ball away, to make baby cry / here’s the baby’s cradle, to rock baby by”

At first, we found several versions of the rhyme on the web, but no attribution or history. It was most commonly referenced as a finger play, a nursery rhyme or other simple song that one also performs with hand motions. Itsy Bitsy Spider is probably the most familiar example. Frustratingly, though the song appears so well known, we couldn’t locate it in any of our reference books on early nursery rhymes.

But then we finally hit pay dirt! Andrea found that the original version of the nursery rhyme is attributed to Emilie Poulsson in her book, Finger plays for nursery and kindergarten (Boston : Lothrop Publishing Company, c1893) under the title “All For Baby”. This book, it just so happens, is in the Cotsen collection:

finger plays cover

Front cover, Finger Plays for Nursery and Kindergarten. Boston: Lothrop Publishing Company, c1893 (Cotsen 86551)

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page 38

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Page 39

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Page 40

Though we were able to learn more about the ball’s verse by locating a related item from Cotsen’s own collection; this didn’t help use discover any information about the toy’s manufacture. That information came from a much less likely source: eBay.

While looking for information on our Baby’s Ball, I stumbled across an auction listing for: Antique Dated 1900 Art Fabric Mills Cloth Rag Doll BABY’S BALL Rare Uncut NR yqz. At first it didn’t look pertinent. But after scrolling down the page I realized that the item for sale was an original uncut cloth pattern sheet for the very same ball now in our collection. From this eBay listing, we were not only able to learn about the manufacturer and dates of the item, but that it was probably stitched together and stuffed at home, after the purchase of the uncut sheet.

Below, I’ve Included 2 pictures from that eBay listing for reference. But you can click on the link above to see the original listing which includes more pictures of the uncut sheet.

Uncut sheet for Baby's Ball

Uncut sheet for Baby’s Ball

Patent and manufacturer

Patent and manufacturer

We started with no information on a cute Victorian cloth ball and a vaguely familiar nursery rhyme.  We ended up with a fully described Baby’s Ball (New York : Art Fabric Mills, 1900) which borrows (liberally) from a well-known finger play originally written by Emilie Poulsson in her book Finger plays for nursery and kindergarten, just 7 years before the pattern for the ball was patented. In short, it was a fun day at Cotsen doing research on collections material.

Purely for your edification, I’ve embedded a video performance of the finger play as well:

This video comes from the YouTube channel WCCLS Birth2Six, where a few more finger plays have also been acted out.

 

Maurice Boutet de Monvel Draws a Snowy Day

Today, when winter was doing its best to reassert itself on the first day of spring, I saw for the first time Rondes des quatres saisons (1884), which celebrates the passing of the seasons in poetry by Leon Valade (1844-1884) set to music by Leopold Dauphin (1847-?), and illustrated by several artists.  Among them is Maurice Boutet de Monvel (1851-1913), best known for his patriotic picture book biography of Joan of Arc.

Rondes des quatres saisonsOne of his contributions to the album is this chilly but charming illustration of children stamping their feet to keep warm in a snow shower.

children stamping their feet to keep warm in a snow shower

Rondes des quatres saisons is part of the Diana Rexford Tillson Collection, which Mr. Cotsen purchased in the mid-1990s.   Its vast holdings of picture books, scores, sheet music, sound recordings, and toys documenting the history of music education and appreciation were thoughtfully selected by Miss Tillson, who was for years a Suzuki method violin teacher.  Small discoveries like this Boutet de Monvel illustration are reminders of how rich Miss Tillson’s collection is.  Thanks to her vision, it will continue to support in the years to come both the musicologist looking for a rare edition of Sir Thomas Morley and the performer looking for a piece of sheet music to rearrange for barber shop quartet.